Жерар Филипе: Француз актерінің өмірі мен шығармашылығы

French actor

Gérard Philipe (ʒeʁaʁ filip) (born Gérard Albert Philip, 4 December 1922 – 25 November 1959) was a prominent French actor who appeared in 32 films between 1944 and 1959. He came to prominence during the later period of the poetic realism movement of French Cinema in the late 1940s. His best known credits include Such a Pretty Little Beach (1949), Beauty and the Devil (1950), Fan Fan the Tulip (1953), Montparnasse 19 (1958) and Les liaisons dangereuses (1959). During his career he performed with some of the most famous and glamorous leading ladies of the era including Jeanne Moreau, Michèle Morgan, Micheline Presle, Danielle Darrieux, Gina Lollobrigida and Anouk Aimée. As well as a successful film career, he was also a highly regarded classical actor, later achieving further fame when he became a member of Jean Vilar's Théâtre national populaire where he performed in many of the greatest plays from the repertoire of French drama. He was, until his premature death, one of the main stars of the post war period. His image has remained youthful and romantic, making him one of the most beloved cultural icons in French cinema.

Gérard Albert Philip was born on 4 December 1922 in the villa Les Cynanthes in Cannes (Alpes Maritimes), into an affluent family, made up of Marcel Philip (1893 1973) who was a wealthy barrister, businessman and owner of various hotel establishments on the Côte d'Azur and in Paris. His mother was Maria Elisa "Minou" Philip, née Vilette (1894–1970) and he had an older brother, Jean, who was one year his senior. His mother was the daughter of a pastry chef based in Chartres and a Czech emigrant who came directly from Prague. Making Philipe one quarter Czech ancestry from his maternal grandmother. In 1936, his father became a member of the Nationalist League of the Croix de Feu, later becoming enthusiastic about Jacques Doriot and his dream of national socialism à la française, joined the French People's Party and became secretary of the federation of Cannes. In 1928, Gérard was, with his brother Jean, an intern at the Stanislas Institutei High School in Cannes run by the Marianists, where he was a good student. There, at the beginning of the war, he obtained his baccalaureate. As a teenager, Philipe took acting lessons before going to Paris to study at the Conservatoire of Dramatic Art. In 1940, the Philip family moved to Grasse where Marcel managed the Parc Palace Hotel, Grasse. As the owner manager of the Parc palace hôtel, his father housed the Mussolinian general staff there in 1940 and then the Nazi general staff in 1943. However, it was during this period in the early 40s, that many artists joined the free zone, with the Côte d'Azur becoming a hive of intense activity. In 1941, Philipe began studying law in Nice, as it was expected he would become a lawyer like his father, but after confiding in his mother, he considered leaving this path to become an actor, a move which his father opposed. The same year, the filmmaker Marc Allégret met Maria, who occasionally practiced as a clairvoyance at her husband's hotel. Knowing that her son dreamt of being in the theatre, she persuaded the director to audition him. He therefore auditioned Gérard, asking him to perform a scene from Étienne, a play by Jacques Deval where a 17 year old son sees his vocation as an actor thwarted by his father. He is impressed by "a kind of violence [ ] that we felt ready to boil over at any moment". The filmmaker advised him to enroll in the Center des jeunes du cinema in Nice, then sent him to take drama classes with Jean Wall and Jean Huet in Cannes. Philipe had already enrolled in the faculty of law in Nice in 1942, but after meeting many refugee artists on the Côte d'Azur, then in the free zone since 1940, he finally made the decision to become an actor, with his mother supporting him in this endeavour.

