"Атолл К: Лорел мен Хардидің соңғы фильмі"

Atoll K is a 1951 Franco Italian co production film—also known as Robinson Crusoeland in the United Kingdom and Utopia in the United States – which stars the comedy team Laurel and Hardy in their final screen appearance. The film co stars French singer/actress Suzy Delair and was directed by Léo Joannon, with uncredited co direction by blacklisted U. S. director John Berry.

Stan claims an inheritance left by his affluent uncle, significantly diminished by taxes and legal fees, leaving him cash poor but with a dilapidated yacht and a private island in the South Seas. Stan and Ollie sail for the island alongside Antoine, a stateless refugee, and Giovanni Copini, an Italian stone mason hiding aboard the boat. During the voyage, the engine fails. Ollie's attempts to repair it prove futile, due to Stan's inadvertent mishandling of the components. Forced to use the sail, the crew contends with a storm at sea, which strands the boat on an uncharted island. The four sailors cultivate the land and settle into a comfortable lifestyle. An indefinite time passes, and nightclub singer Chérie Lamour is fleeing her possessive fiancé, navy lieutenant Jack Frazer. A sympathetic sailor offers to escort her ashore, but his suspicious wife casts her adrift at gunpoint, and Cherie heads for land Laurel & Hardy's island. The four men are enchanted by Cherie, and she becomes their guest. Stan and Ollie, still smarting from their heavy taxation, decide to establish their own government so that no other country can claim the island. Inspired by Robinson Crusoe, they call their island Crusoeland, and declare no laws, taxes, and immigration restrictions. News of the new, wide open country attracts hordes of people. The discovery of uranium results in global interest, culminating in a tumultuous revolt to displace the island's founders. The four male castaways are about to be hanged when another violent storm erupts, causing the new arrivals to flee the island. Antoine goes back to France as a stateless person; Giovanni returns to Italy, where he builds fences. Cherie and Lt. Frazer finally get married in a quarrelsome ceremony. This leaves Stan and Ollie alone at last, enjoying the peace and quiet until a government official and his crew confiscate our heroes' goods and provisions, citing non payment of taxes.

In the late 1940s, Laurel and Hardy were without film employment. Earlier in the decade, they ended their long association with producer Hal Roach and signed to make a series of films at both 20th Century Fox and Metro Goldwyn Mayer. In post World War II Europe, Laurel and Hardy were enjoying a new popularity with audiences that had been unable to see their movies during wartime. As a result of this, the pair received an offer from a French Italian cinematic consortium to star in a film to be produced in France for $1.5 million, a large budget for the era. From the beginning, there were disagreements on the film's screenplay. Laurel was unhappy with the heavily political storyline envisioned by French director Léo Joannon and insisted on bringing Alfred Goulding and Monty Collins to aid in writing the screenplay (Alf Goulding received no screen credit and Monty Collins was credited with "gags"). There were also considerable communication problems, since neither Laurel nor Hardy spoke any French and director Joannon spoke very little English. and his widow would later fault the quality of the French medical care, claiming that at one point, she had to substitute for an absent nurse by changing her husband's bandages. Laurel's weight dropped to 114 pounds, and for most of the production he was able to work for only 20 to 30 minutes at a time. While in France, Hardy saw his already hefty frame expand to 330 pounds and he required medical care for an irregular heartbeat and a severe case of the flu. Adding to the medical problems was Italian actor Adriano Rimoldi, who played the stowaway, when he fell from a docked yacht and required a month to recuperate away from the production. While Berry never publicly acknowledged his work on Atoll K, the film's leading lady Suzy Delair confirmed his participation during an interview with historian Norbert Aping. In the American and British versions, Laurel and Hardy spoke their dialogue in English, as originally recorded, while the French and Italian actors' voices were dubbed in English. The other international versions were presented with the entire soundtracks in their respective languages (all French, all German, all Italian). In the countries where the various versions played, critical reaction to the film was only fair to poor. The French newspaper Journal du Dimanche complained: "What in hell lured Laurel and Hardy onto this atoll? Unfortunately, this adventure adds nothing to their fame." Italian critic Paolo Locori, writing for the magazine Hollywood, stated: "Stan and Ollie's presence is not enough to lift the movie from its mediocrity." The British Kinematograph Weekly stated the film was "bogged down in a welter of obvious slapstick." When Utopia ultimately played in Los Angeles in early 1955 as a double feature with Blackboard Jungle, Los Angeles Times critic Philip K. Scheuer wrote, "Some of their misadventures en route are nostalgically amusing, but thereafter the comedy deteriorates as rapidly as their fortunes It is all too plain that Utopia is destined to be the last of the Laurel and Hardy comedies. For the many happy hours they have given us, our grateful thanks."

Over the years, the prints of three of the six versions have degraded. No U. S. copyright was filed for Utopia and the English dialogue version lapsed into the public domain, resulting in inferior film reprints and video versions. Until recently, the only known print of the original 98 minute English language version was in private hands and this version has never been released on video. However, on January 1, 2012, the French/German TV station ARTE aired a restored 100 minute English version of the film, claiming an international television premiere. The restored copy is based on a copy rediscovered in 2010 in the United States. It was released to DVD by Fun Factory Films on January 3, 2013. Truncated 85/88 minute prints available in Italy on VHS and DVD are all that remain of the Italian version. The original French Atoll K was released on VHS in 1996. The film has also been televised in the U. S. (edited to fit a 90 minute time slot and using the Utopia title) by the Movies! network as part of its Saturday morning Laurel and Hardy Show series, first syndicated in 1986.