Геральдикадағы белгілер мен суреттер

Heraldic motif; an ordinary or mobile charge (or symbol) in a field

In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design (sometimes called an ordinary) or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles ("[the] mobile [ones]"). The term charge can also be used as a verb; for example, if an escutcheon depicts three lions, it is said to be charged with three lions; similarly, a crest or even a charge itself may be "charged", such as a pair of eagle wings charged with trefoils (as on the coat of arms of Brandenburg). It is important to distinguish between the ordinaries and divisions of the field, as they typically follow similar patterns, such as a shield divided "per chevron", as distinct from being charged with a chevron. While thousands of objects found in religion, nature, mythology, or technology have appeared in armory, there are several charges (such as the cross, the eagle, and the lion) which have contributed to the distinctive flavour of heraldic design. Only these and a few other notable charges (crowns, stars, keys, etc.) are discussed in this article. In addition to being shown in the regular way, charges may be blazoned as umbrated (shadowed), detailed, (rather incorrectly) outlined, highly unusually shaded and rather irregularly in silhouette or, more ambiguously, confusingly, and unhelpfully, futuristic, stylized or simplified. There are also several units in the United States Air Force with charges blazoned as "mythical", or beasts as "chimerical", but those conceptions are meaningless and irrelevant to the conception of heraldry, and it does not affect the appearance of those charges.

Unlike mobile charges, the ordinary charges reach to the edge of the field. Some heraldic writers distinguish, albeit arbitrarily, between (honourable) ordinaries and sub ordinaries. While some authors hold that only nine charges are "honourable" ordinaries, exactly which ones fit into this category is a subject of constant disagreement. The remainder are often termed sub ordinaries, and narrower or smaller versions of the ordinaries are called diminutives. While the term ordinaries is generally recognised, so much dispute may be found among sources regarding which are "honourable" and which are relegated to the category of "sub ordinaries" that indeed one of the leading authors in the field, Arthur Charles Fox Davies (1871–1928), wrote at length on what he calls the "utter absurdity of the necessity for any [such] classification at all", stating that the ordinaries and sub ordinaries are, in his mind, "no more than first charges". Apparently ceding the point for the moment, Fox Davies lists the generally agreed upon "honourable ordinaries" as the bend, fess, pale, pile, chevron, cross, saltire, and chief. Woodcock goes so far as to enumerate the ordinaries thus: "The first Honourable Ordinary is the cross", the second is the chief, the third is the pale, the fourth is the bend, the fifth is the fess, the sixth is the inescutcheon, the seventh is the chevron, the eighth is the saltire, and the ninth is the bar, while stating that "some writers" prefer the bordure as the ninth ordinary. Volborth, having decidedly less to say on the matter, agrees that the classifications are arbitrary and the subject of disagreement, and lists the "definite" ordinaries as the chief, pale, bend, fess, chevron, cross and saltire. Boutell lists the chief, pale, bend, bend sinister, fess, bar, cross, saltire and chevron as the "honourable ordinaries". Thus, the chief, bend, pale, fess, chevron, cross and saltire appear to be the undisputed ordinaries, while authors disagree over the status of the pile, bar, inescutcheon, bordure and others.

Several different figures are recognised as honourable ordinaries, each normally occupying about one fifth to one third of the field. Flaunches, flanches or flasks are regions on the sides of the field, bounded by a pair of circular arcs whose centers are beyond the sides of the shield. A label is a horizontal strap, with a number of pendants (usually called points) suspended from it; the default is three, but any number may be specified. The label is nearly always a mark of cadency in British and French heraldry, but is occasionally found as a regular charge in early armory and even in the 20th century. It is sometimes called a file, as in the canting arms of Belfile, a label with a bell hanging from each point. There are some examples in which the strap is omitted, the points issuing from the top of the shield. The gyron is a right triangle occupying the lower half of the first quarter: its edges follow per bend and per fess from the dexter side to the centre of the field. A gyron sinister, much rarer, is a similar figure in the sinister chief. Gyrons are sometimes blazoned to be shown in other positions – as in 'the sun in his splendour along with in dexter base a sixth gyron voided'

