Аврахам діндері мен Зороастризмде соңғы сот күні

Eschatology of the Abrahamic religions and Zoroastrianism

The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (יום הדין; یوم القيامة or یوم الدین) is a concept found across the Abrahamic religions and the Frashokereti of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of most. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in many chapters of the Quran, according to some interpretations. The Last Judgment has inspired numerous artistic depictions, including painting, sculpture and evangelical work.

In Judaism, beliefs vary. Rosh HaShanah is sometimes referred to as a 'day of judgement', but it is not conceptualized as the Day of Judgement. Some rabbis hold that there will be a future day following the resurrection of the dead. Others hold that the final accounting and judgment happens when one dies. Still others hold that the Last Judgment applies to only the gentiles, not the Jewish People. The Babylonian Talmud has a lengthy passage describing the future Judgement Day.

The doctrine and iconographic depiction of the Last Judgment are drawn from many passages from the apocalyptic sections of the Bible, but most notably from Jesus' teaching of the strait gate in the Gospel of Matthew and in the Gospel of Luke.

The Eastern Orthodox Church teaches that there are two judgments: the first, or particular judgment, is that experienced by each individual at the time of his or her death, at which time God will decide where one is to spend the time until the Second Coming of Christ (see Hades in Christianity). This judgment is generally believed to occur on the fortieth day after death. The second, General or Final Judgment will occur after the Second Coming. Although in modern times some have attempted to introduce the concept of soul sleep into Orthodox thought about life after death, it has never been a part of traditional Orthodox teaching, and it contradicts the Orthodox understanding of the intercession of the Saints. Eastern Orthodoxy teaches that salvation is bestowed by God as a free gift of divine grace, which cannot be earned, and by which forgiveness of sins is available to all. However, the deeds done by each person are believed to affect how he will be judged, following the Parable of the Sheep and the Goats. How forgiveness is to be balanced against behavior is not well defined in scripture, judgment in the matter being solely Christ's. Similarly, although Orthodoxy teaches that sole salvation is obtained only through Christ and his Church, the fate of those outside the Church at the Last Judgment is left to the mercy of God and is not declared.

The theme of the Last Judgment is important in Orthodoxy. Traditionally, an Orthodox church will have a fresco or mosaic of the Last Judgment on the back (western) wall so that the faithful, as they leave the services, are reminded that they will be judged by what they do during earthly life. The icon of the Last Judgment traditionally depicts Christ Pantokrator, enthroned in glory on a white throne, surrounded by the Theotokos (Virgin Mary), John the Baptist, the Apostles, saints and angels. Beneath the throne the scene is divided in half with the "mansions of the righteous" (John 14:2 (KJV)), i. e., those who have been saved, to Jesus' right (the viewer's left), and the torments of those who have been damned to his left. Separating the two is the river of fire which proceeds from Jesus' left foot. For more detail, see below.

The theme of the Last Judgment is found in the funeral and memorial hymnody of the Church, and is a major theme in the services during Great Lent. The second Sunday before the beginning of Great Lent is dedicated to the Last Judgment. It is also found in the hymns of the Octoechos used on Saturdays throughout the year.

There were many renditions of the Last Judgment completed by Greek painters living in Crete which was held by the Venetian Empire. Most of the works of art were influenced by Venetian painting but were considered to be painted in the Maniera Greca. Georgios Klontzas painted many triptychs featuring the Last Judgment some include The Last Judgment, The Last Judgement Triptych, and The Triptych of the Last Judgement. Klontzas was the forerunner of a new painting style. Other Greek painters followed the precedent set by Klontzas. Theodore Poulakis added the last judgment to his rendition of Klontzas' In Thee Rejoiceth. The painter incorporated the Last Judgement into one of Klontzas' earlier works entitled In Thee Rejoiceth. Poulakis payed hommage to the father of the Last Judgement style. Leos Moskos and Francheskos Kavertzas also followed the outline for the stylistic representation of the Last Judgement set by Klontzas. Their works were The Last Judgment (Kavertzas) and The Last Judgment (Moskos). Both paintings resemble Klontas' Last Judgement painting.

Lutherans do not believe in any sort of earthly millennial kingdom of Christ either before or after his second coming on the last day. On the last day, all the dead will be resurrected. Their souls will then be reunited with the same bodies they had before dying. The bodies will then be changed, those of the wicked to a state of everlasting shame and torment, those of the righteous to an everlasting state of celestial glory. After the resurrection of all the dead, and the change of those still living, all nations shall be gathered before Christ, and he will separate the righteous from the wicked. Christ will publicly judge all people by the testimony of their faith – the good works of the righteous in evidence of their faith, and the evil works of the wicked in evidence of their unbelief. He will judge in righteousness in the presence of all and men and angels, and his final judgment will be just damnation to everlasting punishment for the wicked and a gracious gift of life everlasting to the righteous.

