Қара күйе және қауырсын жазалауының тарихы

Form of public torture and humiliation

Tarring and feathering is a form of public torture where a victim is stripped naked, or stripped to the waist, while wood tar (sometimes hot) is either poured or painted onto the person. The victim then either has feathers thrown on them or is rolled around on a pile of feathers so that they stick to the tar. Used to enforce unofficial justice or revenge, it was used in medieval Europe and its colonies in the early modern period, as well as the early American frontier, mostly as a form of vigilante justice. The image of a tarred and feathered outlaw remains a metaphor for severe public criticism. Tarring and feathering was a very common punishment in British colonies in North America during 1766 through 1776. The most famous American tarring and feathering is that of John Malcom, a British loyalist, during the American Revolution.

The earliest mention of the punishment appears in orders that Richard I of England issued to his navy on starting for the Holy Land in 1189. "Concerning the lawes and ordinances appointed by King Richard for his navie the forme thereof was this item, a thiefe or felon that hath stolen, being lawfully convicted, shal have his head shorne, and boyling pitch poured upon his head, and feathers or downe strawed upon the same whereby he may be knowen, and so at the first landing place they shall come to, there to be cast up" (transcript of original statute in Hakluyt's Voyages, ii. 21). A later instance of this penalty appears in Notes and Queries (series 4, vol. v), which quotes James Howell writing in Madrid in 1623 of the "boisterous Bishop of Halberstadt, a German Protestant military leader having taken a place where there were two monasteries of nuns and friars, he caused divers feather beds to be ripped, and all the feathers thrown into a great hall, whither the nuns and friars were thrust naked with their bodies oiled and pitched and to tumble among these feathers, which makes them here (Madrid) presage him an ill death." (The Bishop was apparently Christian the Younger of Brunswick.) In 1696, a London bailiff attempted to serve process on a debtor who had taken refuge within the precincts of the Savoy. The bailiff was tarred and feathered and taken in a wheelbarrow to the Strand, where he was tied to a maypole that stood by what is now Somerset House as an improvised pillory.

The practice of tarring and feathering was exported to the Americas, gaining popularity in the mid 18th century. Throughout the 1760s it saw increased usage as a means of protesting the Townshend Revenue Act and those who sought to enforce it. He insisted on collecting the British tax that was placed on stamps and other documents. In reaction, a mob formed and stormed his house in Tappahannock, Virginia. They threw rocks through the windows, and McCall was captured, tarred and feathered. In 1766, Captain J. William Smith was tarred, feathered, and dumped into the harbor of Norfolk, Virginia, by a mob that included the town's mayor. A vessel picked him out of the water just as his strength was giving out. He survived and was later quoted in a letter as saying that they "be dawbed my body and face all over with tar and afterwards threw feathers on me." Smith was suspected of informing on smugglers to the British customs agents, as was the case with most other tar and feathers victims in the following decade. The practice appeared in Salem, Massachusetts in 1768, when mobs attacked low level employees of the customs service with tar and feathers. In October 1769, a mob in Boston attacked a customs service sailor the same way, and a few similar attacks followed through 1774. Customs Commissioner John Malcolm was tarred and feathered on two occasions. First, in November 1773, he was targeted by sailors in Portsmouth, New Hampshire before undergoing a similar, albeit arguably more violent, ordeal in Boston in January 1774. Malcolm was stripped, whipped, beaten, tarred, and feathered for several hours. He was then taken to the Liberty Tree and forced to drink tea until he vomited. A particularly violent act of tarring and feathering took place in August 1775 northeast of Augusta, Georgia. Landowner and loyalist Thomas Brown was confronted on his property by members of the Sons of Liberty. After putting up some resistance, Brown was beaten with a rifle, fracturing his skull. He was then stripped and tied to a tree. Hot pitch was poured over him before being set alight, charring two of his toes to stubs. Brown was then feathered by the Sons of Liberty, who then took a knife to his head and began scalping him. Ditson was tarred and feathered before having a placard reading "American Liberty: A Speciment of Democracy" hung around his neck whilst regimental musicians played "Yankee Doodle". Beginning on September 11, 1791, western Pennsylvania farmers rebelled against the federal government's taxation on western Pennsylvania whiskey distillers. Their first victim was reportedly a recently appointed tax collector named Robert Johnson. He was tarred and feathered by a disguised gang in Washington County. Other officials who attempted to serve court warrants on Johnson's attackers were whipped, tarred, and feathered. Because of these and other violent attacks, the tax went uncollected in 1791 and early 1792. The attackers modeled their actions on the protests of the American Revolution. There is no known case of a person dying from being tarred and feathered during this period.

