Бес сақина кітабы: Кенджитсу және жауынгерлік өнер туралы

Text on kenjutsu and the martial arts in general

The Book of Five Rings (五輪書) is a text on kenjutsu and the martial arts in general, written by the Japanese swordsman Miyamoto Musashi around 1645. Many translations have been made, and it has garnered broad attention in East Asia and throughout the world. For instance, some foreign business leaders find its discussion of conflict to be relevant to their work. The modern day Hyōhō Niten Ichi ryū employs it as a manual of technique and philosophy. Musashi establishes a "no nonsense" theme throughout the text. For instance, he repeatedly remarks that technical flourishes are excessive, and contrasts worrying about such things with the principle that all technique is simply a method of cutting down one's opponent. He also continually makes the point that the understandings expressed in the book are important for combat on any scale, whether a one on one duel or a massive battle. Descriptions of principles are often followed by admonitions to "investigate this thoroughly" through practice rather than trying to learn them by merely reading. Musashi describes and advocates a two sword fencing style (nitōjutsu): that is, wielding both katana and wakizashi, contrary to the more traditional method of wielding the katana two handed. However, he only explicitly describes wielding two swords in a section on fighting against many adversaries. The stories of his many duels rarely refer to Musashi himself wielding two swords, although, since they are mostly oral traditions, their details may be inaccurate. Musashi states within the volume that one should train with a long sword in each hand, thereby training the body and improving one's ability to use two blades simultaneously.

Go Rin No Sho are the teachings which Musashi preached to his students in his own dōjō. Though ideas are taken from other sources, the text is predominantly seminal. The five "books" refer to the idea that there are different elements of battle, just as there are different physical elements in life, as described by Buddhism, Shinto, and other Eastern religions. The five books below are Musashi's descriptions of the exact methods or techniques which are described by such elements. The term Ichi School refers to "Niten No Ichi Ryu" or "Ni Ten Ichi Ryu", which literally translates to "Two Heavens, One School". Alternative translations include: "Two Swords, One Spirit", and "Two Swords, One Entity". The translation, "Two Swords, One Dragon" was thought to be a misinterpretation of the Kanji word Ryu. The Book of Earth chapter serves as an introduction, and metaphorically discusses martial arts, leadership, and training as building a house. The Book of Water chapter describes Musashi's style, Ni ten ichi ryu, or "Two Heavens, One Style". It describes some basic technique and fundamental principles. The Book of Fire chapter refers to the heat of battle, and discusses matters such as different types of timing. The Book of Wind chapter is something of a pun, since the Japanese character for "wind" can also mean "style" (such as, of martial arts). It discusses what Musashi considers to be the failings of various contemporary schools of sword fighting. The Book of the Void chapter is a short epilogue, describing, in more esoteric terms, Musashi's (probably) Zen influenced thoughts on consciousness and the correct mindset.

The water book concerns strategy, spirituality and philosophy. The meaning of water in relation to life is flexibility. Water demonstrates natural flexibility as it changes to conform with the boundaries which contain it, seeking the most efficient and productive path. So also should one possess the ability to change in accordance with one's own situation to easily shift between disciplines, methods, and options when presented with new information. A person should master many aspects of life allowing them to possess both balance and flexibility. The spiritual bearing in strategy, which Musashi writes about concerns your temperament and spirituality whilst in the midst of, or in formulation of a battle. Being a Buddhist, most of what is written in the section concerning spirituality refers to principles of calmness, tranquility and spiritual balance:

In strategy your spiritual bearing must not be any different from normal. Both in fighting and in everyday life you should be determined though calm. This balance refers to what could be thought of as yin and yang within one person. The over familiarity or over use of one weapon is discouraged by Musashi, as it would be seen to reveal one's spirituality to one's enemy. The idea is that a perfectly balanced spirit is also a perfectly balanced physical presence, and neither creates weakness nor reveals it to an enemy. During battle, the spirituality and balance is something of which Musashi notes that one should take advantage. Since small people know the spirituality of big people, they can thus note differences and weaknesses between each other. This is something which seems easy, but it is said to change when one is on the battlefield, as then one must know to both adjust one's spiritual balance according to the surrounding environment, and to perceive the balance of others to take advantage accordingly. Just as one's spirit should be balanced, one's various techniques be honed to a perfectly balanced demeanor. In terms of stance, much like balance within the trooper, Musashi notes that stance is an important part of strategy, or battle: Adopt a stance with the head erect, neither hanging down, nor looking up, nor twisted. This is part of what Musashi notes as wedging in. In regards to the gaze of someone, he notes that a person must be able to perceive that which is all around him without moving their eyeballs noticeably, which is said to be a skill which takes an enormous amount of practice to perfect. He notes that this is again one of the most important parts of strategy, as well as being able to see things which are close, such as the technique of an enemy. It is also used to perceive things far away, such as arriving troops or enemies, as that is the precursor to battle. One can then change one's actions according to what one sees.

