Канаданың белгілі архитекторы: Дуглас Кардиналдың өмірі мен шығармашылығы

Canadian architect

Douglas Joseph Cardinal (born 7 March 1934) is a Canadian architect based in Ottawa, Ontario. His flowing architecture marked with smooth curvilinear forms is influenced by his Indigenous heritage as well as European Expressionist architecture. His passion for unconventional forms and appreciation of nature and landscape were present in his life from a very young age, and consequently developed into the unique architectural style he has employed throughout his career. Cardinal is perhaps best known for his designs of the Canadian Museum of History in Gatineau, Quebec (1989) and the National Museum of the American Indian in Washington, D. C. (1998). He is considered one of Canada's most influential contemporary Indigenous architects.

Born in Calgary, Alberta, to parents Joseph and Frances Cardinal, Douglas Cardinal is the oldest of eight children. He is a member of the Siksika Nation. His father was of Siksika (Blackfoot), French and Ojibwe heritage, while his mother was of German, French and Mohawk/Métis descent. These cultural ideas shaped Cardinal's upbringing and affected his worldview and relationship with his heritage. He has recalled that his mother told him at a young age, “You’re going to be an architect.”

In 1953, he started studying architecture at the University of British Columbia (UBC) but was forced to leave two years later due to his radical ideas. His different approach toward architecture did not align with the ideas of modernism at the time. He wanted to create buildings responding to nature and the organic rhythm of life, which was unprecedented in the 1950s. In Texas, he accepted his Indigenous heritage and one of his professors even encouraged him to learn more about his background.

Cardinal opened his private practice in 1964, and the same year he was commissioned to design St. Mary's Church in Red Deer, Alberta. Construction was completed in 1968, and it has since been recognized as a prominent example in the history of Canadian architecture. In 2007, the church was featured on a Canada Post stamp series featuring four Canadian architects to commemorate the centennial of the Royal Architectural Institute of Canada (RAIC). Beginning with his work on St. Mary's, Cardinal was one of the first North American architects to use computers to assist in the design process. His curvilinear designs reflect the landscape around them, so that people making use of the building can retain a sense of the surrounding land. He found that the use of computerized design would fit best for his unusual designs and the use of shapes. He also found 3D programs very useful for laying out the exact dimensions of buildings. In 1993, he was hired by the Smithsonian Institution as the Primary Design Architect for the National Museum of the American Indian (NMAI). The NMAI is currently situated on the National Mall in Washington, D. C., and is directly across from the Capitol of the United States of America. After contractual disputes, Cardinal was removed from the project in 1998 before it was completed, but he continued to provide input into the building's design. In 2008, his firm was hired by the Kirkland Foundation to design a museum/convention center in Union City, Tenn. The Discovery Park of America was to be a unique structure housing a multi level museum with artifacts from across the nation as well as provide a place for large conventions/meetings for the community. Early in 2009 the firm's contract was terminated with the owner, and all construction activity was halted, due to undisclosed differences between the two parties.

Throughout his early years, Douglas Cardinal was dealing with racism and societal ideas of conformity for both his lifestyle and architecture. Only in his years in Texas he started to fully embrace his indigenous heritage and learn more about it. In 1970s Cardinal developed his trademark architectural style with organic curvilinear forms. In those years he started wearing native clothes and necklaces, as well as becoming an advocate for indigenous rights. The church has 750 seats inside and includes tubular skylights for natural daylight. Cardinal started his first project in 1967 and it turned out to be so challenging that he doubted if he could survive its completion. However, the building became one of his iconic designs that determined his architectural style. He combined all of his philosophical and cultural ideas and created a church that represented his many beliefs towards the nature and organic forms, that is unique and unprecedented for its time.

This building, opened in 1989 as Canadian Museum of Civilization at the time, is another project that is very representative of Cardinal's architectural style. Influenced by his indigenous heritage it focuses on the response to its surroundings. It is located on the banks of the Ottawa River, facing Parliament Hill. All the massive government buildings in the city center are clustered and turned away from the river. Cardinal opened the Great Hall towards the river, making it the only building in the area that is responding to it. This approach also translated into the wrapping facade with curves that can embrace and invite people inside and create welcoming environment. The envelope of the building is shaped in an organic form, as if sculptured by the forces of nature. He also wanted to acknowledge his appreciation for the Parliament by using the same limestone as the one used in the building. Besides responding to the site conditions, the museum also engages with its historic context by including totem poles and native murals inside the building. He wanted the space inside feel alive and dynamic, and not limit its form to the programmatic requirements. Former Canadian prime minister Pierre Trudeau also encouraged Cardinal to create a museum where people embrace their different backgrounds and learn from each other. Prime minister's idea for multicultural Canadian society aligned well with Cardinal's vision. The overall concept and purpose of the building corresponded with his ideas. However, in 1984 the new Brian Mulroney government was not approving of Cardinal's design. He then lost his team on the project and was not fully paid for his previous work. This was a tremendous loss for the architect, but he was too driven to fulfill this project and was not willing to give up. After long years of defending his design, he eventually finished the museum and it became one of his many fundamental projects.