Ирландские средневековые реликвиарии и книжные святыни (кумдахи)

Medieval Irish case for a reliquary or book

A cumdach (, in Irish "cover") or book shrine is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples held by the National Museum of Ireland (NMI). The usual form is a design based on a cross on the main face, with use of large gems of rock crystal or other semi precious stones, leaving the spaces between the arms of the cross for more varied decoration. Several were carried on a metal chain or leather cord, often worn off the belt, or suspended around the neck, placing them next to the heart and thus offering spiritual and perhaps medical benefits (the same was done with the St Cuthbert Gospel in a leather bag in medieval Durham). They were also used to bring healing to the sick or dying, or more formally, as witness contracts. Many had hereditary lay keepers from among the chiefly families who had formed links with monasteries. Only five early examples of cumdach survive, including those of the Book of Dimma and Book of Mulling at Trinity College Dublin, and the Cathach of St. Columba and Stowe Missal. Of the St. Molaise Shrine, only the Gospels are extant; the casing is lost, but more often the reverse is the case. Other books such as the Book of Kells, Book of Armagh and Book of Durrow are known to have once had either cumdachs or treasure bindings or both, but as they contained valuable precious metals they were a natural target for looters and thieves.

The format and function of cumdachs may derive from book caskets used by early Christian Romans. Both types were intended to protect sacred text or relics, and it is plausible that Irish monasteries would seek to emulate the prestige and, according to the Irish art historian Rachel Moss, "splendor of Roman liturgical ceremonies". The Irish church emphasised relics that were, or were thought to be, objects frequently used by monastic saints, rather than the body parts preferred by most of the church, although these were also kept in local versions of the house shaped chasse form, such as the Scottish Monymusk Reliquary. Another Irish specialty was the bell shrine, encasing the hand bells used to summon the community to services or meals, and one of the earliest reliquaries enshrined the belt of an unknown saint, and was probably worn as a test of truthfulness and to cure illness. It probably dates to the 8th century and was found in a peat bog near Moylough, County Sligo. As the sample size of 8 to 10 surviving examples is so small (presumably many such works are lost, mostly plundered for their precious metal or stones) they cannot be classified typologically. Their shared characteristics include that they are sealed, metal cases built to protect earlier objects of veneration originally placed in a timber core typical built from Yew wood or (less commonly) from oak. All of the later refurbishments were seem to have been commissioned by ambitious clergy members, and the work carried out by single metal workers and their workshops. In the majority of instances, the master metal worker left an inscribed signature and date of completion, some of which contain wording that hints at their artistic motivations. All extant cumdachs' contain a frontispiece containing a central cross, a reverse with repetitive openwork patterns consisting of two highly contrasted colours (such as red and black), and sides containing interlace patterns and inscriptions. They are to be distinguished from the metalwork treasure bindings that probably covered most grand liturgical books of the period—the theft and loss of that covering the Book of Kells (if it was not a cumdach alone) is recorded. However the designs may well have been very similar; the best surviving Insular example, the lower cover of the Lindau Gospels (c. 880) in the Morgan Library in New York, is also centered on a large cross, surrounded by interlace panels. Treasure bindings were metalwork assemblies tacked onto the wooden boards of a conventional bookbinding, so essentially the same technically as the faces of many cumdachs, which are also attached with tacks to a core wooden box.

Historians are generally confident in identifying who commissioned the shrines, and their providence. Exceptions include the Book of Durrow and the Stow Missal. Inscriptions on two examples (Durrow and Stowe) indicate they were for a King of Ireland. Almost nothing is known of the metal workers who produced them. A number contain inscriptions that can be read as signatures, but that is the extent of their historical record as even first rank craftsmen of the time were not mentioned in annuals, and were not given obituaries when they died. As craftsmen were not given a high social status, it seems many were illiterate. Some of the signatures are unclear, with instance where the scribe was tasked with writing in Latin, but did not understand how to formulate language.

Cumdachs basic utilitarian functions were as practical protective covers for their manuscript or relic, and to provide, sometimes portable, private centers of devotion, or were of liturgical use. Most other early medieval Irish manuscripts were stored away in secure stone buildings, but were over the years sold, stolen or plundered, and thus lost. The shrines were used during both ecclesiastical and secular ceremonies, such as granting insignia of office, swearing of oaths or signing treaties. during the late medieval and early modern periods so that it could be used to bless and cure sick animals. Typically the relics would be held in, or represented by, crosiers, bell shrines or cumdachs, and carried onto the battlefield by a cleric, who would often be employed by the family as its "hereditary custodian". The most well known cumdach used for this purpose is the Cathach of St. Columba (known as The Cathach or Battler of St. Columba), used as a battle talisman by the O'Donnell family. According to art historian Colum Hourihane, "not only did the shrine and its iconography have to instill fear into the enemy, but, more importantly, it had to instill confidence into the army of the O’Donnells following it". The objects were usually worn around the neck, and the tradition was that the holder would circle the area three times in a "sunwise" direction before the battle commenced. Clerics were allowed non combatant status reducing the likelihood that the reliquary would be captured. Younger clerics were usually selected, according to the historian Anthony Lucas, as a result of "prudent consideration that they stood a better chance than men of mature years of escaping with their precious burden by speed of foot should they find themselves in a tight corner in the melee." There are eight known surviving Irish examples (in chronological order: the Lough Kinale Book Shrine, Soiscél Molaisse, Stowe Missal, The Cathach, Shrine of Miosach, Book of Dimma, Shrine of the Book of Moling, and Shrine of Caillín of Fenagh) with a further two—of the nine extant—"house shaped shrines", namely the 12th century St Manchan's shrine and the c. 1350 additions to the Domnach Airgid. All are protective enclosures intended to permanently seal off a manuscript or relic, and date from between the early 9th to the mid 16 centuries. Several of the earliest documented examples are now lost. The Book of Durrow had a metal casing dated to c. 1002–1015 and the Book of Kells lost its cumdach when it was stolen in 1006. The Book of Armagh was given a cover in 937, which was perhaps lost when it was captured in battle and ransomed by the Norman John de Courcy in 1177. The earliest documented example was made to house and protect the Book of Durrow at the behest of the High King of Ireland Flann Sinna (877–916), by which point it was at Durrow, and believed to be a relic of Columba (Colum Cille). The shrine was lost in the 17th century, but its appearance, including an inscription recording the king's patronage, is recorded in a note from 1677, now bound into the book as folio IIv, although other inscriptions are not transcribed. Once in their shrines, such manuscripts were rarely if ever removed for use as a book.

