Жорж Бернард Шоудың "Сент-Жоан" пьесасы және экрандаулары

Play by George Bernard Shaw
the film adaptations of the play

Saint Joan is a play by George Bernard Shaw about 15th century French military figure Joan of Arc. Premiering in 1923, three years after her canonization by the Roman Catholic Church, the play reflects Shaw's belief that the people involved in Joan's trial acted according to what they thought was right. He wrote in his preface to the play:

There are no villains in the piece. Crime, like disease, is not interesting: it is something to be done away with by general consent, and that is all [there is] about it. It is what men do at their best, with good intentions, and what normal men and women find that they must and will do in spite of their intentions, that really concern us. Michael Holroyd has characterised the play as "a tragedy without villains" and also as Shaw's "only tragedy". John Fielden has discussed further the appropriateness of characterising Saint Joan as a tragedy. The text of the published play includes a long Preface by Shaw.

One historian at the time (1925) reacted to the play by arguing that it was highly inaccurate, especially in its depiction of medieval society. Shaw states that the characterization of Joan by most writers is "romanticized" to make her accusers come off as completely unscrupulous and villainous. More general interpretation of Joan's character is to describe her as a rebel against general institutional authority, such as that of the Catholic Church and to the feudal system. Contemporary comments have noted her particularly strong form of religious belief and how it borders on religious fanaticism. Tony Stafford discussed Shaw's use of imagery related to birds in the play. Frederick Boas has compared the different treatments of Joan in dramas by Shakespeare, Schiller, and Shaw. T. S. Eliot, discussing the play after its premiere in London in 1924, wrote that although Saint Joan was not the masterpiece that some claimed it to be, the play "seems to illustrate Mr. Shaw's mind more clearly than anything he has written before." And although he credited Shaw with providing an "intellectual stimulant" and "dramatic delight", he took issue with his portrayal of the heroine: "his Joan of Arc is perhaps the greatest sacrilege of all Joans: for instead of the saint or the strumpet of the legends to which he objects, he has turned her into a great middle class reformer, and her place is a little higher than Mrs. Pankhurst" (the militant leader of the British suffragettes).

Shaw's personal reputation following the Great War was at a low ebb, and it is thought that he wanted to first test the play away from Britain. The play received its premiere on 28 December 1923 at the Garrick Theatre on Broadway by the Theatre Guild with Winifred Lenihan in the title role. The London première, which opened on 26 March 1924 at the New Theatre, was produced by Lewis Casson and starred Shaw's friend Sybil Thorndike, the actress for whom he had written the part. Costumes and sets were designed by Charles Ricketts, and the play had an extensive musical score, specially composed and conducted by John Foulds. Caught between the forces of the Church and the Law, Joan is the personification of the tragic heroine and the part is considered by actresses (see below) to be one of the most challenging of roles to interpret. It is usually played by very experienced actresses who are much older than the age of the character, a teenager. For a film version, Joan was played by Jean Seberg, who was 19. The film and Seberg received strongly negative reviews. Seberg herself said she was “burned at the stake by the critics.”