ТХХ 1138: Антиутопия Джорджа Лукаса

1971 film by George Lucas

THX 1138 is a 1971 American social science fiction film co written and directed by George Lucas in his directorial debut. Produced by Francis Ford Coppola and co written by Walter Murch, the film stars Robert Duvall and Donald Pleasence, with Don Pedro Colley, Maggie McOmie, and Ian Wolfe in supporting roles. The film is set in a dystopian future in which the citizens are controlled by android police and mandatory use of drugs that suppress emotions. THX 1138 was developed from Lucas's 1967 student film Electronic Labyrinth: THX 1138 4EB, which he created while attending the USC School of Cinematic Arts. The feature film was produced in a joint venture between Warner Bros. and American Zoetrope. A novelization by Ben Bova was published in 1971. The film received mixed reviews from critics and underperformed at the box office upon its initial release, but it has subsequently received critical acclaim and gained a cult following, particularly in the aftermath of Lucas's success with Star Wars (1977). A director's cut prepared by Lucas was released in 2004.

In the dystopian future, sexual intercourse and reproduction are prohibited, and mind altering drugs are mandatory to enforce compliance among the citizens and to ensure their ability to conduct dangerous and demanding tasks. Emotions and the concept of family are taboo. Workers wear identical white uniforms and have shaven heads to emphasize uniformity, likewise with police androids who wear black and monks who are robed. Instead of names, people have designations with three arbitrary letters (referred to as the "prefix") and four digits, shown on an identity badge worn at all times. At their jobs in central video control centers, SEN 5241 and LUH 3417 keep surveillance on the city. LUH has a male roommate named THX 1138, who works in a factory producing android police officers. At the beginning of the story, THX finishes his shift while the loudspeakers urge the workers to "increase safety"—and congratulate them for only losing 195 workers in the last period—to the competing factory's 242. On the way home, he stops at a confession booth in a row of many, and relates his concerns and mumbles prayers about "party" and "masses", under the Jesus Christ esque portrait of "OMM 0000". A soothing voice greets THX, and OMM ends the confession with a parting salutation: "You are a true believer, blessings of the State, blessings of the masses. Work hard, increase production, prevent accidents, and be happy." At home, THX takes his drugs and watches holobroadcasts while engaging with a masturbatory device. LUH secretly substitutes pills in her possession for THX's medications, causing him to develop nausea, anxiety, and sexual desires. LUH and THX become involved romantically and have sex. THX later is confronted by SEN, who attempts to arrange that THX become his new roommate, but THX files a complaint against SEN for the illegal shift pattern change. Without drugs in his system, THX falters during a critical and hazardous phase of his job, and a control center engages a "mind lock" on THX which raises the level of danger. After the release of the mind lock, THX makes the necessary correction to that work phase. THX and LUH are arrested and THX undergoes drug therapy and medical analysis. He enjoys a brief reunion with LUH, but it is disrupted shortly after she reveals her pregnancy. At THX's trial, it is stated that THX was clinically born. It is decided that it would be inefficient to terminate THX, so THX is sentenced to prison, alongside SEN. The prison appears to be an all white space with no walls. One of the prisoners is a "shell dweller", later called a "Wookiee". The other prisoners seem uninterested in escape. THX and SEN walk to search for an exit. They walk and walk, with only a white space to be seen all around them. Eventually they are joined by hologram actor SRT 5752, who starred in the holobroadcasts. SRT 5752 shows them the exit and suggests to them that they may have been going in circles. During the escape, THX and SRT are separated from SEN. Chased by the police androids, THX and SRT are trapped in a control center, from which THX learns that LUH has been "consumed", and her name has been reassigned to her fetus, numbered 66691, in a growth chamber. SEN eventually escapes to an area reserved for the monks of OMM, where a monk notices that SEN has no identification badge. SEN attacks him and later wanders into a child rearing area, strikes up a conversation with children, and sits aimlessly until police androids apprehend him. THX and SRT steal two cars. SRT struggles to figure out how to drive the car. When SRT finally gets the car to move, SRT immediately crashes his car into a concrete pillar. After the crash, SRT is not found in the vehicle. Pursued by two police androids on motorcycles, THX flees to the limits of the city. Android officers continue to pursue him as he briefly struggles with simian like creatures identified as shell dwellers and arrives at a vertical shaft with an escape ladder. The android officers are ordered by Central Command to cease pursuit, on the grounds that the expense of his capture exceeds their allocated budget for THX. The officers inform THX that the area outside the "city shell" is uninhabitable in a last ditch attempt to convince him to surrender, but he is undeterred and continues up the ladder. The city is then revealed to be entirely underground, and THX has escaped onto the surface, where he witnesses the Sun setting.