In 1851, Thomas Paul Smith, a 24 year old African American from Boston, outspoken in his opposition to school desegregation, was tarred and feathered by a group of African American Bostonians opposed to segregation. Also in 1851, a Know Nothing mob in Ellsworth, Maine, tarred and feathered Swiss born Jesuit priest, Father John Bapst, in the midst of a local controversy over religious education in grammar schools. Bapst fled Ellsworth to settle in nearby Bangor, Maine, where there was a large Irish Catholic community, and a local high school there is named for him.

The November 27, 1906, edition of the Evening News of Ada, Oklahoma, reports that a vigilance committee consisting of four young married women from East Sandy, Pennsylvania, corrected the alleged evil conduct of their neighbor, Mrs. Hattie Lowry, in whitecap style. One of the women was a sister in law of the victim. The women appeared at Mrs. Lowry's home in open day and announced that she had not heeded the spokeswoman and leader. Two women held Mrs. Lowry to the floor while the other two smeared her face with stove polish until it was completely covered. They then poured thick molasses upon her head and emptied the contents of a feather pillow over the molasses. The women then marched the victim to a railroad camp, tied by the wrists, where two hundred workmen stopped work to watch the spectacle. After parading Mrs. Lowry through the camp, the women tied her to a large box where she remained until a man released her. Three of the women involved were arrested, pleaded guilty and each paid a $10.00 fine. In 1912, the American anarchist Ben Reitman was "tarred and sagebrushed" by vigilantes in the aftermath of the San Diego free speech fight. Sagebrush was used because feathers were not available. There were several examples of tarring and feathering of African Americans in the lead up to World War I in Vicksburg, Mississippi. During World War I, anti German sentiment was widespread in the United States and many German Americans were attacked. For example, in August 1918 a German American farmer, John Meints of Luverne, Minnesota, was captured by a group of men, taken to the nearby South Dakota border and tarred and feathered — for allegedly not supporting war bonds. Meints sued his assailants and lost, but on appeal to a federal court he won, and in 1922 settled out of court for $6,000. In March 1922, a German born Catholic priest in Slaton, Texas, Joseph M. Keller, who had been harassed by local residents during World War I due to his ethnicity, was accused of breaking the seal of confession and tarred and feathered. Thereafter Keller served a Catholic parish in Milwaukee, Wisconsin. Future Australian senator Fred Katz – a socialist and anti conscriptionist of German parentage — was publicly tarred and feathered outside his office in Melbourne in December 1915. A week before the 1919 Australian federal election, former Labor MP John McDougall was kidnapped by a group of about 20 ex soldiers in Ararat, Victoria, and subsequently tarred and feathered before being dumped in the town's streets. He had earlier been revealed as the author of an anti war poem that was perceived as insulting Australia's soldiers. Six men were charged with inflicting grievous bodily harm, but pleaded down to common assault and were fined £5 each. Many newspapers supported their actions. A group of black robed Knights of Liberty (a faction of the KKK) tarred and feathered seventeen members of the Industrial Workers of the World (IWW) in Oklahoma in 1917, during an incident known as the Tulsa Outrage. They claimed responsibility for a number of other tarring and feathering incidents over the next year in Oklahoma, the Midwest, and California. In the 1920s, vigilantes were opposed to IWW organizers at California's harbor of San Pedro. They kidnapped at least one organizer, subjected him to tarring and feathering, and left him in a remote location. The edition of the Miami Daily News Record (Miami, Oklahoma) for Wednesday, May 28, 1930, contains on its front page the arrests of five brothers (Isaac, Newton, Henry, Gordon and Charles Starns) from Louisiana accused of tarring and feathering S. L. Newsome, who was a prominent dentist. This was in retaliation for the dentist having an affair with one of the brother's wives. Similar tactics were also used by the Provisional Irish Republican Army (IRA) during the early years of the Troubles. Many of the victims were women accused of being in romantic relationships with policemen or British soldiers.

In August 2007, loyalist groups in Northern Ireland were linked to the tarring and feathering of an individual accused of drug dealing. In June 2020, multiple graves and memorials to Confederate soldiers at Crown Hill Cemetery in Indianapolis, Indiana were tarred and feathered.

Tarring and feathering has been commonly referenced in historic and contemporary popular culture, particularly in the United States.

