Гректік мифологиясында Сизиф патшасы

King of Ephyra in Greek mythology

In Greek mythology, Sisyphus or Sisyphos ('/s//ɪ//s//ᵻ//f//ə//s/; Ancient Greek: Σίσυφος Sísyphos) was the founder and king of Ephyra (now known as Corinth). He was a devious tyrant who killed visitors to show off his power. This violation of the sacred hospitality tradition greatly angered the gods. They punished him for trickery of others, including his cheating death twice. The gods forced him to roll an immense boulder up a hill only for it to roll back down every time it neared the top, repeating this action for eternity. Through the classical influence on modern culture, tasks that are both laborious and futile are therefore described as Sisyphean (/s//ɪ//s//ᵻ/'/f//iː//ən/).

R. S. P. Beekes has suggested a pre Greek origin and a connection with the root of the word sophos (σοφός, "wise"). German mythographer Otto Gruppe thought that the name derived from sisys (σίσυς, "a goat's skin"), in reference to a rain charm in which goats' skins were used.

Sisyphus was formerly a Thessalian prince as the son of King Aeolus of Aeolia and Enarete, daughter of Deimachus. He was the brother of Athamas, Salmoneus, Cretheus, Perieres, Deioneus, Magnes, Calyce, Canace, Alcyone, Pisidice and Perimede. Sisyphus married the Pleiad Merope by whom he became the father of Ornytion (Porphyrion), Glaucus, Thersander and Almus. He was the grandfather of Bellerophon through Glaucus; and of Minyas, founder of Orchomenus, through Almus. Another account related that Minyas was Sisyphus's son instead. In other versions of the myth, Sisyphus was the true father of Odysseus by Anticleia instead of Laërtes.

Sisyphus was the founder and first king of Ephyra (supposedly the original name of Corinth). Before Sisyphus died, he had told his wife to throw his naked corpse into the middle of the public square (purportedly as a test of his wife's love for him). This caused Sisyphus to end up on the shores of the river Styx when he was brought to the underworld. Complaining to Persephone that this was a sign of his wife's disrespect for him, Sisyphus persuaded her to allow him to return to the upper world. Once back in Ephyra, the spirit of Sisyphus scolded his wife for not burying his body and giving it a proper funeral as a loving wife should. When Sisyphus refused to return to the underworld, he was forcibly dragged back there by Hermes. In another version of the myth, Persephone was tricked by Sisyphus that he had been conducted to Tartarus by mistake, and so she ordered that he be released. In Philoctetes by Sophocles, there is a reference to the father of Odysseus (rumoured to have been Sisyphus, and not Laërtes, whom we know as the father in the Odyssey) upon having returned from the dead. Euripides, in Cyclops, also identified Sisyphus as Odysseus' father.

As a punishment for his crimes, Hades made Sisyphus roll a huge boulder endlessly up a steep hill in Tartarus. The maddening nature of the punishment was reserved for Sisyphus due to his hubristic belief that his cleverness surpassed that of Zeus himself. Hades accordingly displayed his own cleverness by enchanting the boulder into rolling away from Sisyphus before he reached the top which ended up consigning Sisyphus to an eternity of useless efforts and unending frustration. Thus, pointless or interminable activities are sometimes described as "Sisyphean". Sisyphus was a common subject for ancient writers and was depicted by the painter Polygnotus on the walls of the Lesche at Delphi.

According to the solar theory, King Sisyphus is the disk of the sun that rises every day in the east and then sinks into the west. Other scholars regard him as a personification of waves rising and falling, or of the treacherous sea. Friedrich Welcker suggested that he symbolises the vain struggle of man in the pursuit of knowledge, and Salomon Reinach that his punishment is based on a picture in which Sisyphus was represented rolling a huge stone Acrocorinthus, symbolic of the labour and skill involved in the building of the Sisypheum. Albert Camus, in his 1942 essay The Myth of Sisyphus, saw Sisyphus as personifying the absurdity of human life, but Camus concludes "one must imagine Sisyphus happy" as "The struggle itself towards the heights is enough to fill a man's heart." More recently, J. Nigro Sansonese, building on the work of Georges Dumézil, speculates that the origin of the name "Sisyphus" is onomatopoetic of the continual back and forth, susurrant sound ("siss phuss") made by the breath in the nasal passages, situating the mythology of Sisyphus in a far larger context of archaic (see Proto Indo European religion) trance inducing techniques related to breath control. The repetitive inhalation–exhalation cycle is described esoterically in the myth as an up–down motion of Sisyphus and his boulder on a hill. In experiments that test how workers respond when the meaning of their task is diminished, the test condition is referred to as the Sisyphusian condition. The two main conclusions of the experiment are that people work harder when their work seems more meaningful, and that people underestimate the relationship between meaning and motivation.

Homer describes Sisyphus in both Book VI of the Iliad and Book XI of the Odyssey. In Plato's Apology, Socrates looks forward to the after life where he can meet figures such as Sisyphus, who think themselves wise, so that he can question them and find who is wise and who "thinks he is when he is not." Albert Camus, the French absurdist, wrote an essay entitled The Myth of Sisyphus, in which he elevates Sisyphus to the status of absurd hero. Franz Kafka repeatedly referred to Sisyphus as a bachelor; Kafkaesque for him were those qualities that brought out the Sisyphus like qualities in himself. According to Frederick Karl: "The man who struggled to reach the heights only to be thrown down to the depths embodied all of Kafka's aspirations; and he remained himself, alone, solitary." The philosopher Richard Taylor uses the myth of Sisyphus as a representation of a life made meaningless because it consists of bare repetition. Wolfgang Mieder has collected cartoons that build on the image of Sisyphus, many of them editorial cartoons.