"Distant Lover" Марвина Гейя: История создания и эволюция песни.

Song by Marvin Gaye
the album by Yotam Ben Horin

"Distant Lover" is the sixth song issued on singer Marvin Gaye's 1973 album, Let's Get It On and the B side of the second single from that album, "Come Get to This". A live recording was issued as a single in 1974. The live version of the song was Gaye's most successful single during the three year gap between Let's Get It On and his following 1976 album, I Want You.

Marvin composed the melody of the song with songwriter Sandra Greene during a 1970 recording session while Gaye was finishing edits of his song, "What's Going On". Recorded on November 3, 1970, Gaye first recorded a rough version simply titled "Head Title". Later in the same recording sessions, with help from his sister in law, Gwen Gordy Fuqua, Gaye composed more lyrics and gave it its title, "Distant Lover". Gaye would rework the song several times during the 1970 recording sessions. In the "Head Title" version, Gaye began singing his lyrics "right off the top of my head" and performed in a rasp influenced growl. Two mixes of the "Head Title" version was released posthumously on reissues of Gaye's What's Going On album. The first version, which mixed vocals from another session of the song in what was perceived as a "rough mix", was issued on the 30th anniversary deluxe edition issue of the album in 2001. Ten years later, in 2011, Motown historian Harry Weinger discovered the disregarded "original mix" of the song, which was more polished and featured more lyrics as the other version issued in 2001 had cut off parts of the second chorus' lyrics. This original mix was issued on the 40th anniversary re issue of the album. In both versions of the "Head Title", Gaye was accompanied by songwriter and confidant Elgie Stover as he ad libbed a pained speaking vocal, at times screaming in falsetto during Gaye's performance. At the end of both versions, a female voice, later confirmed to be Denise Gordy, Gaye's niece in law and mother of his adopted son, Marvin III, could be heard speaking to Marvin. The song would become a show stopper in later concerts from then on until Marvin's final concert tour in 1983. Allmusic called it a "steamy version complete with wailing female fans."