Бір түндік махаббат

1934 film
the 2008 Russian historical drama TV show

One Night of Love is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story Don't Fall in Love, by Charles Beahan and Dorothy Speare. In the relatively new use of sound recordings for film, One Night of Love was noted at the time for its innovative use of vertical cut recording, for which Columbia Pictures received an Academy Scientific and Technical Award. It also won the Academy's first Award for Best Original Score.

Opera singer Mary Barrett (Grace Moore) leaves to study music in Milan, Italy to the disappointment of her family in New York City. Mary gets a job at the Cafe Roma, where Giulio Monteverdi (Tullio Carminati), a famous vocal coach, hears her sing. Giulio promises to make Mary a star if she will allow him to control her life. He also tells her that there cannot be any romance between the two of them, as that would distract from the process of growing her talent. Mary discovers she has stagefright as she prepares for a tour of provincial opera houses, however Giulio helps her overcome it. Years later, still under Giulio's tutelage, Mary begins to tire of his dominance and discipline. The two meet one of Giulio's old pupils, Lally (Mona Barrie), while in Vienna. Lally once tried to be romantic with Giulio, but was rejected. This past history renders Mary jealous and she pretends to have laryngitis. Mary thinks Giulio has gone to Lally to rekindle a romance, and so visits Bill Houston (Lyle Talbot), a longtime friend who has proposed marriage. In a jealous huff, Mary decides not to sing that night in order to punish Giulio. Giulio realizes what is going on and tells Mary that Lally will replace her on stage, but then proposes to Mary. She decides to go on, and Mary's performance of Bizet's Carmen wins her an invitation to the Metropolitan Opera, her dream venue. Giulio, however, still does not believe that she is ready for such a venue. Later at dinner, Lally lies to Mary by telling her that she is still involved with Giulio. On the night of her debut in Madame Butterfly, Mary is too nervous to go on stage until she sees Giulio in his usual place in the prompter's box.

The complete proscenium and part of the wings and seating plan of the Metropolitan Opera House were duplicated for this production and occupied the whole of Columbia's largest sound stage. Moore's recording and performance of the Un bel di aria from Madame Butterfly did not go smoothly, as she had trouble hitting the high notes. According to a later biography, she flew into a rage and blamed the orchestra. However, when studio boss Harry Cohn asked Columbia music director, Morris Stoloff, what the problem was, Stoloff replied, "There's nothing wrong with the orchestra. These are the original Puccini orchestrations." Moore was then told that either she went back to the recording stage or she would be responsible for paying the day's salary for the entire orchestra, and she returned and recorded the aria.