The earliest known cumdach is also the largest surviving example. Dated to the late 8th or early 9th century, it was not rediscovered until 1986 when found by divers at a depth of of water in the County Longford side of Lough Kinale. Moss speculates that it was thrown in the water to evade being taken during a local chieftain feud or before a Viking raid. The inner structure is of oak, lined with tin and bronze plates attached by nails. Its front cover contains a large central cross, five bosses in bronze, and four rounded openwork medallions containing spiral and lentoid patterns. The figures on the sides include beast heads.

The Soiscél Molaisse, also known as the Sheskill Molash, is the oldest surviving cumdach example largely in its original form, and was made in the early 11th century to hold the gospels of Molaise. It measures high, wide and thick and was built in three phases. The wooden core with bronze casing is 8th century, to which silver plaques were fastened with nails and rivets in the 11th century, and it was re worked again in the 14th or 15th century. The top face is mainly silvered bronze and silver gilt and contains panels the four symbols of the Evangelists in the spaces between a cross. Some of the panels are lost; those that remain have gold filigree interlaced knotwork. The filigree on the arms of the cross are gilted and decorated with ribbon interlace. The ends of the arms were set with gems, now also lost except for one blue stone. Two of panels around the sides are lost. The two remaining contain interlace and Latin inscription around their borders.

The Stowe Missal is a sacramentary dating to about 750. Its cumdach consists of metalwork plaques attached with nails to an older oak container. The metalwork is elaborately decorated, with some animal and human figures, and one face and the sides probably date to between 1027 and 1033, on the basis of inscriptions recording its donation and making, while the other face is later, and can be dated to about 1375, again from its inscriptions. The older "lower" face, which has become detached from the case, is in silver gilt copper alloy, with a large cross inside a border that carries the inscription in Irish, which also runs along the arms of the cross. The centre of the cross was later replaced ("severely embellished" as the National Museum put it), probably at the same time as the later face, by a setting for a now missing large stone with four lobed sections, similar to the centre of the lower face. The inscription has missing sections because of this, but can mostly be reconstructed as asking for a prayer for the abbot of Lorrha, Mathgamain Ua Cathail (c. 1037) and for Find Ua Dúngalaigh, king of Múscraige Tíre (c. 1033).

The Cathach of St. Columba, also known as The Cathach, is probably the best known cumdach. Built for the Cathach of St. Columba, an important psalter usually dated to just after the death of Colum Cille in 597, it is probably the earliest Irish book to survive and a very prestigious relic. The manuscript belonged to the O'Donnells while its shrine was famously used as a battle standard. The initial metalwork dates from 1072 to 1098 at Kells, when a new protective casing of wood and silver was added. The front cover was added in the 14th century, and included a large seated Christ in Majesty flanked by scenes of the Crucifixion and saints in gilt repoussé. It was taken to the continent in 1691 following the Treaty of Limerick, and did not return to Ireland until 1813. That year the cumdach was reopened, leading to the rediscovery of the manuscript. It was by then in very poor condition, but underwent a major restoration in 1982 when the extant pages were rebound and remounted on vellum leaves. Originally a late 11th century relic, it was re worked in 1534 by the goldsmith Brian O'Morrison with repoussé silver decoration with many figures round a cross. and, in four larger panels, Saint Bridget, St. Patrick and Colm Cille. The 11th century cast copper alloy plates on the sides are decorated with openwork zoomorphic illustrations. Its metal cord survives for carrying it, and it was probably round the neck.

The Domnach Airgid, whose title translates in English as the Silver church, dates to the 8th century, but little is visible from before major additions dated to c. 1350 under commission by the abbot of Clones. A three dimensional figure of Christ crucified is at the centre of the main face, accompanied by relief plaques of saints, the Virgin and Child and other scenes on the sides.

The Book of Dimma cumdach dates to the 12th century and was built for the small 8th century manuscript known as the Book of Dimma. The manuscript is traditionally associated with the abbey's founder St Crónán (died (d.) 619). Its small size indicated it was intended as a portable pocket book used for study or contemplation. It is made up of copies of four Gospels and contains stylised portraits of the Apostles St. Matthew, St. Mark and St. Luke. One face of the cumdach's panels of openwork decoration in Viking Ringerike style. Like the manuscript, it is in Trinity College Library, Dublin, while an early 20th century reproduction is in New York.

The Shrine of Caillín of Fenagh is a late example, and was built to hold a c. 1516 manuscript which updates a much earlier book detailing the life of St. Caillín of Fenagh, County Leitrim (fl. c. 570), which may have been written by the saint himself. Caillín is described by Lucas as "something of a specialist in the production of battle talismans" and according to legend, in his lifetime commissioned a number of battle standards, including cathachs in the form a bell and a containers for a Gospel. It was acquired by the NMI the following year, while the manuscript is in the collection of the Royal Irish Academy. There is some doubt as to if the shrine was actually intended as a cumdach, including the fact that it is smaller than the manuscript.