Альберто Моравия: Итальян жазушысы және журналисінің өмірі мен шығармалары

Italian novelist and journalist (1907–1990)

Alberto Pincherle (; 28 November 1907 – 26 September 1990), known by his pseudonym Alberto Moravia (/US//m//oʊ/'/r//ɑː//v//i//ə//, // /'/r//eɪ//v// / mohRAHveeə, RAY , ), was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (The Time of Indifference 1929) and for the anti fascist novel Il conformista (The Conformist 1947), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean Luc Godard as Le Mépris (Contempt 1963); La noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio De Sica as Two Women (1960). Cédric Kahn's L'Ennui (1998) is another version of La noia. Moravia once remarked that the most important facts of his life had been his illness, a tubercular infection of the bones that confined him to a bed for five years and Fascism because they both caused him to suffer and do things he otherwise would not have done. "It is what we are forced to do that forms our character, not what we do of our own free will." The next year, Moravia started collaborating with the newspaper La Stampa, then edited by author Curzio Malaparte. In 1933, together with Mario Pannunzio, he founded the literary review magazines Caratteri (Characters) and Oggi (Today) and started writing for the newspaper Gazzetta del Popolo. The years leading to World War II were difficult for Moravia as an author; the Fascist regime prohibited reviews of Le ambizioni sbagliate (1935), seized his novel La mascherata (Masquerade, 1941) and banned Agostino (Two Adolescents, 1941). In 1935 he travelled to the United States to give a lecture series on Italian literature. L'imbroglio (The Cheat) was published by Bompiani in 1937. To avoid Fascist censorship, Moravia wrote mainly in the surrealist and allegoric styles; among the works is Il sogno del pigro (The Dream of the Lazy). The Fascist seizure of the second edition of La mascherata in 1941, forced him to write under a pseudonym. That same year, he married the novelist Elsa Morante, whom he had met in 1936. They lived in Capri, where he wrote Agostino. After the Armistice of 8 September 1943, Moravia and Morante took refuge in Fondi, on the border of province of Frosinone, a region to which fascism had arbitrarily imposed the name "ciociaria"; the experience inspired La ciociara (The ciociara Woman, 1957).

In May 1944, after the liberation of Rome, Alberto Moravia returned. He began collaborating with Corrado Alvaro, writing for important newspapers such as Il Mondo and Il Corriere della Sera, the latter publishing his writing until his death. After the war, his popularity steadily increased, with works such as La Romana (The Woman of Rome, 1947), La Disubbidienza (Disobedience, 1948), L'amore coniugale e altri racconti (Conjugal Love and other stories, 1949) and Il conformista (The Conformist, 1951). In 1952 he won the Premio Strega for I Racconti and his novels began to be translated abroad and La Provinciale was adapted to film by Mario Soldati; in 1954 Luigi Zampa directed La Romana and in 1955 Gianni Franciolini directed I Racconti Romani (The Roman Stories, 1954) a short collection that won the Marzotto Award. In 1953, Moravia founded the literary magazine Nuovi Argomenti (New Arguments), which featured Pier Paolo Pasolini among its editors. In the 1950s, he wrote prefaces to works such as Belli's 100 Sonnets, Brancati's Paolo il Caldo and Stendhal's Roman Walks. From 1957, he also reviewed and criticised cinema for the weekly magazines L'Europeo and L'Espresso. His criticism is collected in the volume Al Cinema (At the Cinema, 1975).

In 1960, Moravia published La noia (Boredom or The Empty Canvas), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl in Rome. It became one of his most famous novels, and won the Viareggio Prize. An adaptation was filmed by Damiano Damiani in 1962. Another adaptation of the book is the basis of Cédric Kahn's film L'Ennui (1998). Several films were based on his other novels: in 1960, Vittorio De Sica adapted La ciociara (Two Women), starring Sophia Loren; in 1963, Jean Luc Godard filmed Il disprezzo (Contempt); and in 1964, Francesco Maselli filmed Gli indifferenti (Time of Indifference). In 1962, Moravia and Elsa Morante parted, despite never divorcing. He went to live with the young writer Dacia Maraini and concentrated on theatre. In 1966, he, Maraini and Enzo Siciliano founded Il porcospino, which staged works by Moravia, Maraini, Carlo Emilio Gadda and others. In 1967 Moravia visited China, Japan and Korea. In 1971 he published the novel Io e lui (I and He or The Two of Us) about a screenwriter, his independent penis and the situations to which he thrusts them and the essay Poesia e romanzo (Poetry and Novel). In 1972 he went to Africa, which inspired his work A quale tribù appartieni? (Which Tribe Do You Belong To? ), published in the same year. His 1982 trip to Japan, including a visit to Hiroshima, inspired a series of articles for L'Espresso magazine about the atomic bomb. The same theme is in the novel L'uomo che guarda (The Man Who Looks, 1985) and the essay L'inverno nucleare (The Nuclear Winter), including interviews with some contemporary principal scientists and politicians. The short story collection, La Cosa e altri racconti (The Thing and Other Stories), was dedicated to Carmen Llera, his new companion (forty five years his junior), whom he married in 1986, after Morante's death in November 1985. In 1984, Moravia was elected to the European Parliament as a member of the Italian Communist Party. His experiences at Strasbourg, which ended in 1988, are recounted in Il diario europeo (The European Diary). In 1985 he won the title of European Personality. Moravia was a perennial contender for the Nobel Prize in Literature, having been nominated 13 times between 1949 and 1965. In September 1990, Alberto Moravia was found dead in the bathroom of his Lungotevere apartment, in Rome. In that year, Bompiani published his autobiography, Vita di Moravia (Life of Moravia).

Moral aridity, the hypocrisy of contemporary life and the inability of people to find happiness in traditional ways such as love and marriage are the regnant themes in the works of Alberto Moravia. Usually, these conditions are pathologically typical of middle class life; marriage is the target of works such as Disobedience and L'amore coniugale (Conjugal Love, 1947). Alienation is the theme in works such as Il disprezzo (Contempt or A Ghost at Noon, 1954) and La noia (The Empty Canvas) from the 1950s, despite observation from a rational realistic perspective. Political themes are often present; an example is La Romana (The Woman of Rome, 1947), the story of a prostitute entangled with the Fascist regime and with a network of conspirators. The extreme sexual realism in La noia (The Empty Canvas, 1960) introduced the psychologically experimental works of the 1970s. Moravia's writing style was highly regarded for being extremely stark and unadorned, characterised by elementary, common words in an elaborate syntax. A complex mood is established by mixing a proposition constituting the description of a single psychological observation mixed with another such proposition. In the later novels, the inner monologue is prominent.

Kelman, James (1980), review of Desecration, in Cencrastus No. 4, Winter 1980–81, p. 49,