The punitive social ritual of tarring and feathering has appeared in numerous American works of both "canonical literature and dime novels", even as the actual practice became less frequent, "dramatizing debates between summary punishment on the one hand, and individual rights on the other". This outward blackening by tar was generally equated with blackness of character, which again was linked to racist notions of the inferiority of black skinned slaves, while the feathers were sometines regarded as "nodding to [American ]Indian headdresses". "John Trumbull, James Fenimore Cooper, Nathaniel Hawthorne, and Edgar Allan Poe, among numerous others, draw on tarring and feathering to portray anxieties about the "experiment" of democracy in which egalitarian alignment of society yielded a racialized social opprobrium." The torture was presented as the pivotal event for the radicalization of that character. James Fenimore Cooper's Redskins from 1846 presented the act of tarring and feathering in the context of the Anti Rent War as the "unwarranted, imbalanced threat of violence from misguided, irrational, and selfinterested crowds". while he used it as "as a metaphor of persecution and victimization" in "Old News: The Old Tory" (1837) and "The Custom House", the introduction to The Scarlet Letter (1850). A more racialized context, where tar is used to blacken the skin against abolitionists and sympathizers "to correspond to the purported color of the slaves they were trying to free" is prevalent in the atmosphere preceding the American Civil War. This was reflected in literary works like Harriet Beecher Stowe's novel Dred from 1856 and Rose Mather (1868) by Mary Jane Holmes. In Philip Roth's 2004 alternate history novel The Plot Against America, the 8 year old protagonist has a daydreaming fear of himself and his family being tarred and feathered. Here this "antiquated punishment from Western mythology" symbolizes the humiliation the Jewish family suffers in a climate of antisemitism. In Anne Cameron's The Journey (1982) it is an example of misogyny in the American West. Scholar of American literature Marina Trininc observed in 2013 that tarring and feathering has also appeared in recent American novels against the background of terroristic attacks in the US and worldwide. while a majority of American newspapers presented such acts in a sympathetic and euphemistic way. In Northern Irish literature, "[t]arring and feathering women who are accused of dating males of the other community (especially British soldiers) are a common topos". A graphic depiction of the practice occurs in Robert McLiam Wilson's 1989 novel Ripley Bogle, where in West Belfast a woman made pregnant by a corporal of the Royal Engineers is punished. Seamus Heaney's 1975 poem "Punishment" juxtaposes the tarring and feathering of Catholic women who fraternized with British soldiers with the punishment of Iron Age bog body the Windeby Girl (since revealed to be a man) who was at the time thought to have been punished for infidelity, suggesting that the punishment meted to women in Northern Ireland is very much rooted in ancient tribal traditions. This connection has been criticized by scholar of English literature Richard Danson Brown as "sloppy thinking" which removes the modern punitive ritual from the political realm. In Eoin McNamee's novel Resurrection Man (1994), both sides of the Northern Ireland conflict are shown employing these "ritual punishments for consorting with the enemy", emphasizing the Troubles "as a period of the destabilization of ethical norms".

The punishment of tarring and feathering in the American Old West has been "forever more given to posterity in comics". It is used in ironic fashion in the comic series Lucky Luke, where a number of antagonists usually cardsharks and swindlers are shown tarred and feathered. In Don Rosa's The Terror of the Transvaal (1993), the sixth chapter of The Life and Times of Scrooge McDuck, syrup and feathers are used to punish a treacherous thief.

In the 1770s, when tarring and feathering was perceived as a novelty and became increasingly frequent in British America, a number of prints showing this punishment were published in England. In the view of art historian Leonard Emmering, the "blackness of tar is [ ] associated with Basquiat's skin color", and his Tar and Feathers painting "refers to the racist practice of tarring and feathering black men."

Tarring and feathering appeared in several English plays in the 1770s as a novel element used in "a satirical and comedic context". The appearance of a victim of the punishment was also used as a costume in a masked ball and other public appearances of that time.