THX 1138 is the first film of a planned seven picture slate commissioned by Warner Bros. from the 1969 incarnation of American Zoetrope. Lucas wrote the initial script draft based on his earlier short film, but Coppola and Lucas agreed that it was unsatisfactory. Walter Murch assisted Lucas in writing an improved final draft. The script required almost the entire cast to shave their heads, either completely bald or with buzz cuts. As a publicity stunt, several actors were filmed having their first haircuts and shaves at unusual venues, with the results used in a promotional featurette titled Bald: The Making of THX 1138. Many of the extras were recruited from the nearby Synanon, an addiction recovery program that later became a violent cult. Filming began on September 22, 1969. The schedule was planned for 35 40 days, completing in November 1969. Lucas filmed THX 1138 in Techniscope. Most filming locations are in the San Francisco area, including the unfinished tunnels of the Bay Area Rapid Transit subway system, the Lawrence Livermore National Laboratory, Studio sequences were shot at stages in Los Angeles, including a white stage for the "white limbo" sequences. chased by Yamaha TA125/250cc two stroke, race replica motorcycles through two San Francisco Bay Area automotive tunnels: the Caldecott Tunnel between Oakland and Orinda and the underwater Posey Tube between Oakland and Alameda. The chase features a motorcycle stunt in which stuntman Ronald "Duffy" Hambleton (credited as Duffy Hamilton) rode his police motorcycle full speed into a fallen scaffold, with a ramp built to his specification. He flew over the handlebars, was hit by the airborne motorcycle, landed in the street on his back, and slammed into the crashed car in which Duvall's character had escaped. Lucas edited the film on a German made K E M flatbed editor in his Mill Valley house by day and Walter Murch edited sound at night, comparing notes as each session ended.

The soundtrack to THX 1138, conducted by Lalo Schifrin, was released in 1970. Recording took place on October 15 and 16, 1970 at the Burbank Studios in Burbank, California.

THX 1138 was released to theaters on March 11, 1971, and was a commercial flop, earning $945,000 in rentals for Warner Bros. and an overall loss for the studio. Roger Ebert of the Chicago Sun Times awarded the film three stars out of four and wrote, "THX 1138 suffers somewhat from its simple storyline, but as a work of visual imagination it's special, and as haunting as parts of 2001: A Space Odyssey, Silent Running, and The Andromeda Strain." Gene Siskel of the Chicago Tribune awarded two stars out of four and stated, "The principal problem with this film is that it lacks imagination, the essential component of a science fiction film. Some persons might claim that the world of THX 1138 is here right now. A more reasonable opinion would hold that we are facing the problems of that world right now. Time has passed the film by." Vincent Canby of The New York Times wrote, "It is not, however, as either chase drama, or social drama, that THX 1138 is most interesting. Rather it's as a stunning montage of light, color and sound effects that create their own emotional impact  Lucas's achievement in his first feature is all the more extraordinary when you realize that he is 25 years old, and that he shot most of the film in San Francisco, on a budget that probably would not cover the cost of half of one of the space ships in Stanley Kubrick's 2001." Arthur D. Murphy of Variety observed, "Likely not to be an artistic or commercial success in its own time, the American Zoetrope (Francis Ford Coppola group) production just might in time become a classic of stylistic, abstract cinema." Charles Champlin of the Los Angeles Times praised the film as "a stunning deployment of the aural and visual resources of the screen to suggest a fearful new world of tyranny by technology", adding that "Lucas is obviously a master of cinematic effects with a special remarkable gift for discovering the look of the future in mundane places like parking structures and office corridors." Champlin stressed that the "real excitement of THX 1138 is not really the message but the medium — the use of film not to tell a story so much as to convey an experience, a credible impression of a fantastic and scary dictatorship of tomorrow." Kenneth Turan wrote in The Washington Post, "Fortunately, the film comes over not at all trite but rather as enormously affecting. Lucas obviously believed strongly in this futuristic vision, and the film draws its vitality and unity from his belief, and from the fact that it was not bottled up to meet arbitrary conditions but allowed the free rein necessary to reach completeness." Penelope Houston of The Monthly Film Bulletin commented, "Details of the future society — control panels, monitor screens, soothing TV commercial voices, unshakeably calm robot policemen, the human animal turned automaton in appearance and function, but breaking out into a doomed love affair — are all tolerably persuasive, but in sum total rather a pile up of predictability. On the Orwellian level of ideas, Lucas' passive new world is too indeterminate to carry enough conviction and, consequently, enough of a menacing charge." The film has continued to earn critical acclaim and holds an approval rating of 86% on Rotten Tomatoes based on 63 reviews, with an average score of 6.85/10. The consensus reads: "George Lucas's feature debut presents a spare, bleak, dystopian future, and features evocatively minimal set design and creepy sound effects." On Metacritic it has a weighted average score of 75 out of 100 based on 8 reviews, indicating "generally favorable reviews".

