Нацистік Германиядағы «Рейнланд бастады» аталымы және афро-немістерге қатысты қуғын-сүргін

Slur for Afro Germans in Nazi Germany

Rhineland bastard ( Rheinlandbastard) was a derogatory term used in Nazi Germany to describe Afro Germans, believed fathered by French Army personnel of African descent who were stationed in the Rhineland during its occupation by France after World War I. There is evidence that other Afro Germans, born from unions between German men and African women in former German colonies in Africa, were also referred to as Rheinlandbastarde. After 1933, under Nazi racial theories, Afro Germans deemed to be Rheinlandbastarde were persecuted. They were rounded up in a campaign of compulsory sterilization. The British historian Richard J. Evans suggests the number of mixed race children among them was not more than five or six hundred. In the popular 1921 novel Die Schwarze Schmach: Der Roman des geschändeten Deutschlands (The Black Shame A Novel of Disgraced Germany) by Guido Kreutzer, he wrote that all mixed race children born in the Rhineland are born "physically and morally degenerate" and are not German at all. Kreutzer also declared that the mothers of these children ceased to be German the moment they had sex with non white men, and they could never join the Volksgemeinschaft. In May 1920, the foreign minister of the new German government lodged a protest to his French counterpart stating that "we will accept the inferior discipline amongst your white troops if you will only rid us as fast as possible of this black plague". In the Rhineland itself, local opinion of the troops was very different. The soldiers were described as "courteous and often popular", possibly because French colonial soldiers harbored less ill will towards Germans than war weary French occupiers. In his book Mein Kampf, Adolf Hitler described children resulting from any kind of relationship to African occupation soldiers as a contamination of the white race "by Negro blood on the Rhine in the heart of Europe." He thought that "Jews were responsible for bringing Negroes into the Rhineland, with the ultimate idea of bastardizing the white race which they hate and thus lowering its cultural and political level so that the Jew might dominate." He also implied that this was a plot on the part of the French, since the population of France was being increasingly "negrified".

Most of the tiny multiracial population in Germany at that time were children of German settlers and missionaries in the former German colonies in Africa and Melanesia, who had married local women or had children with them out of wedlock. With the loss of the German colonial empire after World War I, some of these colonists returned to Germany with their mixed race families. While the black population of Nazi Germany was small20–25,000 in a population of over 65 millionthe Nazis decided to take action against those in the Rhineland. They despised black culture, which they considered inferior, and sought to prohibit "traditionally black" musical genres such as American jazz as being "corrupt negro music". No official laws were enacted against the black population, or against the children of mixed parentage, as they were born from marriages and informal unions that preceded the Nuremberg laws of September 1935. The latter prohibited "miscegenation". However, future sexual relations and "mixed marriages", between so called "Aryans" and "non Aryans" were banned. In addition, persons of mixed parentage were deprived completely of the right to marry. The government established the Sonder Kommission Nr.3 ("Special Commission 3") and appointed Eugen Fischer, of the Kaiser Wilhelm Institute of Anthropology, Human Heredity, and Eugenics, to head it. He was tasked with preventing procreation and reproduction by Rhineland bastards. It was decided that anyone so deemed would be sterilized under the 1933 Law for the Prevention of Hereditarily Diseased Offspring.

Esi Edugyan's novel, Half Blood Blues (2011), features an Afro German jazz trumpet player in Berlin, who plays with African Americans, a German Jew, and a white German. He is swept up by the Nazis as a Rhineland bastard. Where Hands Touch (2018) directed by Amma Asante features protagonist Leyna (portrayed by Amandla Stenberg) who was conceived in the post WWI occupation of Germany to a black French soldier and a white German woman.