Первый переходный период в Древнем Египте

Era of Ancient Egyptian history

The First Intermediate Period, described as a 'dark period' in ancient Egyptian history, spanned approximately 125 years, c. 2181–2055 BC, after the end of the Old Kingdom. It comprises the Seventh (although this is mostly considered spurious by Egyptologists), Eighth, Ninth, Tenth, and part of the Eleventh Dynasties. The concept of a "First Intermediate Period" was coined in 1926 by Egyptologists Georg Steindorff and Henri Frankfort. Very little monumental evidence survives from this period, especially from the beginning of the era. The First Intermediate Period was a dynamic time in which rule of Egypt was roughly equally divided between two competing power bases. One of the bases was at Heracleopolis in Lower Egypt, a city just south of the Faiyum region, and the other was at Thebes, in Upper Egypt. It is believed that during that time, temples were pillaged and violated, artwork was vandalized, and the statues of kings were broken or destroyed as a result of the postulated political chaos. The two kingdoms would eventually come into conflict, which would lead to the conquest of the north by the Theban kings and to the reunification of Egypt under a single ruler, Mentuhotep II, during the second part of the Eleventh Dynasty. This event marked the beginning of the Middle Kingdom of Egypt.

The fall of the Old Kingdom is often described as a period of chaos and disorder by some literature in the First Intermediate Period, but mostly by the literature of successive eras of ancient Egyptian history. The causes that brought about the downfall of the Old Kingdom are numerous, but some are merely hypothetical. One reason that is often quoted is the extremely long reign of Pepi II, the last major pharaoh of the 6th Dynasty. He ruled from his childhood until he was very elderly, possibly in his 90s, but the length of his reign is uncertain. He outlived many of his anticipated heirs, thereby creating problems with succession. Thus, the regime of the Old Kingdom disintegrated amidst this disorganization. Another major problem was the rise in power of the provincial nomarchs. Towards the end of the Old Kingdom the positions of the nomarchs had become hereditary, so families often held onto the position of power in their respective provinces. As these nomarchs grew increasingly powerful and influential, they became more independent from the king. They erected tombs in their own domains and often raised armies. The rise of these numerous nomarchs inevitably created conflicts between neighboring provinces, often resulting in intense rivalries and warfare between them. A third reason for the dissolution of centralized kingship that is mentioned was the low levels of the Nile inundation which may have been caused by a drier climate, resulting in lower crop yields bringing about famine across ancient Egypt; see 4.2 kiloyear event. There is however no consensus on this subject. According to Manning, there is no relationship with low Nile floods. "State collapse was complicated, but unrelated to Nile flooding history."

The Seventh and Eighth Dynasties are often overlooked because very little is known about the rulers of these two periods. Manetho, a historian and priest from the Ptolemaic era, describes 70 kings who ruled for 70 days. This is almost certainly an exaggeration meant to describe the disorganization of the kingship during this time period. The Seventh Dynasty may have been an oligarchy comprising powerful officials of the Sixth Dynasty based in Memphis who attempted to retain control of the country. The Eighth dynasty rulers, claiming to be the descendants of the Sixth Dynasty kings, also ruled from Memphis. Little is known about these two dynasties since very little textual or architectural evidence survives to describe the period. However, a few artifacts have been found, including scarabs that have been attributed to king Neferkare II of the Seventh Dynasty, as well as a green jasper cylinder of Syrian influence which has been credited to the Eighth Dynasty. Also, a small pyramid believed to have been constructed by King Ibi of the Eighth Dynasty has been identified at Saqqara. Several kings, such as Iytjenu, are only attested once and their position remains unknown.