Philipe auditioned in 1942 in front of Maurice Cloche for the adventure film 'Les Cadets de l'océan', but did not get a role. He also did an essay for Le Blé en herbe alongside Danièle Delorme, but the project was censored by the Vichy regime. He eventually made his theatre debut in Une grande fille tout simple, by André Roussin. The premiere of which took place on 11 July at the Cannes Casino. The play was a great success and toured in the south of France, as well as in Switzerland. His talent is already appreciated and recognized by his peers. In order to satisfy his mother's superstition, he adds an 'e' to his surname, so his first name and surname now form 13 letters. A name he would use professionally for the rest of his life. It was whilst attending the Conservatory of Dramatic Art in Paris that Philipe made his debut in Nice at the age of 19 on 11 October 1943 in Paris at the Théâtre Hébertot in a production by Georges Douking., where he played Angel in Jean Giradoux’s 'Sodome et Gomorrhe' (1943) opposite Edwige Feuillère, this original production was a commercial success and ran for over two hundred performances. It was this performance that made him an star overnight. It was as a result of his success on the stage, that led to him receiving film offers, and within five years he would achieve international fame in the cinema. In 1943, Philipe toured with the play Une Jeune Fille sais by André Haguet, which met with success in Paris. He confirmed his acting gifts. Marc Allégret first hired him for a silhouette in the film La Boîte aux rêves, directed by his brother Yves, then gave him a small role in Petites du quai aux fleurs. The Philip family moved to rue de Paradis, in the 10th arrondissement of Paris Gérard acquires his financial independence and lived with Jacques Sigurd on the rue du Dragon, in Saint Germain des Prés. His friend, who would write many screenplays and dialogues in the films in which Gérard would play, introduced him to modern literature and introduced him to Caligula by Albert Camus He obtained his first success and fame at the age of twenty, in the role of the angel of Sodom and Gomorrah by Jean Giraudoux. The director of the theatre, Jacques Hébertot, testifies: “From the first rehearsals, we realised that we had nothing to teach this young actor. He was inhabited". Despite the success, Gérard Philipe enrolled at the National Conservatory of Dramatic Art, took lessons from Denis d'Inès and won the second prize for comedy the following year, having been admitted to compete despite being in first year. At the Conservatoire, in 1944 he met the future poet Georges Perros with whom he would remain linked all his life. In February 1943, Philipe had a Cannes doctor draw up a certificate confirming that he had suffered from pleurisy three years earlier and that his condition remained fragile: "65kg for 1.83m", which allowed him to be reformed. Another certificate was made in June 1943. This pleurisy will cause health concerns for the young man later. If some of his friends joined the Resistance, it is not certain that Gérard Philipe knew it then: the displayed opinions of Mr. Philip must have made them quite suspicious. Gérard Philipe will not join the Resistance until the very last hour. From 20 to 25 August 1944 he took part in the Liberation of Paris, notably from the Hôtel de Ville, Paris, in the company of thirty people under the orders of Roger Stéphane. From October he took lessons from Georges Le Roy “He taught me to stand up straight, with my knees outstretched, facing life, like a healthy man. In 1945, his father, Marcel, was sentenced to death in absentia for his crimes of collaboration. This resulted in the confiscation of his property on 22 November 1945 for intelligence with the enemy and membership in an anti national group. Using his son's contacts, he was able to flee to Spain where he became a French teacher in Barcelona. Gérard, Anne and their children would pay him frequent visits.

Philipe made his film debut in Les Petites du quai aux fleurs (1943), directed by Marc Allégret, in an uncredited role. He had a minor role in Box of Dreams (1945) then was third billed in Land Without Stars (1946) after Jani Holt and Pierre Brasseur; George Lacombe wrote and directed. When he was 19 years old, he made his stage debut at a theatre in Nice; and the following year his strong performance in the Albert Camus play Caligula made his reputation. Philipe had a lead role in The Idiot (1946), an adaptation of the novel by Fyodor Dostoevsky, co starring Edwige Feuillère for director Georges Lampin. This was seen in other countries and established Philipe as a leading man. He was in Ouvert pour cause d'inventaire (1946), a short film that was an early work for Alain Resnais. He was invited to work with the Théâtre national populaire (T. N. P.) in Paris and Avignon, whose festival, founded in 1947 by Jean Vilar, is France's oldest and most famous. Philipe gained fame as a result of his performance in Claude Autant Lara's Devil in the Flesh (1947), alongside Micheline Presle. It was a huge box office success. He went on to star in La Chartreuse de Parme (1948) for director Christian Jacque, which was even more popular than Devil in the Flesh. He followed it with Such a Pretty Little Beach (1949) for Yves Allégret; All Roads Lead to Rome (1949), a reunion with Presle, for Jean Boyer; and Beauty and the Devil (1950) for René Clair. He was in Beauties of the Night (1952), again with Lollobrigida, and Martine Carol, directed by Clair; The Proud and the Beautiful (1953) with Michèle Morgan; two more all star anthologies: It Happened in the Park (1953) and Royal Affairs in Versailles (1954). Philipe tried an English movie, Lovers, Happy Lovers! (1954, also known as Knave of Hearts), directed by René Clément and co starring Valerie Hobson. He then did The Red and the Black (1954) with Danielle Darrieux and had a big success with The Grand Maneuver (1955) for René Clair, co starring Morgan. He starred in Lovers of Paris (1957) for Julien Duvivier and Montparnasse 19 (1958) for Jacques Becker. He was one of many stars in Life Together (1958) and top billed in The Gambler (1958). In 1958 he went to New York and performed on Broadway in the all French Lorenzaccio and Le Cid. Philipe played Valmont in Roger Vadim's modern day version of Les liaisons dangereuses (1959), appearing alongside Jeanne Moreau. His last film was Fever Mounts at El Pao (1960) for Luis Buñuel.

