Пол Малдун: Ирландский поэт и его мир

Irish poet

Paul Muldoon is an Irish poet. He has published more than thirty collections and won a Pulitzer Prize for Poetry and the T. S. Eliot Prize. At Princeton University he has been both the Howard G. B. Clark '21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He held the post of Oxford Professor of Poetry from 1999 to 2004 and has also served as president of the Poetry Society (UK) and poetry editor at The New Yorker.

Muldoon was born, the eldest of three children, on a farm in County Armagh outside The Moy, near the boundary with County Tyrone, Northern Ireland. His father worked as a farmer (among other jobs) and his mother was a school mistress. In 2001, Muldoon said of the Moy: It's a beautiful part of the world. It's still the place that's 'burned into the retina', and although I haven't been back there since I left for university 30 years ago, it's the place I consider to be my home. We were a fairly non political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we'd hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn't really socialise a great deal. We were 'blow ins' – arrivistes – new to the area, and didn't have a lot of connections. Talking of his home life, he continues: "I'm astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopaedia, which I certainly read again and again. People would say, I suppose, that it might account for my interest in a wide range of arcane bits of information. At some level, I was self educated." He was a '"Troubles poet" from the beginning. where his students included Lee Hall (Billy Elliot) and Giles Foden (Last King of Scotland). In 1987, Muldoon emigrated to the United States, where he taught in the creative writing program at Princeton. He was Professor of Poetry at Oxford University for the five year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.

His poetry is known for his difficult, sly, allusive style, casual use of obscure or archaic words, understated wit, punning, and deft technique in meter and slant rhyme. As Peter Davidson says in The New York Times review of books "Muldoon takes some honest to God reading. He's a riddler, enigmatic, distrustful of appearances, generous in allusion, doubtless a dab hand at crossword puzzles". The Guardian cites him as being "among the few significant poets of our half century"; "the most significant English language poet born since the second world war" – a talent off the map. The post modern poem narrates, in 233 sections (the same number as the number of Native American tribes), an alternative history in which Samuel Taylor Coleridge and Robert Southey come to America to found a utopian community. The two poets had, in reality, discussed but never undertaken this journey. Muldoon's poem is inspired by Southey's work Madoc, about a legendary Welsh prince of that name. Critics are divided over the poem's success. Some are stunned by its scope and many others, such as John Banville, have professed themselves utterly baffled by it – feeling it to be wilfully obscure. Muldoon says of it: "I quite enjoy having fun. It's part of how it is, and who we are." was disbanded in 2010. Another of Muldoon's bands, Wayside Shrines, has recorded and released thirteen of the lyrics included in Muldoon's collection of rock lyrics, Word on the Street. His current group is known as Rogue Oliphant. Muldoon has also edited a number of anthologies, including The Lyrics: 1956 to the Present by Paul McCartney, published in 2021, written two children's books, translated the work of other authors, performed live at the Poetry Brothel. and published critical prose.