The so called mobile charges Mullets frequently appear pierced. An unpierced mullet is sometimes called a "star" in Scottish heraldry, and stars also appear in English and continental heraldry under that name (often with six points). The "spur revel" is also found in Scottish heraldry. The estoile: A star with (usually six) wavy rays is called an estoile (the Old French word for 'star'; modern French étoile). The comet is shown as a mullet with a bendwise wavy tail, rather than naturalistically. The crescent, a symbol of the Moon, normally appears with its horns upward; if its horns are to dexter it represents a waxing moon (increscent), and with horns to sinister it represents a waning moon (decrescent). The cross: One of the most frequently found charges in heraldry, if not the most, is the cross, which has developed into, some say, 400 varieties. When the cross does not reach the edges of the field, it becomes a mobile charge. The plain Greek cross (with equal limbs) and Latin cross (with the lower limb extended) are sometimes seen, but more often the tip of each limb is developed into some ornamental shape. The most commonly found crosses in heraldry include the cross botonny, the cross flory, the cross moline, the cross potent, the cross patée or formée, the cross patonce and the cross crosslet. In English heraldry the crescent, mullet, martlet, annulet, fleur de lis and rose may be added to a shield to distinguish cadet branches of a family from the senior line. It does not follow, however, that a shield containing such a charge necessarily belongs to a cadet branch. All of these charges occur frequently in basic (undifferenced) coats of arms.

Humans, deities, angels and demons occur more often as crests and supporters than on the shield. (Though in many heraldic traditions the depiction of deities is considered taboo, exceptions to this also occur.) When humans do appear on the shield, they almost always appear affronté (facing forward), rather than toward the left like beasts. Such as the arms of the Dalziel family of Scotland, which depicted a naked man his arms expanded on a black background. The largest group of human charges consists of saints, often as the patron of a town. Knights, bishops, monks and nuns, kings and queens also occur frequently. There are rare occurrences of a "child" (without further description, this is usually understood to be a very young boy, and young girls are extremely rare in heraldry), both the head and entire body. A famous example is the child swallowed by a dragon (the biscione) in the arms of Visconti dukes of Milan. Greco Roman mythological figures typically appear in an allegorical or canting role. Angels very frequently appear, but angelic beings of higher rank, such as cherubim and seraphim, are extremely rare. An archangel appears in the arms of Arkhangelsk. The Devil or a demon is occasionally seen, being defeated by the archangel Saint Michael. Though the taboo is not invariably respected, British heraldry in particular, and to a greater or lesser extent the heraldry of other countries, frowns on depictions of God or Christ, though an exception may be in the not uncommon Continental depictions of Madonna and Child, including the Black Madonna in the arms of Marija Bistrica, Croatia. Moors—or more frequently their heads, often crowned—appear with some frequency in medieval European heraldry. They are also sometimes called moore, blackmoor or negro. Moors appear in European heraldry from at least as early as the 13th century, and some have been attested as early as the 11th century in Italy,

Parts of human bodies occur more often than the whole, particularly heads (occasionally of exotic nationality), hearts (always stylized), hands, torso and armored limbs. A famous heraldic hand is the Red Hand of Ulster, alluding to an incident in the legendary Milesian invasion. Hands also appear in the coat of arms of Antwerp. Ribs occur in Iberian armory, canting for the Portuguese family da Costa. According to Woodward & Burnett, the Counts Colleoni of Milan bear arms blazoned: "Per pale argent and gules, three hearts reversed counterchanged;" but in less delicate times these were read as canting arms showing three pairs of testicles (coglioni = "testicles" in Italian). The community of Cölbe in Hesse has a coat of arms with a similar charge.

