Сатурналии: Древнеримский зимний фестиваль

Ancient Roman festival in December

Saturnalia is an ancient Roman festival and holiday in honour of the god Saturn, held on 17 December of the Julian calendar and later expanded with festivities through 19 December. By the 1st century B. C., the celebration had been extended through 23 December, for a total of seven days of festivities. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift giving, continual partying, and a carnival atmosphere that overturned Roman social norms: gambling was permitted, and masters provided table service for their slaves as it was seen as a time of liberty for both slaves and freedmen alike. A common custom was the election of a "King of the Saturnalia", who gave orders to people, which were followed and presided over the merrymaking. The gifts exchanged were usually gag gifts or small figurines made of wax or pottery known as sigillaria. The poet Catullus called it "the best of days". Saturnalia was the Roman equivalent to the earlier Greek holiday of Kronia, which was celebrated during the Attic month of Hekatombaion in late midsummer. It held theological importance for some Romans, who saw it as a restoration of the ancient Golden Age, when the world was ruled by Saturn. The Neoplatonist philosopher Porphyry interpreted the freedom associated with Saturnalia as symbolizing the "freeing of souls into immortality". Saturnalia may have influenced some of the customs associated with later celebrations in western Europe occurring in midwinter, particularly traditions associated with Christmas, the Feast of the Holy Innocents, and Epiphany. In particular, the historical western European Christmas custom of electing a "Lord of Misrule" may have its roots in Saturnalia celebrations.

Although probably the best known Roman holiday, Saturnalia as a whole is not described from beginning to end in any single ancient source. Modern understanding of the festival is pieced together from several accounts dealing with various aspects. The Saturnalia was the dramatic setting of the multivolume work of that name by Macrobius, a Latin writer from late antiquity who is the major source for information about the holiday. Macrobius describes the reign of Justinus' "king Saturn" as "a time of great happiness, both on account of the universal plenty that prevailed and because as yet there was no division into bond and free – as one may gather from the complete license enjoyed by slaves at the Saturnalia." In Lucian's Saturnalia it is Chronos himself who proclaims a "festive season, when 'tis lawful to be drunken, and slaves have license to revile their lords". In one of the interpretations in Macrobius's work, Saturnalia is a festival of light leading to the winter solstice, with the abundant presence of candles symbolizing the quest for knowledge and truth. The renewal of light and the coming of the new year was celebrated in the later Roman Empire at the Dies Natalis Solis Invicti, the "Birthday of the Unconquerable Sun", on 25 December. The popularity of Saturnalia continued into the 3rd and 4th centuries CE, and as the Roman Empire came under Christian rule, many of its customs were recast into or at least influenced the seasonal celebrations surrounding Christmas and the New Year.

Saturnalia underwent a major reform in 217 BC, after the Battle of Lake Trasimene, when the Romans suffered one of their most crushing defeats by Carthage during the Second Punic War. Until that time, they had celebrated the holiday according to Roman custom (more Romano). It was after a consultation of the Sibylline Books that they adopted "Greek rite", introducing sacrifices carried out in the Greek manner, the public banquet, and the continual shouts of io Saturnalia that became characteristic of the celebration. Cato the Elder (234–149 BC) remembered a time before the so called "Greek" elements had been added to the Roman Saturnalia. It was not unusual for the Romans to offer cult (cultus) to the deities of other nations in the hope of redirecting their favour (see evocatio), and the Second Punic War in particular created pressures on Roman society that led to a number of religious innovations and reforms. Robert E. A. Palmer has argued that the introduction of new rites at this time was in part an effort to appease Ba'al Hammon, the Carthaginian god who was regarded as the counterpart of the Roman Saturn and Greek Cronus. The table service that masters offered their slaves thus would have extended to Carthaginian or African war captives.

thumb|left|upright=1.25|Ruins of the Temple of Saturn (eight columns on right) in Rome, traditionally said to have been constructed in 497 BC

The statue of Saturn at his main temple normally had its feet bound in wool, which was removed for the holiday as an act of liberation. The official rituals were carried out according to "Greek rite" (ritus graecus). The sacrifice was officiated by a priest, whose head was uncovered; in Roman rite, priests sacrificed capite velato, with head covered by a special fold of the toga. This procedure is usually explained by Saturn's assimilation with his Greek counterpart Cronus, since the Romans often adopted and reinterpreted Greek myths, iconography, and even religious practices for their own deities, but the uncovering of the priest's head may also be one of the Saturnalian reversals, the opposite of what was normal. Following the sacrifice the Roman Senate arranged a lectisternium, a ritual of Greek origin that typically involved placing a deity's image on a sumptuous couch, as if he were present and actively participating in the festivities. A public banquet followed (convivium publicum). The day was supposed to be a holiday from all forms of work. Schools were closed, and exercise regimens were suspended. Courts were not in session, so no justice was administered, and no declaration of war could be made. After the public rituals, observances continued at home. On 18 and 19 December, which were also holidays from public business, families conducted domestic rituals. They bathed early, and those with means sacrificed a suckling pig, a traditional offering to an earth deity.

