Бранко Ћопић: Өмір және шығармалары

Branko Ćopić (, ; 1 January 1915 – 26 March 1984) was a Yugoslav writer. He wrote poetry, short stories and novels, and became famous for his stories for children and young adults, often set during World War II in revolutionary Yugoslavia, written with characteristic Ćopić's humor in the form of ridicule, satire and irony. As a professional writer, Ćopić was very popular and was able to sell large number of copies. This allowed him to live solely from his writings, which was rare for the novelists in Yugoslavia at the time. However, the quality of his writings brought him inclusion into primary school curriculum, which meant that some of his stories found their way in to the text books and some novels became compulsory reading. In the early 1950s, he also wrote satirical stories, criticizing social and political anomalies and personalities from the country's political life of the time, for which he was considered a dissident and "heretic", and had to explain himself to the party hierarchy.

Ćopić was born into a Bosnian Serb family on 1 January 1915 in the village of Hašani, near Bosanska Krupa in the Bosanska Krajina region of western Bosnia. He admitted that after arriving to Belgrade in 1936, he was "afraid of the big city" and was especially concerned he might get lost. During the uprising in Bosanska Krajina in 1941, he joined the Partisans and remained in their ranks until the end of World War II. He was his detachment's political commissar, war correspondent for the Borba newspaper and a cultural proletarian. Many of his novels and stories were included into primary school curriculum and were part of the text books. and some of them have been turned into TV series. He was featured on the 0.50 Bosnia and Herzegovina convertible mark bill, which has been withdrawn from circulation and replaced with coins. Ćopić's biographer and close friend was Enes Čengić, namely Branko Ćopić i njegovi junaci u slici i prilici , Ćopićev humor i zbilja (1 i 2) ( 1 and 2), Ćopić kroz svjetla i pomrčine , one publication Šesdeset godina života i šest miliona knjiga Branka Ćopića: prigodna publikacija , while his daughter published one more, titled Branko Ćopić: Treba sanjati , after her father passed away from his unpublished manuscript.

From at least 1951 until his death Branko Ćopić was a professional writer, who lived solely of his writings as, due to his popularity, his books were sold in millions of copies, both in Yugoslavia and abroad. His first published short story was Smrtno ruvo Soje Čubrilove ("Death robe of Soja Čubrilova"), printed in 1936 in the Belgrade daily Politika. Politika's editor, Žika Milićević, was known for his strictness and he initially rejected many other Ćopić's stories, but he continued to write them and to send them to Milićević until he decided to print them in the newspapers. Milićević promised to that he will publish two of his stories each month, if they are good. Before 1941 and outbreak of the World War II in Yugoslavia, Politika published 125 of his stories. Ćopić considered this collaboration with Politika as a "great stimulus" and the "beginning of the serious literary affirmation". His first short stories collection Ćopić published in 1938, and continued to write throughout the war. These collection of short stories proved his gift for storytelling, and were followed by other, including Planinci (, 1940). In 1939 he was recipient of Milan Rakić Award, with 1,000 dinars money prize, which led him to proclaim "I was richer than the emperor". He was editor of the Pionir magazine, from 1944 to 1949, and member of the editorial board of Savremenik

Regional mark of his prose can be recognized in the characters, locations, themes and language of his home region, Bosnian Krajina. His pre war prose was predominantly lyrical (collections like Rosa na bajonetima (, 1946), Sveti magarac i druge priče , Surova škola (, 1948) but after the war, he subordinated the lyrical to the ideological and socially engaged. His short stories were often described as the "stories of a dreamer boy". He published collections of poems Ognjeno rađanje domovine (, 1944) and Ratnikovo proljeće (, 1947). Other short story collections Ljubav i smrt (, 1953). Using humor and satire, Ćopić targeted what he perceived to be social ills of the fledgling Yugoslav communist society. In 1950, he published Jeretička priča , mocking the new phenomena he observed around him such as state owned company managers, Yugoslav People's Army (JNA) generals, government ministers, as well as their families and in laws, misusing publicly funded resources including specific instances of government provided luxurious cars being used by individuals form the above groups in order to be chauffeured to university lectures at faculties they recently enrolled in. This was enough for the state security agency UDBA to open a file on him. Ćopić's harsh words against the political elite were conveyed to the secret police by one of his friends, who unbeknownst to Ćopić, was an UDBA agent with the code name Remington, after the typewriter. Ćopić's file was placed together with those of other authors, who at the time were being scrutinized by the state for similar reasons: Mira Alečković, Desanka Maksimović, Sava Nikolić, sr, sr and Zuko Džumhur. In 1966, Živojin Pavlović wanted to film a movie Silent Gunpowder, but the production house, Avala Film, backed off, because of the "politically unacceptable ideas in the script which depicts leftist errors". The film, to a great success, was made only in 1990, by Bato Čengić. His contemporary comedy Odumiranje medveda from 1958 caused him further problems with the political establishment. After only several rehearsals of the play, dramatized by Soja Jovanović, it was banned from the Belgrade Drama Theatre, as "ordered from the top". It was played later, but never in Belgrade. His brother and sister were both killed in World War II. Brother Rajko was killed in 1942 and sister Smiljka (b. 1921) in 1943. Ćopić dedicated a poem to her, Grob u žitu As the bridge is an extension of the Brankova Street, named after Branko Radičević, a Serbian romanticist poet, it was named after the street. However, an urban myth developed since then that the bridge was named after Ćopić's jump. Ćopić repeated several times to his close friend and biographer Enes Čengić that he would kill himself, and the reason he gave was his inability to even remember or recognize the people or things around him, which he blamed on his advanced sclerosis, so that he could no longer write a letter. Author and literary critic sr wrote that, no matter whether he was writing poems, novels or stories, Ćopić was always a lyric poet. Pantić added that, standing on the shoulders of his predecessors like Petar Kočić and nameless folk storytellers from his homeland, Ćopić was the constant of Serbian 20th century literature and its last authentic storyteller. Documentarist Dejan Petrović described Ćopić as "Serbian Tolkien".