Чу Чин Чоу: Музыкалық комедия және бейімделулер

Musical comedy by Oscar Asche and Frederic Norton
the film adaptations

Chu Chin Chow is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of Ali Baba and the 40 Thieves. The piece premièred at His Majesty's Theatre in London on 3 August 1916 and ran for five years and a total of 2,238 performances (more than twice as many as any previous musical), a record that stood for nearly forty years until Salad Days. The show's first American production in New York, with additional lyrics by Arthur Anderson, played for 208 performances in 1917–1918, starring Tyrone Power. It subsequently had successful seasons elsewhere in America and Australia, including in 1919, 1920, 1921 and 1922. A talking film, with the score intact, was made by the Gainsborough Studios in 1934, with George Robey as Ali Baba, Fritz Kortner as Abu Hasan, Anna May Wong as Zahrat Al Kulub, Frank Cochrane reprising his stage role of the cobbler, and Laurence Hanray as Kasim.

The success of the "Arabian Nights" adaptation Kismet, a 1911 play by Edward Knoblock, inspired Oscar Asche to write and produce Chu Chin Chow. Asche directed the musical and played the lead role of Abu Hasan, leader of the forty thieves (the "Chu Chin Chow" of the title refers to the robber chief when impersonating one of his victims). Besides Asche, the production starred his wife, Lily Brayton, and the former D'Oyly Carte Opera Company star Courtice Pounds. Costumes were by the designer Percy Anderson. Chu Chin Chow was described as a combination of musical comedy and pantomime. It was a big budget spectacular costing £5,300, with over a dozen scene changes, fantastic sets, big dance routines, exotic costumes and Asche's innovative lighting designs. The design for the show was influenced by the English taste for all things connected with Asia (known as "orientalism") which had originated with Diaghilev’s production of the ballet Scheherazade. Theatre journal The Era said that Norton's music had "a touch of the East but for the most part it was on a level with the tender melody of musical comedy" and "hardly inspired". Nevertheless, many of the songs became hits, and "The Cobbler's Song" and "Any Time’s Kissing Time" in particular entered the repertoire of ballad singers for at least three or four decades. Tickets to see Chu Chin Chow were particularly eagerly sought by troops on leave from the Western Front. One of the attractions for the on leave soldiers was the chorus of pretty slave girls who, for the period, were very scantily dressed. Complaints, not by the soldiers, resulted in the Lord Chamberlain (the British theatre censor) viewing the show and requiring "this naughtiness" to be stopped—at least for a while. The cast was large and included a camel, a donkey, poultry and snakes. 2.8 million tickets to the show were issued. The year following the premiere of the musical, a souvenir booklet was prepared, which included a novelized version of the play by Willam A. Page. He included additional background explanations to explain the scenery and physical attributes of the characters. Chu Chin Chow was one of three hit musical shows premiered on the London musical stage during World War I (the others being The Bing Boys Are Here and The Maid of the Mountains), and music or scenes from these have been included as background in many films set in this period. Other popular musicals of the period were Theodore & Co (1916), The Happy Day (1916), The Boy (1917) and Yes, Uncle! (1917). Audiences wanted light and uplifting entertainment during the war, and all these shows delivered it.

RolePremiere cast,3 August 1916Original Broadway cast,22 October 1917Abu HasanOscar AscheTyrone Power Sr. Kasim Baba/CobblerFrank CochraneAlbert HowsonAli BabaCourtice PoundsHenry DixeyNur al Huda AliJ. V. BryantGeorge RaselyAbdullahNorman WilliamsFrancis J. BoyleMarjanahViolet EssexTessa KostaZahrat al KulubLily BraytonFlorence ReedAlcolomAileen D'OrmeKate CondonMahbubahSydney FairbrotherLucy Beaumont

Label: Broadcast Twelve UK 5039. Issued 1929 10" 'Selection From "Chu Chin Chow" (Parts I & 2)'

The lead character, Mame Dennis, mentions several times in the novel Auntie Mame (and the play and film versions) that she adored her time as a chorus girl in Chu Chin Chow with her bosom buddy Vera Charles and tries to recreate the experience. The name of American comic book character Fin Fang Foom is inspired by the title of Chu Chin Chow, according to creator Stan Lee, who had seen the 1934 film version as a boy.