[[File:Oscillum con due maschere di pan e baccante, arte galloromana, I sec dc. JPG|thumb|During Saturnalia, the Romans offered oscillum, effigies of human heads, in place of real human heads. Saturn's chthonic nature connected him to the underworld and its ruler Dīs Pater, the Roman equivalent of Greek Plouton (Pluto in Latin) who was also a god of hidden wealth. In sources of the third century AD and later, Saturn is recorded as receiving dead gladiators as offerings (munera) during or near the Saturnalia. These gladiatorial events, ten days in all throughout December, were presented mainly by the quaestors and sponsored with funds from the treasury of Saturn. The practice of gladiator munera was criticized by Christian apologists as a form of human sacrifice. Although there is no evidence of this practice during the Republic, the offering of gladiators led to later theories that the primeval Saturn had demanded human victims. Macrobius says that Dīs Pater was placated with human heads and Saturn with sacrificial victims consisting of men (virorum victimis). In mythic lore, during the visit of Hercules to Italy, the civilizing demigod insisted that the practice be halted and the ritual reinterpreted. Instead of heads to Dīs Pater, the Romans were to offer effigies or masks (oscilla); a mask appears in the representation of Saturnalia in the Calendar of Filocalus. Since the Greek word phota meant both 'man' and 'lights', candles were a substitute offering to Saturn for the light of life. The figurines that were exchanged as gifts (sigillaria) may also have represented token substitutes.

Saturnalia was characterized by role reversals and behavioral license. while others indicate that the slaves feasted first, or that the masters actually served the food. The practice might have varied over time. Saturnalian license also permitted slaves to disrespect their masters without the threat of a punishment. It was a time for free speech: the Augustan poet Horace calls it "December liberty". In two satires set during the Saturnalia, Horace has a slave offer sharp criticism to his master. Everyone knew, however, that the leveling of the social hierarchy was temporary and had limits; no social norms were ultimately threatened, because the holiday would end. The toga, the characteristic garment of the male Roman citizen, was set aside in favor of the Greek synthesis, colourful "dinner clothes" otherwise considered in poor taste for daytime wear. Romans of citizen status normally went about bare headed, but for the Saturnalia donned the pilleus, the conical felt cap that was the usual mark of a freedman. Slaves, who ordinarily were not entitled to wear the pilleus, wore it as well, so that everyone was "pilleated" without distinction. The participation of freeborn Roman women is implied by sources that name gifts for women, but their presence at banquets may have depended on the custom of their time; from the late Republic onward, women mingled socially with men more freely than they had in earlier times. Female entertainers were certainly present at some otherwise all male gatherings. Role playing was implicit in the Saturnalia's status reversals, and there are hints of mask wearing or "guising". No theatrical events are mentioned in connection with the festivities, but the classicist Erich Segal saw Roman comedy, with its cast of impudent, free wheeling slaves and libertine seniors, as imbued with the Saturnalian spirit.

The Sigillaria on 19 December was a day of gift giving. Because gifts of value would mark social status contrary to the spirit of the season, these were often the pottery or wax figurines called sigillaria made specially for the day, candles, or "gag gifts", of which Augustus was particularly fond. Children received toys as gifts. In his many poems about the Saturnalia, Martial names both expensive and quite cheap gifts, including writing tablets, dice, knucklebones, moneyboxes, combs, toothpicks, a hat, a hunting knife, an axe, various lamps, balls, perfumes, pipes, a pig, a sausage, a parrot, tables, cups, spoons, items of clothing, statues, masks, books, and pets. Gifts might be as costly as a slave or exotic animal, but Martial suggests that token gifts of low intrinsic value inversely measure the high quality of a friendship. Patrons or "bosses" might pass along a gratuity (sigillaricium) to their poorer clients or dependents to help them buy gifts. Some emperors were noted for their devoted observance of the Sigillaria. In a practice that might be compared to modern greeting cards, verses sometimes accompanied the gifts. Martial has a collection of poems written as if to be attached to gifts. Catullus received a book of bad poems by "the worst poet of all time" as a joke from a friend. Gift giving was not confined to the day of the Sigillaria. In some households, guests and family members received gifts after the feast in which slaves had shared.

thumb|upright=1.5|Ave, Caesar! Io, Saturnalia! (1880) by Lawrence Alma Tadema. The painting's title draws a comparison between the spontaneous declaration of Claudius as the new emperor by the Praetorian Guard after the assassination of Caligula and the election of a Saturnalicius princeps. Imperial sources refer to a Saturnalicius princeps ("Ruler of the Saturnalia"), who ruled as master of ceremonies for the proceedings. He was appointed by lot, and has been compared to the medieval Lord of Misrule at the Feast of Fools. His capricious commands, such as "Sing naked!" or "Throw him into cold water! ", had to be obeyed by the other guests at the convivium: he creates and (mis)rules a chaotic and absurd world. The future emperor Nero is recorded as playing the role in his youth. Since this figure does not appear in accounts from the Republican period, the princeps of the Saturnalia may have developed as a satiric response to the new era of rule by a princeps, the title assumed by the first emperor Augustus to avoid the hated connotations of the word "king" (rex). Art and literature under Augustus celebrated his reign as a new Golden Age, but the Saturnalia makes a mockery of a world in which law is determined by one man and the traditional social and political networks are reduced to the power of the emperor over his subjects. In a poem about a lavish Saturnalia under Domitian, Statius makes it clear that the emperor, like Jupiter, still reigns during the temporary return of Saturn.

The phrase io Saturnalia was the characteristic shout or salutation of the festival, originally commencing after the public banquet on the single day of 17 December. The interjection io (Greek ἰώ, ǐō) is pronounced either with two syllables (a short i and a long o) or as a single syllable (with the i becoming the Latin consonantal j and pronounced yō). It was a strongly emotive ritual exclamation or invocation, used for instance in announcing triumph or celebrating Bacchus, but also to punctuate a joke.