Animals, especially lions and eagles, feature prominently as heraldic charges. Some differences may be observed between an animal's natural form and the conventional attitudes (positions) into which heraldic animals are contorted; additionally, various parts of an animal (claws, horns, tongue, etc.) may be differently coloured, each with its own terminology. Most animals are broadly classified, according to their natural form, into beasts, birds, sea creatures and others, and the attitudes that apply to them may be grouped accordingly. Beasts, particularly lions, most often appear in the rampant position; while birds, particularly the eagle, most often appear displayed. While the lion, regarded as the king of beasts, is by far the most frequently occurring beast in heraldry, the eagle, equally regarded as the king of birds, is overwhelmingly the most frequently occurring bird, and the rivalry between these two is often noted to parallel with the political rivalry between the powers they came to represent in medieval Europe. Neubecker notes that "in the heroic poem by Heinrich von Veldeke based on the story of Aeneas, the bearer of the arms of a lion is set against the bearer of the arms of an eagle. If one takes the latter to be the historical and geographical forerunner of the Holy Roman emperor, then the bearer of the lion represents the unruly feudal lords, to whom the emperor had to make more and more concessions, particularly to the powerful duke of Bavaria and Saxony, Henry the Lion of the House of Welf." The beast most often portrayed in heraldry is the lion. When posed passant guardant (walking and facing the viewer), he is called a léopard in French blazon. Other beasts frequently seen include the wolf, bear, boar, horse, bull or ox, and stag or hart. The tiger (unless blazoned as a Bengal tiger) is a fanciful beast with a wolflike body, a mane and a pointed snout. Dogs of various types, and occasionally of specific breeds, occur more often as crests or supporters than as charges. According to Neubecker, heraldry in the Middle Ages generally distinguished only between pointers, hounds and whippets, when any distinction was made. The unicorn resembles a horse with a single horn, but its hooves are usually cloven like those of a deer. The griffin combines the head (but with ears), chest, wings and forelegs of the eagle with the hindquarters and legs of a lion. The male griffin lacks wings and his body is scattered with spikes. The bird most frequently found in armory is, by far, the eagle. Eagles in heraldry are predominantly presented with one or two heads, though triple headed eagles are not unknown, and one eagle appearing in the Codex Manesse has its wing bones fashioned into additional heads. Eagles and their wings also feature prominently as crests. Eagles most frequently appear full bodied, with one head, in numerous positions including displayed, statant, passant and rising. The demi eagle, which is shown only from the waist up, occurs less frequently. Double headed eagles almost always appear displayed. As a result of being the dominant charge on the imperial Byzantine, Holy Roman, Austrian and Russian coats of arms, the double eagle gained enduring renown throughout the Western world. Among the present day nations with an eagle charge on their coat of arms are: Albania, Austria, Germany, Montenegro, Poland, Romania, Russia, and Serbia. Additionally, the Double Headed Eagle of Lagash is used as an emblem by the Scottish Rite of Freemasonry. There are many meanings attached to this symbol, and it was introduced in France in the early 1760s as the emblem of the Knight Kadosh degree. The martlet, a stylized swift or swallow without feet (sometimes incorrectly, at least in the Anglophone heraldries these days, said to have no beak), is a mark of cadency in English heraldry, but also appears as a simple charge in undifferenced arms. Its attitude is usually statant (and is never blazoned as such); but it can also be found volant. The pelican is notable as frequently occurring in a peculiar attitude described as in her piety (i. e. wings raised, piercing her own breast to feed her chicks in the nest, which is how it is actually often blazoned, 'in its piety' being a fairly modern conceit). This symbol carries a particular religious meaning (as a symbol of Christ sacrificing Himself), and became so popular in heraldry that pelicans rarely exist in heraldry in any other position. Distinction is however observed, between a pelican "vulning herself" (alone, piercing her breast) and "in her piety" (surrounded by and feeding her chicks). The swan is also often seen, and the peacock in heraldry is described as being in its pride. The domestic cock (or rooster) is sometimes called dunghill cock to distinguish it from the game cock which has a cut comb and exaggerated spurs, and the moor cock, which is the farmyard cock with a game bird's tail. Other birds occur less frequently. The category of sea creatures may be seen to include various fish, a highly stylized "dolphin", and various fanciful creatures, sea monsters, which are shown as half fish and half beast, as well as mermaids and the like. The "sea lion" and "sea horse", for example, do not appear as natural sea lions and seahorses, but rather as half lion half fish and half horse half fish, respectively. Fish of various species often appear in canting arms, e. g.: pike, also called luce, for Pike or Lucy; dolphin (a conventional kind of fish rather than the natural mammal) for the Dauphin de Viennois. The escallop (scallop shell) became popular as a token of pilgrimage to the shrine of Santiago de Compostela. The sea lion and sea horse, like the mermaid, combine the foreparts of a mammal with the tail of a fish, and a dorsal fin in place of the mane. (When the natural seahorse is meant, it is blazoned as a hippocampus.) The sea dog and sea wolf are quadrupeds but with scales, webbed feet, and often a flat tail resembling that of the beaver. Reptiles and invertebrates occurring in heraldry include serpents, lizards, salamanders and others, but the most frequently occurring of these are various forms of dragons. The "dragon", thus termed, is a large monstrous reptile with, often, a forked or barbed tongue, membraned wings like a bat's, and four legs. The wyvern and lindworm are dragons with only two legs. The salamander is typically shown as a simple lizard surrounded by flames. Also notably occurring (undoubtedly owing much of its fame to Napoleon, though it also appears in much earlier heraldry) is the bee.