Tarring and feathering has been depicted in television and film in different functions, for drastic effect, realistically, or in a humorous manner: In the 1972 John Waters "trash cinema" film Pink Flamingos, Connie and Raymond Marbles (played by Mink Stole and David Lochary), are tarred and feathered. Here this act of retribution for a series of misdeeds against the film's protagonist, Babs Johnson (Divine), is one of the signs showing her "defiance of feminine cultural norms". The episode "Join or Die" of 2008 HBO miniseries John Adams has Adams witnessing an angry Boston mob tarring and feathering a British tax officer. While effective as a "chilling portrayal" of the procedure, the situation around it is historically inaccurate. In American Horror Story: Freak Show episode 8 "Blood Bath" (2014), The Lizard Girl's father is tarred and feathered in retaliation for his role in his daughter's intentional disfigurement. This is presented as a both gruesome and satisfying act of retribution. In the film Revenge of the Nerds (1984) characters Lewis Skolnick and Gilbert Lowe are tarred and feathered by the Alpha Betas in response to their attempt to seek admittance to the fraternity. Despite the overall funny tone of the movie, the scene connects to "a public form of humiliation used throughout history", "a sort of lynch mob mentality" directed against the minority, here the eponymous nerds. A number of the depictions on screen refer to the era of the American Wild West, some in a mythologizing and some in a more realistic manner. In the film Little Big Man (1970), adapted from the 1964 novel by Thomas Berger, con man Meriweather, played by Martin Balsam, and title character Jack Crabbe, played by Dustin Hoffman, are shown being tarred and feathered for selling a phony medicinal elixir. The cruel procedure is used as a tragicomic element illustrating this "revisionist retelling of the Wild West saga", as the leader of the perpetrating mob turns out to be Jack's long lost sister. In Daniel Knauf's Carnivàle, in an episode called "Lincoln Highway" (2005), Clayton "Jonesy" Jones, the crippled co manager, is tarred and feathered almost lethally. The procedure here is presented as a deserved punishment for the accidental death of several children at the ferris wheel under Jonsey's responsibility. While anachronistic for the 1930s setting, it is one of a number of references to the American frontier. Similarly, the 2012 film Lawless, set in the 1930s has been considered a "Western gangster film hybrid". A bootlegger being tarred and feathered was one of the violent images that shaped the impression that the film made. In the episode "Complications" (2005) part of the Deadwood TV series African American character Samuel Fields is tarred and feathered in a racist "eruption of mob violence that acts to express and purge the anger of the town's whites" in scenes clearly depicting the horror of the procedure. The season 1 episode "God of Chaos" (2011) one of the AMC TV series Hell on Wheels, a character, The Swede, is depicted being tarred and feathered before getting run out of town. In animation, tarring and feathering has been used for comic effect with no serious or lasting impact on the characters. In the Road Runner and Wile E. Coyote short film, Guided Muscle (1955), Coyote tries to apply a tar and feather machine to Road Runner, who already has feathers. As usual in these cartoons, Coyote becomes the victim of his backfiring plan, but is humiliated rather than seriously harmed by the procedure. In the TV series The Simpsons, characters are tarred and feathered in several episodes as dark humour. For Bart Simpson as a perpetrator, Divya Carolyn McMillin cited the procedure as an example of a character who "was unapologetic and acted on impulse", making him appealing to youths, which was possible in animation, in contrast to real life, as no consequences for Bart were shown.

Tarring and feathering appeared as a topic in music already in the 18th century: A verse from an early (British) version of "Yankee Doodle" relates to an incident involving a "Yankee" Minuteman named Thomas Ditson of Billerica, Massachusetts: The music video for this song was infamously played on Channel 4's The Tube, and was remarked for the song's unusual nature and the band's unusual visual appeal. The 2010 EP from The Hives is called Tarred and Feathered. The 2005 album Gutter Phenomenon by metal band Every Time I Die contains an "explosive" song punningly titled "Guitarred and Feathered". Tarring and feathering is featured within the lyrics of songs such as in the Merle Haggard hit "(My Friends Are Gonna Be) Strangers" (1964). In lyrics by Liz Anderson, there is a line saying "he "should be taken out, tarred and feathered" for his foolishness" of trusting the woman who would betray and leave him. Haggard's biographer David Cantwell found that the performance influenced how this image was perceived: In a version by Roy Drusky it comes off "as self effacing", but when "Haggard sings the line, it's as if he's identifying exactly the punishment he deserves." To be tarred and feathered is mentioned in the chorus of the song "To Kingdom Come", from The Band's album Music from Big Pink (1968), as one of the fates to be feared. The 1996 R. E. M. song "Be Mine" contains the lyric "I'll ply the tar out of your feathers," purportedly a reference to tarring and feathering. In satirist Tom Lehrer's album An Evening Wasted with Tom Lehrer (1959), his introduction to the song We Will All Go Together When We Go mentions an acquaintance of his who was "financially independent having inherited his father's tar and feather business". Depicting artists being tarred and feathered has also been used as a means of promoting music: The avant garde electronic music artist Fad Gadget (Frank Tovey) often performed on stage while tarred and feathered. He was photographed in tar and feathers for the cover of his album Gag (1984). Artist Martynka Wawrzyniak described the function of this device as allowing "you to step outside of your comfort zone and do something different". Tovey himself "interpreted the shock value of his presentations as 'commercial suicide'" as they were "challenging, or degrading to the pop star ideal". Popular music scholar Giuseppe Zevolli saw this as the artist "exploring the link between his role as a performer and the power of media to influence their audiences." Perhaps the earliest instance of such metaphorical use appears in a letter by Benjamin Franklin from 1778.