Sometime after the obscure reign of the Seventh and Eighth Dynasty kings a group of rulers arose in Heracleopolis in Lower Egypt. This may have been a fanciful tale, but Wahkare is listed as a king in the Turin Canon. Kheti I was succeeded by Kheti II, also known as Meryibre. Little is certain of his reign, but a few artifacts bearing his name survive. It may have been his successor, Kheti III, who would bring some degree of order to the Delta, though the power and influence of these Ninth Dynasty kings was seemingly insignificant compared to the Old Kingdom pharaohs. A distinguished line of nomarchs arose in Siut (or Asyut), a powerful and wealthy province in the south of the Heracleopolitan kingdom. These warrior princes maintained a close relationship with the kings of the Heracleopolitan royal household, as evidenced by the inscriptions in their tombs. These inscriptions provide a glimpse at the political situation that was present during their reigns. They describe the Siut nomarchs digging canals, reducing taxation, reaping rich harvests, raising cattle herds, and maintaining an army and fleet. This line of kings is believed to have been descendants of Intef, who was the nomarch of Thebes, often called the "keeper of the Door of the South". He is credited for organizing Upper Egypt into an independent ruling body in the south, although he himself did not appear to have tried to claim the title of king. However, his successors in the Eleventh and Twelfth Dynasties would later do so for him. One of them, Intef II, begins the assault on the north, particularly at Abydos. By around 2060 BC, Intef II had defeated the governor of Nekhen, allowing further expansion south, toward Elephantine. His successor, Intef III, completed the conquest of Abydos, moving into Middle Egypt against the Heracleopolitan kings. The first three kings of the Eleventh Dynasty (all named Intef) were, therefore, also the last three kings of the First Intermediate Period and would be succeeded by a line of kings who were all called Mentuhotep. Mentuhotep II, also known as Nebhepetra, would eventually defeat the Heracleopolitan kings around 2033 BC and unify the country to continue the Eleventh Dynasty, bringing Egypt into the Middle Kingdom. A particularly important piece is the Ipuwer Papyrus, often called the Lamentations or Admonitions of Ipuwer, which although not dated to this period by modern scholarship may refer to the First Intermediate Period and record a decline in international relations and a general impoverishment in Egypt.

The First Intermediate Period in Egypt was generally divided into two main geographical and political regions, one centered at Memphis and the other at Thebes. The Memphite kings, although weak in power, held on to the Memphite artistic traditions that had been in place throughout the Old Kingdom. This was a symbolic way for the weakened Memphite state to hold on to the vestiges of glory in which the Old Kingdom had reveled. On the other hand, the Theban kings, physically isolated from Memphis (the capital of Egypt in the Old Kingdom) and the Memphite center of art, were forced to develop their own "Pre Unification Theban Style" of art to fulfill their kingly duty of creating order out of chaos through art. There is not much known about the style of art from the North (centered in Heracleopolis) because not much is known about the Heracleopolitan kings: little information is provided detailing their rule on monuments from the North. However, much is known about the Pre Unification Theban Style, as the Theban kings of the Pre Unification Eleventh Dynasty used art to reinforce the legitimacy of their rule, and many royal workshops were created, forming a distinctive Upper Egyptian style of art different from the Old Kingdom canon. Strong facial features and the round modeling of limbs is also seen in statues, as seen in the Limestone Statue of the Steward Mery, from the 11th Dynasty of the First Intermediate Period, also under the reign of Mentuhotep II. Males with pronounced, angular breasts portrayed with rolls of fat, as well as females with angular or pointed breasts are seen in the collection of Limestone Reliefs of High Official Tjetji. The Limestone Relief of High Official Tjetji contains 14 horizontal lines of text at the top of the relief, with an account of Tjetji's life. Five vertical columns on the right of the relief dictate an elaborate offering formula particular to the First Intermediate Period. Tjetji faces right with two smaller males on the left that are most likely official staff. Tjetji himself is depicted as a mature official with a pronounced breast, rolls of fat on his torso, and a calf length kilt. The officials shown on the left are more youthful and wear shorter kilts, symbolizing that they are less mature and active. Wooden rectangular coffins were still being used, but their decorations became more elaborate during the rule of the Heracleopolitan kings. New Coffin Texts were painted on the interiors, providing spells and maps for the deceased to use in the afterlife. Artworks that survived from the Theban Period show that the artisans took on new interpretations of traditional scenes. They employed the use of bright colors in their paintings and changed and distorted the proportions of the human figure. This distinctive style was especially evident in the rectangular slab stelae found in the tombs at Naga el Deir. In terms of royal architecture, the Theban kings of the early eleventh dynasty constructed rock cut tombs called saff tombs at El Tarif on the west bank of the Nile. This new style of mortuary architecture consisted of a large courtyard with a rock cut colonnade at the far wall. Rooms were carved into the walls facing the central courtyard where the deceased were buried, allowing for multiple people to be buried in one tomb. The undecorated burial chambers may have been due to the lack of skilled artists in the Theban kingdom.