Whereas most of the information given in the previous books is useful in such a way that it could still be applicable today, this book is primarily concerned with the specific details about other strategies that existed at the time. The broader lesson from this book is that an important part of understanding one's own way is to understand the way of one's opponent as precisely as possible. Musashi notes that although most schools have secret and ancient strategies, most forms are derivative of other martial arts. Their similarities and differences evolved through situational factors, such as indoor or outdoor dueling, and the style adapted to the school. He indicates that his appraisal may be one sided because the only school he had interest for was his own, and, in a way, he does not see parallels to his own creation and work. However, he still admits that without basic understanding of these alternate techniques, one will not be able to learn Ni Ten Ichi Ryu, probably for reasons of finding the wrongs in other techniques, and righting them within yourself in Ni Ten Ichi Ryu. The main difference that Musashi notes between the Ichi School and other strategists and schools is that other schools do not teach the "broader" meaning of strategy. There is a strategy above sword fencing: "Some of the world's strategists are concerned only with sword fencing, and limit their training to flourishing the long sword and carriage of the body." The book has many paragraphs on the subject of other schools' techniques, and much of the text lists the ways that other schools do not conform to the ideals which he himself writes about in the Book of Five Rings, such as footwork, sight, and over reliance or over familiarity with a weapon.

Although short, the void book lists, philosophically, the nature of both human knowledge and other things. The void book expressly deals with "That which cannot be seen". By knowing things that exist, you can know that which does not exist. The Book of Nothing, according to Musashi, is the true meaning of the strategy of Ni Ten Ichi Ryu. It seems very esoteric in nature because he emphasizes that people must learn to perceive that which they cannot understand or comprehend. He notes that in this Void, what can be comprehended are things which we do and see, such as the way of the warrior, martial arts, and Ni Ten Ichi Ryu. At the same time, in the Void, things we do not do or see (which he calls Spirit) are part of the information which we perceive on a conscious level, but with which we have no physical relationship. It is arguable whether Musashi is referring to religious spirituality or if he is actually explaining a way to live a life and to process thoughts. In the void is virtue, and no evil. Wisdom has existence, principle has existence, the Way has existence, spirit is nothingness. In the above quote, Musashi speaks of "virtue and no evil". This may mean "goodness and banishment of evil" or "purpose and non existence of good and evil", and the exact meaning is open to debate. Since Musashi is drawing upon classical Buddhist Five Element theory, Void in this case refers to Sunyata (in Pali), sometimes translated as "Emptiness", or "ether". Void, as such, is also empty of the sense of self (anatta), good and evil, wanting and non wanting, and is the spiritual dynamic that forms the jumping off point to satori, enlightenment. Emptiness, and the establishing of the conditions that allow it to arise, is a common theme in Zen Buddhist meditation practice, which informed the perspective of the author.

Miyamoto, Musashi (1974). A Book of Five Rings, translated by Victor Harris. London: Allison & Busby; Woodstock, New York: The Overlook Press. Tokitsu, Kenji (2004). Miyamoto Musashi: His Life and Writings. Boston: Shambhala Publications Inc. The Book of Five Rings has been published in English multiple times. The Thomas Cleary translation is the most widely available and has been reprinted multiple times. A translation by William Scott Wilson is aimed towards practitioners of Japanese classical swordsmanship. A translation by D. E. Tarver is marketed as a motivational book with a commercial bias. Additional published translators include Stephen F. Kaufman and Kenji Tokistu (2010). Miyamoto Musashi (translator Thomas Cleary), The Book of Five Rings: A Classic Text on the Japanese Way of the Sword, 2005, Boston: Shambhala Publications. The Book of Five Rings: a graphic novel, by manga writer Sean Michael Wilson and Japanese artist Chie Kutsuwada, 2012, Shambhala Publications, Boston, USA. A graphic novel based on the translations of William Scott Wilson