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Religious motif in which a deity dies and is resurrected

A dying and rising, death rebirth, or resurrection deity is a religious motif in which a god or goddess dies and is resurrected. Examples of gods who die and later return to life are most often cited from the religions of the ancient Near East. The traditions influenced by them include the Greco Roman mythology. The concept of a dying and rising god was first proposed in comparative mythology by James Frazer's seminal The Golden Bough (1890). Frazer associated the motif with fertility rites surrounding the yearly cycle of vegetation. Frazer cited the examples of Osiris, Tammuz, Adonis and Attis, Zagreus, Dionysus, and Jesus. Frazer's interpretation of the category has been critically discussed in 20th century scholarship, to the conclusion that many examples from the world's mythologies included under "dying and rising" should only be considered "dying" but not "rising", and that the genuine dying and rising god is a characteristic feature of ancient Near Eastern mythologies and the derived mystery cults of late antiquity. "Death or departure of the gods" is motif A192 in Stith Thompson's Motif Index of Folk Literature (1932), while "resurrection of gods" is motif A193.

The motif of a dying deity appears within the mythology of diverse cultures – perhaps because attributes of deities were derived from everyday experiences, and the ensuing conflicts often included death. These examples range from Baldr in Norse mythology to the feathered serpent Quetzalcoatl in Aztec mythology to the Japanese Izanami. Baldr does not come back to life because not all living creatures shed tears for him, and his death then leads to the "doom of the gods". Quetzalcoatl does not resurrect and come back to life as himself, but some versions of his story have a flock of birds flying away from his ashes. In some variants, Quetzalcoatl sails away on the ocean never to return. Some traditions tie the cycle of life and death brought about by the seasons to deities which themselves undergo a cycle of death and rebirth. In effect, these gods take the form of a vegetation deity. At the end of the 19th century, in their The Golden Bough but Massey's factual errors often render his works mistaken. For example, Massey stated that the biblical references to Herod the Great were based on the myth of "Herrut" the evil hydra serpent. However, the existence of Herod the Great is well established independently of Christian sources. Massey's scholarship has been widely rejected by mainstream academics, including, among many others, Christian Evangelical writers such as Stanley E. Porter. The Swiss psychoanalyst Carl Jung argued that archetypal processes such as death and resurrection were part of the "trans personal symbolism" of the collective unconscious, and could be utilized in the task of psychological integration. He also proposed that the myths of the pagan gods who symbolically died and resurrected foreshadowed Christ's literal/physical death and resurrection. The analysis of Osiris permeates the later religious psychology of Carl Jung more than any other element. In 1950 Jung wrote that those who partake in the Osiris myth festival and follow the ritual of his death and the scattering of his body to restart the vegetation cycle as a rebirth "experience the permanence and continuity of life which outlasts all changes of form". Jung wrote that Osiris provided the key example of the rebirth process in that initially only the Pharaohs "had an Osiris" but later other Egyptians nobles acquired it and eventually it led in the concept of soul for all individuals in Christianity. Jung believed that Christianity itself derived its significance from the archetypal relationship between Osiris and Horus versus God the Father and Jesus, his son. The cutting down of barley and wheat was related to the death of Osiris, while the sprouting of shoots was thought to be based on the power of Osiris to resurrect the farmland. In general rebirth analogies based on the vegetation cycle are viewed as the weakest elements in the death rebirth analogies. Scholars such as Barry Powell have suggested Dionysus as an example of resurrection. The oldest known example of the "dying god rising myth" is the Sumerian myth of Inanna's Descent to the Underworld. The Sumerian goddess Inanna travels to the Underworld to see her sister Ereshkigal. While there, she is "struck down" and turns into a corpse. For three days and three nights, Inanna is dead, until she is resurrected with the help of her father, Enki, who sends the two galla to bring her back. The galla serve Inanna food and water and bring her back to life.

The category "dying and rising god" was debated throughout the 20th century, most modern scholars questioning its ubiquity in the world's mythologies. Against this view, Mettinger (2001) affirms that many of the gods of the mystery religions do indeed die, descend to the underworld, are lamented and retrieved by a woman and restored to life. However, Mettinger also disincludes Christianity from this influence. One of the leading scholars in the deconstruction of Frazer's "dying and rising god" category was Jonathan Z. Smith, whose 1969 dissertation discusses Frazer's Golden Bough, and who in Mircea Eliade's 1987 Encyclopedia of religion wrote the "Dying and rising gods" entry, where he dismisses the category as "largely a misnomer based on imaginative reconstructions and exceedingly late or highly ambiguous texts", suggesting a more detailed categorisation into "dying gods" and "disappearing gods", arguing that before Christianity, the two categories were distinct and gods who "died" did not return, and those who returned never truly "died". Smith gave a more detailed account of his views specifically on the question of parallels to Christianity in Drudgery Divine (1990). Smith's 1987 article was widely received, and during the 1990s, scholarly consensus seemed to shift towards his rejection of the concept as oversimplified, although it continued to be invoked by scholars writing about ancient Near Eastern mythology. Beginning with an overview of the Athenian ritual of growing and withering herb gardens at the Adonis festival, in his book The Gardens of Adonis Marcel Detienne suggests that rather than being a stand in for crops in general (and therefore the cycle of death and rebirth), these herbs (and Adonis) were part of a complex of associations in the Greek mind that centered on spices. These associations included seduction, trickery, gourmandizing, and the anxieties of childbirth. A main criticism charges the group of analogies with reductionism, insofar as it subsumes a range of disparate myths under a single category and ignores important distinctions. Detienne argues that it risks making Christianity the standard by which all religion is judged, since death and resurrection are more central to Christianity than many other faiths. Dag Øistein Endsjø, a scholar of religion, points out how a number of those often defined as dying and rising deities, such as a number of figures in ancient Greek religion, actually died as ordinary mortals, only to become gods of various stature after they were resurrected from the dead. Not dying as gods, they thus defy the definition of "dying and rising gods". Tryggve Mettinger, who supports the category of dying and rising gods, stated in 2001 that there was a scholarly consensus that the category is inappropriate. As of 2009, the Encyclopedia of Psychology and Religion summarizes the current scholarly consensus as ambiguous, with some scholars rejecting Frazer's "broad universalist category" preferring to emphasize the differences between the various traditions, while others continue to view the category as applicable. In the 2010s, Paola Corrente conducted an extensive survey of the status of the dying and rising god category. While she agrees that much of Frazer's specific evidence was faulty, she argues that the category as a whole is valid, though she suggests modifications to the specific criteria. Corrente specifically focuses her attention on several Near Eastern and Mesopotamian gods as examples which she argues have been largely ignored, both by Frazer (who would not have had access to most relevant texts) and his more recent critics. These examples include the goddess Inanna in Sumerian texts and Ba'al in Ugaritic texts, whose myths, Corrente argues, offer concrete examples of death and resurrection. Corrente also utilizes the example of Dionysus, whose connection to the category is more complicated, but has still been largely ignored or mischaracterized by other scholars including Frazer himself in her view.

In the webcomic Homestuck, players of the universe creating game Sburb can attain conditional immortality and extraordinary power by ascending to "god tier", a process that requires dying on a special sacrificial bed. God tier players can be killed normally, but will return anew so long as the game does not judge their deaths "heroic" or "just." In the video game Ace Combat 5: The Unsung War, Razgriz is a powerful fairy tale demon who first uses its power to "[rain] death upon the land," before dying and returning as a great hero.