Бір есімді жер (Bir esimdi jer)

1974 play by Harold Pinter

No Man's Land is a play by Harold Pinter written in 1974 and first produced and published in 1975. Its original production was at the Old Vic theatre in London by the National Theatre on 23 April 1975, and it later transferred to Wyndham's Theatre, July 1975 – January 1976, the Lyttelton Theatre April–May 1976, and New York's Longacre Theatre from October–December 1976. It returned to the Lyttelton from January – February 1977. It is a two act play.

"A large room in a house in North West London" on a summer night and the following morning.

In the 1970s, Hirst, an ageing man of means begins a night of heavy drinking in his drawing room with an anonymous peer whom he only just met at a pub. Hirst's talkative and somewhat disheveled guest, calling himself a poet, long windedly explains how he is penetratingly perceptive, until he finally introduces himself as "Spooner". The pair becomes increasingly intoxicated, Hirst remaining quiet as Spooner rambles on, culminating in his taunting Hirst's masculinity and wife. Suddenly, Hirst rises and throws his glass, merely commenting "No man's land does not move or change or grow old remains forever icy silent", before collapsing twice and crawling out of the room. Two domestic employees of Hirst's, younger men named Foster and Briggs, enter, talk aimlessly, and question Spooner, who now becomes the softspoken man in the room. Eventually, Hirst reenters and struggles to remember a recent dream. All are now drinking, and Hirst mentions an album of photographs he keeps, commenting on the appearances of the people in the album. He does not seem to remember Spooner's identity, insisting that his true friends are kept safely in the album. Becoming less and less coherent, Hirst continues to ponder his dream—involving someone drowning—when Spooner abruptly says that he was the one drowning in the dream. Hirst drunkenly collapses again and Spooner now rushes in to Hirst's aid, brushing away the two younger men and claiming to be Hirst's true friend. The younger pair becomes defensive and accusatory, asserting their obligation to protect Hirst against "men of evil". Briggs helps Hirst out of the room, and Foster concludes to Spooner, "Listen. You know what it's like when you're in a room with the light on and then suddenly the light goes out? I'll show you. It's like this". He flicks off the lights, causing a blackout.

Alone the next morning, Spooner stands from his chair and attempts to leave, but the door is locked. Briggs, Hirst's manservant, soon enters; he delivers food and champagne, ignores Spooner's queries about the locked door, and calls the other men poets. Hirst himself then bursts in, delighted to see Spooner, whom he strangely mistakes for, or pretends is, an old friend. He speaks as though he and Spooner were Oxbridge classmates in the 1930s, and the two bizarrely discuss scandalous romantic encounters they had with the same women, leading to a series of increasingly questionable reminiscences and ending with Spooner directly accusing Hirst of having an affair with his wife. Hirst separately launches into a rant about once known faces in his photo album, and all four men are soon present once more, drinking champagne. An odd dynamic emerges where Spooner first pities the younger men's employment but then ends up requesting employment from Hirst himself. After all this, Hirst merely replies "Let's change the subject for the last time", which he instantly regrets, since this is taken to mean that Hirst will be unable to change the subject ever again. He thinks back to his youth, when he mistakenly thought he saw a drowned body in a lake. Spooner now comments, "No. You are in no man's land. Which never moves, which never changes, which never grows older, but which remains forever, icy and silent." Hirst responds "I'll drink to that!" and the lights fade slowly to black.

The London première of No Man's Land, directed by Peter Hall, opened at the Old Vic Theatre (then home to the National Theatre), on 24 April 1975, starring John Gielgud as Spooner and Ralph Richardson as Hirst and with Michael Kitchen as Foster and Terence Rigby as Briggs. It transferred to Wyndham's Theatre, in London's West End, on 15 July 1975 (Baker and Ross xxxiii). This production transferred to Broadway's Longacre theatre in New York from October through December 1976, with Richardson nominated for the 1977 Tony Award for Best Performance by a Leading Actor in a Play for his performance as Hirst. Peter Hall's production returned to the National Theatre (NT), playing at the Lyttelton Theatre, from January through February 1977. The production was also recorded and released by Caedmon Records and was nominated for Grammy Award. A major revival from the Almeida Theatre Company that later transferred to the West End Harold Pinter Theatre (called the Comedy Theatre at the time), London, directed by David Leveaux, opened in February 1993, and starred Paul Eddington as Spooner and Pinter himself as Hirst; Douglas Hodge played Foster and Gawn Grainger played Briggs. In the Broadway revival by the Roundabout Theatre Company directed by David Jones, which opened on 27 February 1994 at the Criterion Centre Stage Right Theatre, in New York City, with Jason Robards as Hirst, Christopher Plummer (nominated for a Tony Award for Best Performance by a Leading Actor in a Play) as Spooner, Tom Wood as Foster, and John Seitz as Briggs. In 2001, another major revival at the NT was directed by Harold Pinter, with Corin Redgrave as Hirst, John Wood as Spooner, Danny Dyer as Foster, and Andy de la Tour as Briggs. In the summer of 2008, a production directed by Rupert Goold premièred at the Gate Theatre, in Dublin, with Michael Gambon (Hirst), David Bradley (Spooner), David Walliams (Foster), and Nick Dunning (Briggs). Goold's production transferred to the Duke of York's Theatre, in the West End, London, opening on 7 October 2008 and closing on 3 January 2009, the week after Pinter's death on 24 December 2008. A production directed by Sean Mathias opened at Berkeley Rep in August 2013, with Ian McKellen, Patrick Stewart, Billy Crudup and Shuler Hensley. It opened on Broadway at the James Earl Jones Theatre, in repertory with Waiting for Godot, on 24 November 2013 (previews began on 31 October 2013). It closed on 30 March 2014, but was restaged in the UK in 2016, with Owen Teale and Damien Molony replacing Hensley and Crudup. It played at the Sheffield Lyceum, Newcastle Theatre Royal, Brighton Theatre Royal and Cardiff New Theatre before transferring to Wyndham's Theatre in London's West End. The play was staged as the closing production of Steppenwolf Theatre Company's 2022 2023 season in Chicago, under the direction of Les Waters with theatre co founder Jeff Perry (American actor) playing Hirst.