On 5 November 1959 he was admitted to hospital at the Violet Clinic, 60 rue Violet (Paris 15th), where he was diagnosed with liver cancer. His wife and the doctors concealed the nature of his disease, letting him believe that the operation was a successful operation against an abscess, to spare him dealing with the tragic news. He was working on ideas for plays and films he planned to work on for when he got better, one of which was Hamlet. He died from liver cancer, on 25 November 1959, at his home on the Rue de Tournon, Paris, a few days short of his 37th birthday. His untimely death caused a deep outpouring of shock and emotion in France, due to his great popularity as an actor and French icon. Jean Vilar paid him a final tribute on 28 November, on the stage of the Théâtre de Chaillot: “Death struck high. She mowed down the very one that [ ] for us expressed life. [ ] Hard worker, secret worker, methodical worker, he nevertheless mistrusted his gifts which were those of grace". In accordance with his last wishes, he was buried, dressed in the costume of Don Rodrigue (The Cid), in the village cemetery in Ramatuelle, Var, near the Mediterranean coast. To commemorate the centenary of the cinema in 1995, the French government issued a series of limited edition coins that included a 100 franc coin bearing the image of Philipe. Among the most popular French actors of modern times, he has been elevated to mythic status in his homeland, not least because of his early death at the peak of his popularity.

It was in 1942, that Gérard first met Nicole Navaux, who was an ethologist and wife of diplomat François Fourcade. It was in 1946, after Nicole divorced her first husband, that she and Philipe became engaged, marrying on 29 November 1951 at the town hall of Neuilly sur Seine. Upon marriage Gérard asked his wife if she could use her first name, Anne, which he found to be more poetic. They soon had two children: Anne Marie Philipe (born December 21, 1954) and Olivier Philipe (born 10 February 1956). They spent their time as a family between the boulevard d'Inkermann in Neuilly, and later rue de Tournon in Paris. They spent summer holidays together in Ramatuelle, in Provence, in a property belonging to Anne's family. In 1954, they bought a property in Cergy, on the banks of the Oise. Here they found a haven of peace, away from hectic Parisian life, a place to receive their friends including Georges Perros, Agnès Varda, Claude Roy, René Clair). Philipe was a supporter of the Communist Party. He criticized however the Soviet intervention in Hungary in 1956. In 1959 he visited the communist leader of Cuba, Fidel Castro, on his invitation.

"Rue Gérard Philipe" is a street in the 16th arrondissement of Paris named in his honour. In 1961, his portrait appeared on a French commemorative postage stamp. The "Gérard Philipe Theatre" (TGP) in Paris was named after him. From 1962 to 2000, the "Grand Prix Gérard Philipe de la Ville de Paris" was awarded almost annually by the city of Paris for the best actress or best actor at a Parisian theatre. Prize winners included Gérard Depardieu, Daniel Auteuil, Maria de Medeiros and Isabelle Carré. There is also a film festival named in his honour as well as a number of theatres and schools (such as the College Gérard Philipe – Cogolin) in various parts of France. A cultural centre is named after him in Berlin.