The film received a nomination at the 1971 Cannes Film Festival from the International Federation of Film Critics in the Directors' Fortnight section.

The first version was a 15 minute student film for the USC School of Cinematic Arts titled Electronic Labyrinth: THX 1138 4EB. It was released as a bonus feature along with the 2004 director's cut release.

The 1971 studio version, distributed to theaters, had five minutes removed (against Lucas' wishes) by Warner Bros. This 81 minute version has never been released in any home media format.

In 1977, after the success of Star Wars, THX 1138 was rereleased with the footage restored that had been deleted by Warner Bros., but it still failed to achieve popularity. This version was later released in VHS (88 minutes) and LaserDisc (86 minutes) formats.

In 2004, The George Lucas Director's Cut of the film was released. Under Lucas' supervision, the film underwent an extensive restoration and digital intermediate process by Lowry Digital and Industrial Light & Magic (ILM), where the film's original negative was scanned, digital color correction was applied and a new digital master was created. Computer generated imagery and audio/video restoration techniques were also applied to the film. At Lucas's request, the previsualization team at Skywalker Ranch worked with ILM throughout mid 2003. The team also executed a single day shoot to form the basis for new digital visual effects, mostly to expand scenes by extending crowds and adding detail to settings and backgrounds for many scenes. These changes increased the runtime of the film to 88 minutes. This director's cut was released to a limited number of digital projection theaters on September 10, 2004, and then on DVD on September 14, 2004. The film was released on Blu ray on September 7, 2010. With the addition of the added content, the film's MPAA rating was changed from GP (now known as PG) to R for "sexuality/nudity". It is the only film directed by Lucas to carry an "R" rating.

A novelization based on the film was written by Ben Bova and published in 1971. It follows the film's plot closely, with four additions:
An additional character, Control, is the accountant like ultimate administrator of the city. Several passages depict the events from his point of view. After having sex with LUH 3417, THX 1138 consults a psychologist and admits everything. This psychologist transfers the confession to Control, leading to the overriding mindlock and arrest in the factory. LUH 3417's trial and death are depicted first hand from her point of view and from that of Control. Instead of climbing outside to witness a sunset, THX 1138 climbs up and spends the night in the superstructure, and exits in the morning to find other humans living outside.

The significance of the name THX 1138 has been the subject of much speculation. Lucas chose the letters and numbers for their aesthetic qualities, especially their symmetry. Lucas named the film after his telephone number while in college, 849 1138—the letters THX correspond to the numbers 8, 4, and 9 on the keypad. However, Walter Murch said that he always believed that Lucas intended THX to be "sex", LUH to be "love", and SEN to be "sin". Numerous references to "1138" or "THX 1138" appear throughout the Star Wars, and other Lucas films. THX 138 is the license plate number of John Milner's hot rod in American Graffiti. Lucas founded THX Ltd., developer of the "THX" audiovisual reproduction standards.