Animals' heads are also very frequent charges, as are the paw or leg (gamb) of the lion, the wing (often paired) of the eagle, and the antlers (attire) of the stag. Sometimes only the top half of a beast is shown; for example, the demi lion is among the most common forms occurring in heraldic crests. Heads may appear cabossed (also caboshed or caboched): with the head cleanly separated from the neck so that only the face shows; couped: with the neck cleanly separated from the body so that the whole head and neck are present; or erased: with the neck showing a ragged edge as if forcibly torn from the body. While cabossed heads are shown facing forward (affronté), heads that are couped or erased face dexter unless otherwise specified for differencing. Heads of horned beasts are often shown cabossed to display the horns, but instances can be found in any of these circumstances. A lion's head cabossed is called simply a face, and a fox's head cabossed, a mask.

The attitude, or position, of the creature's body is usually explicitly stated in English blazon. When such description is omitted, a lion can be assumed to be rampant, a leopard or herbivore passant. By default, the charge faces dexter (left as seen by the viewer); this would be forward on a shield worn on the left arm. In German armory, animate charges in the dexter half of a composite display are usually turned to face the center. An animal toward sinister or contourny is turned toward the right of the shield (as seen by the observer, i. e. the shield bearer's left), the sinister. An animal affronté or full faced faces the viewer. An animal guardant faces dexter with its head turned to face the viewer. An animal regardant faces dexter with its head turned toward sinister, as if looking over its shoulder. Certain features of an animal are often of a contrasting tincture. The charge is then said to be armed (claws and horns and tusks), langued (tongue), vilené or pizzled (penis), attired (antlers or very occasionally horns), unguled (hooves), crined (horse's mane or human hair) of a specified tincture. Many attitudes have developed from the herald's imagination and ever increasing need for differentiation, but only the principal attitudes found in heraldry need be discussed here. These, in the case of beasts, include the erect positions, the seated positions, and the prone positions. In the case of birds, these include the "displayed" positions, the flying positions, and the resting positions. Additionally, birds are frequently described by the position of their wings. A few other attitudes warrant discussion, including those particular to fish, serpents, griffins and dragons. The principal attitude of beasts is rampant (i. e. standing on one hind leg with forepaws raised as if to climb or mount sometimes including an erect member). Beasts also frequently appear walking, passant or, in the case of stags and the occasional unicorn, trippant, and may appear statant (standing), salient or springing (leaping), sejant (seated), couchant or lodged (lying prone with head raised), or occasionally dormant (sleeping). The principal attitude of birds, namely the eagle, is displayed (i. e. facing the viewer with the head turned toward dexter and wings raised and upturned to show the full underside of both wings). Birds also appear rising or rousant (i. e. wings raised and head upturned as if about to take flight), volant (flying), statant (standing, with wings raised), close (at rest with wings folded), and waterfowl may appear naiant (swimming), while cranes may appear vigilant (standing on one leg). Fish often appear naiant (swimming horizontally) or hauriant (upwards) or urinant (downwards), but may also appear addorsed (two fish hauriant, back to back). Serpents may appear glissant (gliding in a wavy form) or nowed (as a figure eight knot). Griffins and quadrupedal dragons constantly appear segreant (i. e. rampant with wings addorsed and elevated) and, together with lions, may appear combatant (i. e. two of them turned to face each other in the rampant position).