Although the Last Judgment is believed by a great part of Christian mainstream churches; some members of Esoteric Christian traditions like the Essenes, Rosicrucians, the Spiritualist movement, and some liberals instead believe in a form of universal salvation. Max Heindel, a Danish American astrologer and mystic, taught that when the Day of Christ comes, marking the end of the current fifth or Aryan epoch, the human race will have to pass a final examination or last judgment, where, as in the Days of Noah, the chosen ones or pioneers, the sheep, will be separated from the goats or stragglers, by being carried forward into the next evolutionary period, inheriting the ethereal conditions of the New Galilee in the making. Nevertheless, it is emphasized that all beings of the human evolution will ultimately be saved in a distant future as they acquire a superior grade of consciousness and altruism. At the present period, the process of human evolution is conducted by means of successive rebirths in the physical world and the salvation is seen as being mentioned in Revelation 3:12 (KJV), which states "Him that overcometh will I make a pillar in the temple of my God and he shall go no more out". However, this western esoteric tradition states – like those who have had a near death experience – that after the death of the physical body, at the end of each physical lifetime and after the life review period (which occurs before the silver cord is broken), a judgment occurs, more akin to a Final Review or End Report over one's life, where the life of the subject is fully evaluated and scrutinized. This judgment is seen as being mentioned in Hebrews 9:27, which states that "it is appointed unto men once to die, but after this the judgment".

Emanuel Swedenborg (1688–1772) had a revelation that the church has gone through a series of Last Judgments. First, during Noah's Flood, then Moses on Mount Sinai, Jesus' crucifixion, and finally in 1757, which is the final Last Judgment. These occur in a realm outside earth and heaven, and are spiritual in nature.

The Church of Jesus Christ of Latter day Saints (LDS Church) teaches that the last judgment for each individual occurs after that individual has been resurrected. People will be judged by Jesus Christ. Jesus' twelve apostles will help judge the twelve tribes of Israel and the twelve Nephite disciples from the Book of Mormon will help to judge the Nephite and Lamanite people. After the final judgment, an individual is assigned to one of the three degrees of glory.

In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from Byzantine art, although it was a less common subject than in the West during the Middle Ages. In Western Christianity, it is often the subject depicted in medieval cathedrals and churches, either outside on the central tympanum of the entrance or inside on the (rear) west wall, so that the congregation attending church saw the image on either entering or leaving. In the 15th century it also appeared as the central section of a triptych on altarpieces, with the side panels showing heaven and hell, as in the Beaune Altarpiece or a triptych by Hans Memling. The usual composition has Christ seated high in the centre, flanked by angels, the Virgin Mary, and John the Evangelist who are supplicating on behalf of those being judged (in what is called a Deesis group in Orthodoxy). Saint Michael is often shown, either weighing the deceased on scales or directing matters, and there might be a large crowd of saints, angels, and the saved around the central group. At the bottom of the composition a crowd of the deceased are shown, often with some rising from their graves. These are being sorted and directed by angels into the saved and the damned. Almost always the saved are on the viewer's left (so on the right hand of Christ), and the damned on the right. The saved are led up to heaven, often shown as a fortified gateway, while the damned are handed over to devils who herd them down into hell on the right; the composition therefore has a circular pattern of movement. Often the damned disappear into a Hellmouth, the mouth of a huge monster, an image of Anglo Saxon origin. The damned often include figures of high rank, wearing crowns, mitres, and often the Papal tiara during the lengthy periods when there were antipopes, or in Protestant depictions. There may be detailed depictions of the torments of the damned. The most famous Renaissance depiction is Michelangelo Buonarroti's The Last Judgment in the Sistine Chapel. Included in this fresco is his self portrait, as St. Bartholomew's flayed skin. The image in Eastern Orthodox icons has a similar composition, but usually less space is devoted to hell, and there are often a larger number of scenes; the Orthodox readiness to label figures with inscriptions often allows more complex compositions. There is more often a large group of saints around Christ (which may include animals), and the hetoimasia or "empty throne", containing a cross, is usually shown below Christ, often guarded by archangels; figures representing Adam and Eve may kneel below it or below Christ. A distinctive feature of the Orthodox composition, especially in Russian icons, is a large band leading like a chute from the feet of Christ down to hell; this may resemble a striped snake or be a "river of Fire" coloured flame red. If it is shown as a snake, it attempts to bite Adam on the heel but, as he is protected by Christ, is unsuccessful.

In Jainism, there is no day of judgement as such. Jains believe, however, that as the 5th era comes to an end, evil will increase and the religion and good will decrease. Only four Jains will remain in the world: a monk, a female monk, a shravak and a shravika, A deity from the heavens will descend upon the earth and gather them, and ask them to take "Anshan", or vow to fast (without any food or water) until death.

Marc Antoine Charpentier, Extremum Dei Judicium H.401, Oratorio for soloists, chorus, 2 treble instruments, and bc. (1680)

Giacomo Carissimi, Extremum Dei Judicium, for 3 chorus, 2 violins and organ. Tomoya Ohtani, Last Judgment from Sonic Forces Original Soundtrack: A Hero Will Rise.