Мирослав Крлежа: 20 ғасырдың ең ұлы хорват жазушысы

Croatian writer

Miroslav Krleža (; 7 July 1893 – 29 December 1981) was a Yugoslav and Croatian writer who is widely considered to be the greatest Croatian writer of the 20th century. He wrote notable works in all the literary genres, including poetry (Ballads of Petrica Kerempuh, 1936), theater (Messrs. Glembay, 1929), short stories (Croatian God Mars, 1922), novels (The Return of Philip Latinowicz, 1932; On the Edge of Reason, 1938), and an intimate diary. His works often include themes of bourgeois hypocrisy and conformism in Austria Hungary and the Kingdom of Yugoslavia. Krleža wrote numerous essays on problems of art, history, politics, literature, philosophy, and military strategy, and was known as one of the great polemicists of the century. His style combines visionary poetic language and sarcasm. Krleža dominated the cultural life of Croatia and Yugoslavia for half a century.

Miroslav Krleža was born in Zagreb, He enrolled in a preparatory military school in Pécs, modern day Hungary. At that time, Pécs and Zagreb were within the Austro Hungarian Empire. Subsequently, he attended the Ludoviceum military academy at Budapest. He defected to Serbia, but was dismissed as a suspected spy. During this time, Croatia's principal state publishing house, Nakladni zavod Hrvatske, published his collected works. Supported by Tito, in 1950 Krleža founded the Yugoslav Institute for Lexicography, holding the position as its head until his death. The institute would be posthumously named after him and is now called the Miroslav Krleža Institute of Lexicography. From 1950 on, Krleža led a life as a high profile writer and intellectual, often closely connected to Tito. He also briefly held the post of president of the Yugoslav Writers' Union between 1958 and 1961. In 1962, he received the NIN Award for the novel Zastave ("The Banners"), and in 1968 the Herder Prize. Following the deaths of Tito in May 1980, and Bela Krleža in April 1981, Krleža spent most of his last years of his life in ill health. He was awarded the Laureate Of The International Botev Prize in 1981. He died in his Villa Gvozd in Zagreb on 29 December 1981 and was given a state funeral in Zagreb on 4 January 1982. In 1986, Villa Gvozd was donated to the City of Zagreb. It was opened to the public in 2001, but is temporarily closed due to the 2020 Zagreb earthquake damage as of 2021.

Although Krleža's lyric poetry is held in high regard, by common critical consensus his greatest poetic work is Balade Petrice Kerempuha (Ballads of Petrica Kerempuh), spanning more than five centuries and centred on the figure of plebeian prophet Petrica Kerempuh, a Croatian Till Eulenspiegel.

Krleža's novelistic oeuvre consists of four works: The Return of Philip Latinowicz, On the Edge of Reason, The Banquet in Blitva, and The Banners. The first one is a novel about an artist. On the Edge of Reason and The Banquet in Blitva are satires (the latter located in an imaginary Baltic country and called a political poem), saturated with the atmosphere of all pervasive totalitarianism,]]

Krleža's main artistic interest was centered on drama. He began with experimental expressionist plays like Adam i Eva and Michelangelo Buonarroti, dealing with defining passions of heroic figures, but eventually opted for more conventional naturalist plays. The best known is Gospoda Glembajevi (The Glembays), a cycle dealing with the decay of a bourgeois family. Golgota is another play, political in nature.

Krleža's memoirs and diaries include Davni dani (Olden days) and Djetinjstvo u Agramu (Childhood in Zagreb). Other works include Dnevnici (Diaries) and the posthumously published Zapisi iz Tržiča (Notes from Tržič) chronicle multifarious impressions.