Plants are extremely common in heraldry and figure among the earliest charges. The turnip, for instance, makes an early appearance, as does wheat. Trees also appear in heraldry; the most frequent tree by far is the oak (drawn with large leaves and acorns), followed by the pine. Apples and bunches of grapes occur very frequently, other fruits less so. When the fruit is mentioned, as to indicate a different tincture, the tree is said to be fructed of the tincture. If a tree is "eradicated" it is shown as if it has been ripped up from the ground, the roots being exposed. "Erased" is rarely used for a similar treatment. In Portuguese heraldry, but rarely in other countries, trees are sometimes found decorticated. The most famous heraldic flower (particularly in French heraldry) is the fleur de lis, which is often stated to be a stylised lily, though despite the name there is considerable debate on this. The "natural" lily, somewhat stylised, also occurs, as (together with the fleur de lis) in the arms of Eton College. The rose is perhaps even more widely seen in English heraldry than the fleur de lis. Its heraldic form is derived from the "wild" type with only five petals, and it is often barbed (the hull of the bud, its points showing between the petals) and seeded in contrasting tinctures. The thistle frequently appears as a symbol of Scotland. The trefoil, quatrefoil and cinquefoil are abstract forms resembling flowers or leaves. The trefoil is always shown slipped (i. e. with a stem), unless blazoned otherwise. The cinquefoil is sometimes blazoned fraise (strawberry flower), most notably when canting for Fraser. The trillium flower occurs occasionally in a Canadian context, and the protea flower constantly appears in South Africa, since it is the national flower symbol. Wheat constantly occurs in the form of "garbs" or sheaves and in fields (e. g. in the arms of the province of Alberta, Canada), though less often as ears, which are shown unwhiskered (though some varieties of wheat are naturally whiskered). Ears of rye are depicted exactly as wheat, except the ears droop down and are often whiskered, e. g. in the arms of the former Ruislip Northwood Urban District. Barley, cannabis, maize, and oats also occur. The "garb" in the arms of Gustav Vasa (and in the coat of arms of Sweden) is not a wheatsheaf, although it was pictured in that way from the 16th to 19th century; rather, this "vasa" is a bundle but of unknown sort.

Very few inanimate objects in heraldry carry a special significance distinct from that of the object itself, but among such objects are the escarbuncle, the fasces, and the key. The escarbuncle developed from the radiating iron bands used to strengthen a round shield, eventually becoming a heraldic charge. The fasces (not to be confused with the French term for a bar or fess) is emblematic of the Roman magisterial office and has often been granted to mayors. Spurs also occur, sometimes "winged", but more frequently occurring is the spur rowel or spur revel, which is said to more often termed a "mullet of five points pierced" by English heralds. Crowns and coronets of various kinds are constantly seen. The ecclesiastical hat and bishop's mitre are nearly ubiquitous in ecclesiastical heraldry. The sword is sometimes a symbol of authority, as in the royal arms of the Netherlands, but may also allude to Saint Paul, as the patron of a town (e. g. London) or dedicatee of a church. Sometimes it is shown with a key, owing to the fact that Saints Peter and Paul are paired together. Other weapons occur more often in modern than in earlier heraldry. The mace also appears as a weapon, the war mace, in addition to its appearance as a symbol of authority, plain mace. The globus cruciger, also variously called an orb, a royal orb, or a mound (from French monde, Latin mundus, the world) is a ball or globe surmounted by a cross, which is part of the regalia of an emperor or king, and is the emblem of sovereign authority and majesty. Books constantly occur, most frequently in the arms of colleges and universities, though the Gospel and Bible are sometimes distinguished. Books if open may be inscribed with words. Words and phrases are otherwise rare, except in Spanish and Portuguese armory. Letters of the various alphabets are also relatively rare. Arms of merchants in Poland and eastern Germany are often based on house marks, abstract symbols resembling runes, though they are almost never blazoned as runes, but as combinations of other heraldic charges. Musical instruments commonly seen are the harp (as in the coat of arms of Ireland), bell and trumpet. The drum, almost without exception, is of the field drum type. Since musical notation is a comparatively recent invention, it is not found in early heraldry, though it does appear in 20th century heraldry. Japanese mon are sometimes used as heraldic charges. They are blazoned in traditional heraldic style rather than in the Japanese style.