Сент-Люсия музыкасы мен музыкалық дәстүрлері

Music and musical traditions of Saint Lucia
The music of Saint Lucia is home to many vibrant oral and folk traditions and is based on elements derived from the music of Africa, especially rhythmically, and Western Europe, dances like the quadrille, polka and waltz. The banjo and cuatro are iconic Lucian folk instruments, especially a four stringed banjo called the bwa poye. Celebratory songs called jwé show lyricism, and rhythmic complexity. The most important of the Afro Lucian Creole folk dances is the kwadril. Music is an integral part of Lucian folk holidays and celebrations, as well as the good natured rivalry between the La Rose and La Marguerite societies. There is little Western classical music on Saint Lucia, and the country's popular music industry is only nascent. There are few recording opportunities, though live music and radio remain a vital part of Lucian culture. Popular music from abroad, especially Trinidadian styles like calypso and soca, is widespread. Music education has long been a part of Lucian public education in the primary school age groups. More recently, it has been introduced to older students, many of whom now participate in String Orchestras, wind ensembles, steelpan bands and other musical enrichment opportunities. There is also a well known government assisted non profit music school, the Saint Lucia School of Music. The Ministry of Education sponsors a variety of festivals and other special events. The island is also home to the prestigious Saint Lucia Jazz Festival and the Creole celebration Jounen Kwéyòl.

A typical Saint Lucian folk band is based around the fiddle, cuatro, banjo, guitar and [[Shak shak (a rattle). The banjo and cuatro are regarded as particularly important in Saint Lucian culture, especially the small, four stringed bwa poye, or skroud banjo. however, the kwadril is increasingly viewed as a national symbol. It is a highly stylized and formalized dance that derives from the European quadrille. Jwé is a more informal form of Lucian folk music, and is performed at dances, wakes and other social events; performers improvise comedic and often biting or lyrics. Music also plays a role in the La Rose and La Marguerite tradition of two rival societies that compete in celebration and form a fundamental part of Lucian culture. Sung jwé, jwé chanté or chanté kont, is mostly part of the funeral wake tradition. A jwé chanté leader uses pantomime to enact scenes from a story, or sometimes just the ribald double entendres from it. The gém (game song) are based around a leader who uses his own flourishes on a choreographed dance and improvises witty lyrics, while the audience participates in the performance. Kélé's rituals involve contacting one's ancestors to ask for protection, especially "good crops, good health, and good fortune". Kélé has been underground for much of its history, and was only accepted by the Lucian Roman Catholic Church in the early 1960s. Saint Lucian folk dance and theater includes flower dances, masquerades and the Papa Djab festival; various kinds of music are associated with these celebrations. Auguste later introduced folk music into Saint Lucian music education. By the end of the 1980s, music and other aspects of Lucian culture was an integral part of the Lucian education system. The most important festival in modern Lucian culture is the Jounen Kwéyòl (International Creole Day) held annually on October 28 since 1983. The Jounen Kwéyòl is sponsored by the Bannzil Kwéyòl, an international organization. Lucian activities are run by the Folk Research Centre in conjunction with the National Research and Development Foundation and the Mouvman Kwéyòl Sent Lisi (St. Lucia Creole Movement).

Music is a part of the curriculum at public schools in Saint Lucia; it has long been taught in younger grade levels, but was only introduced to secondary education in 1999. Primary education on Saint Lucia, music and other artistic education is commonly used incidentally to teaching other subjects or for special occasions. About 40% of the island's schools engage in general music education, while others spent more time on general group singing or choir, or recorder ensemble performance. In 2003, a string program was instituted for primary students. There is also a notable music Education Centre operated by a vocal group from the fishing village Anse la Raye; this Centre provides music education opportunities for gifted and underprivileged children from across the island.