Суртур: Огненный великан из скандинавской мифологии.

Norse mythical character

In Norse mythology, Surtr (Old Norse "black" "the swarthy one", Surtur in modern Icelandic), also sometimes written Surt in English, is a jötunn. He is the guardian of Muspelheim which is along with Niflheim, the only two realms to exist before the beginning of time, and the greatest of the fire giants. Surtr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Surtr is foretold as being a major figure during the events of Ragnarök; carrying his bright sword, he will go to battle against the Æsir, he will battle the major god Freyr, and afterward the flames that he brings forth will engulf the Earth. In a book from the Prose Edda additional information is given about Surtr, including that he is stationed guarding the frontier of the fiery realm Múspell, that he will lead "Múspell's sons" to Ragnarök, and that he will defeat Freyr. Surtr has been the subject of place names and artistic depictions, and scholars have proposed theories regarding elements of Surtr's descriptions and his potential origins.

In chapter 4 of the Prose Edda book Gylfaginning, the enthroned figure of Third tells Gangleri (described as King Gylfi in disguise) about the location of Múspell. Third says that the bright and flaming region of Múspell existed prior to Niflheim, and it is impassable to those not native to the region. To defend Múspell, Surtr is stationed at its frontier. Third adds that Surtr has a flaming sword, and that "at the end of the world he will go and wage war and defeat all the gods and burn the whole world with fire". The stanza from Völuspá that foretells Surtr moving from the south is then quoted. In chapter 18, Gangleri asks what will protect the fair hall Gimlé "when Surtr's fire burns heaven and earth". In chapter 51 of Gylfaginning, High describes the events of Ragnarök. High says that "amid this turmoil the sky will open and from it will ride the sons of Muspell. Surtr will ride in front, and both before and behind him there will be burning fire. His sword will be very fine. Light will shine from it more brightly than from the sun." High continues that when the sons of Múspell ride over the bridge Bifröst it will break, and that they will continue to the field of Vígríðr. The wolf Fenrir and the Midgard Serpent will also arrive there. By then, Loki will have arrived with "all of Hel's people", Hrym, and all of the frost jötnar; "but Muspell's sons will have their own battle array; it will be very bright". Further into the chapter, High describes that a fierce battle will erupt between these forces and the Æsir, and that during this, Surtr and Freyr will engage in battle "and there will be a harsh conflict before Freyr falls". High adds that the cause of Freyr's death will be that Freyr is lacking "the good sword" that he once gave his servant Skírnir. As foretold by High further into chapter 51 Gylfaginning, Once Heimdallr and Loki fight (and mutually kill one another), Surtr "will fling fire over the earth and burn the whole world". High quotes ten stanzas from Völuspá in support, and then proceeds to describe the rebirth and new fertility of the reborn world, and the survivors of Ragnarök, including various gods and the two humans named Líf and Lífthrasir that will have hid from "Surtr's fire" in the wood Hoddmímis holt. In the Epilogue section of the book Skáldskaparmál, a euhemerized monologue states that "what they called Surt's fire was when Troy burned". In chapter 2, a work by the skald Eyvindr skáldaspillir is quoted that mentions "Surt's deep vales", using the name Surtr as a common noun for a jötunn, with "deep vales" referring to the depths of the mountains (specifically Hnitbjorg).

Scholar Rudolf Simek theorizes that "the concept of Surtr is undoubtedly old", citing examples of Surtr being mentioned in works by the 10th century skalds Eyvindr skáldaspillir and Hallfreðr vandræðaskáld, in poems collected in the Poetic Edda, and that the name of the volcanic caves Surtshellir in western Iceland was already recorded in the Landnámabók manuscript. Simek notes that jötnar are usually described as living to the east in Old Norse sources, yet Surtr is described as being from the south, and that this "surely has to do with his association with fire and heat". Simek says that "in Iceland Surtr was obviously thought of as being a mighty giant who ruled the powers of (volcanic) fire of the Underworld", and Simek theorizes that the notion of Surtr as an enemy of the gods likely did not originate in Iceland. A link has been proposed with Śuri, the Etruscan god of Sun, volcanic fire and underworld, noting that they also share the same etymology. The scholar Bertha Phillpotts theorizes that the figure of Surtr was inspired by Icelandic eruptions, and that he was a volcano demon. Scholar Andy Orchard theorizes that the description of Surtr found in Gylfaginning "appears to owe something to biblical and patristic notions of the angel with a flaming sword who expelled Adam and Eve from paradise and who stands guard over the Garden of Eden." Richard Cole draws a comparison between Snorri's depiction of the sons of Muspell and the Red Jews motif. Cole writes that "Snorra Edda is closer to the Red Jews motif than it is to Vǫluspá", pointing out many similarities between Snorri's narrative in his Edda and the Red Jews motif in which the Prose Edda differs from Völuspá.

The 12th 13th century Icelandic "Book of Settlements" (Landnámabók) describes the 150 km journey of a chieftain's son, Þorvaldur holbarki ("hollow throat") Þorðarson, through Iceland's interior to sing a poem of praise (a "drápa") – a ritual act – to the giant that lived inside "hellisins Surts", Surt's cave, which is called Surtshellir in modern Icelandic. Archaeological research inside the cave in 2001, 2012, and 2013 has shown that what was once theorized to be evidence of outlaws' activity in the cave – bones of sheep and oxen – instead documents evidence of Viking Age ritual activities undertaken inside the cave for 65–100 years prior to Iceland's conversion to Christianity around 1000 AD. This suggests a possible cult to appease the fire giant, perhaps the first concrete evidence of worship of the jötnar, or of efforts to strengthen the gods in order to restrain Surtr or other jötnar under his control.

In modern Iceland, the notion of Surtr as a giant of fire lives on; Surtsey ("Surtr's island"), a volcanic island that appeared in 1963 in Vestmannaeyjar, Iceland, is named after Surtr much like Surtshellir. The description found in Gylfaginning of Surtr guarding the frontier of Múspell is depicted in John Charles Dollman's painting The Giant with the Flaming Sword. as a result of the NameExoWorlds 2019 campaign. Surtr was adapted as a character by Marvel Comics, first appearing in Journey into Mystery #97 (October 1963). Surtur was important to the backstory in the animated film Thor: Tales of Asgard, before making a full appearance in the 2017 MCU film Thor: Ragnarok. A female operator in the mobile video game Arknights is named after the giant, and is regarded as one of the most powerful units in the game.