Бразилия әдебиетінің көрнекті өкілі – Машаду де Ассис

Brazilian writer

Joaquim Maria Machado de Assis (ʒwɐˈkĩ mɐˈɾi.ɐ mɐˈʃadu dʒ(i) ɐˈsis), often known by his surnames as Machado de Assis, Machado, or Bruxo do Cosme Velho (21 June 1839 – 29 September 1908), was a pioneer Brazilian novelist, poet, playwright and short story writer, widely regarded as the greatest writer of Brazilian literature. In 1897, he founded and became the first President of the Brazilian Academy of Letters. He was multilingual, having taught himself French, English, German and Greek later in life. Born in Morro do Livramento [pt], Rio de Janeiro, from a poor family, he was the grandson of freed slaves in a country where slavery would not be fully abolished until 49 years later. He barely studied in public schools and never attended university. With only his own intellect and autodidactism to rely on, he struggled to rise socially. To do so, he took several public positions, passing through the Ministry of Agriculture, Trade and Public Works, and achieving early fame in newspapers where he first published his poetry and chronicles. Machado's work shaped the realist movement in Brazil. He became known for his wit and his eye opening critiques of society. Generally considered to be Machado's greatest works are Dom Casmurro (1899), Memórias Póstumas de Brás Cubas ("Posthumous Memoirs of Brás Cubas", also translated as Epitaph of a Small Winner) and Quincas Borba (also known in English as Philosopher or Dog?). In 1893 he published "A Missa do Galo" ("Midnight Mass"), often considered to be the greatest short story in Brazilian literature.

Joaquim Maria Machado de Assis was born on 21 June 1839 in Rio de Janeiro, then capital of the Empire of Brazil. His parents were Francisco José de Assis, a wall painter, the son of freed slaves, and Maria Leopoldina da Câmara Machado, a Portuguese washerwoman from the Azores. He was born in Livramento country house, owned by Dona Maria José de Mendonça Barroso Pereira, widow of senator Bento Barroso Pereira, who protected his parents and allowed them to live with her.

Francisco Otaviano hired Machado to work on the newspaper Correio Mercantil as a proofreader in 1858. Machado had a passion for theater and wrote several plays for a short time; his friend Bocaiúva concluded: "Your works are meant to be read and not played." His father Francisco de Assis died in 1864. Machado learned of his father's death through acquaintances. He dedicated his compilation of poems called "Crisálidas" to his father: "To the Memory of Francisco José de Assis and Maria Leopoldina Machado de Assis, my Parents." With the Liberal Party's ascension to power about that time, Machado thought he might receive a patronage position that would help him improve his life. To his surprise, aid came from the Emperor Dom Pedro II, who hired him as director assistant in the Diário Oficial in 1867, and knighted him as an honor.

Machado de Assis, along with fellow monarchists such as Joaquim Nabuco, Manuel de Oliveira Lima, Afonso Celso, Viscount of Ouro Preto and Alfredo d'Escragnolle Taunay, and other writers and intellectuals, founded the Brazilian Academy of Letters. He was its first president, from 1897 to 1908, when he died. In 1902 he was transferred to the accountancy's directing board of the Ministry of Industry. Feeling depressed and lonely, Machado died on 29 September 1908. He is considered by many the greatest Brazilian writer of all time, and one of the world's greatest novelists and short story writers. His chronicles do not share the same status. His poems are often misunderstood for the use of crude terms, sometimes associated to the pessimist style of Augusto dos Anjos, another Brazilian writer. Machado de Assis was included on American literary critic Harold Bloom's list of the greatest 100 geniuses of literature, alongside writers such as Dante, Shakespeare and Cervantes. Bloom considers him the greatest black writer in Western literature; although, in Brazil, Machado is perceived as a Pardo. His works have been studied by critics in various countries of the world, such as Giuseppe Alpi (Italy), Lourdes Andreassi (Portugal), Albert Bagby Jr. (US), Abel Barros Baptista (Portugal), Hennio Morgan Birchal (Brazil), Edoardo Bizzarri (Italy), Jean Michel Massa (France), Helen Caldwell (US), John Gledson (England), Adrien Delpech (France), Albert Dessau (Germany), Paul B. Dixon (US), Keith Ellis (US), Edith Fowke (Canada), Anatole France (France), Richard Graham (US), Pierre Hourcade (France), David Jackson (US), G. Reginald Daniel (US), Linda Murphy Kelley (US), John C. Kinnear, Alfred Mac Adam (US), Victor Orban (France), Daphne Patai (US), Houwens Post (Italy), Samuel Putnam (US), John Hyde Schmitt, Tony Tanner (England), Jack E. Tomlins (US), Carmelo Virgillo (US), Dieter Woll (Germany), August Willemsen (Netherlands) and Susan Sontag (US). Critics are divided as to the nature of Machado de Assis's writing. Some, such as Abel Barros Baptista, classify Machado as a staunch anti realist, and argue that his writing attacks Realism, aiming to negate the possibility of representation or the existence of a meaningful objective reality. Realist critics such as John Gledson are more likely to regard Machado's work as a faithful description of Brazilian reality—but one executed with daring innovative technique. In light of Machado's own statements, Daniel argues that Machado's novels represent a growing sophistication and daring in maintaining a dialogue between the aesthetic subjectivism of Romanticism (and its offshoots) and the aesthetic objectivism of Realism Naturalism. Accordingly, Machado's earlier novels have more in common with a hybrid mid 19th century current often referred to as "Romantic Realism." In addition, his later novels have more in common with another late 19th century hybrid: literary Impressionism. Historians such as Sidney Chalhoub argue that Machado's prose constitutes an exposé of the social, political and economic dysfunction of late Imperial Brazil. Critics agree on how he used innovative techniques to reveal the contradictions of his society. Roberto Schwarz points out that Machado's innovations in prose narrative are used to expose the hypocrisies, contradictions, and dysfunction of 19th century Brazil. Schwarz, argues that Machado inverts many narrative and intellectual conventions to reveal the pernicious ends to which they are used. Thus we see critics reinterpret Machado according to their own designs or their perception of how best to validate him for their own historical moment. Regardless, his incisive prose shines through, able to communicate with readers from different times and places, conveying his ironic and yet tender sense of what we, as human beings, are. Despite the efforts and patronage of such well known intellectuals as Susan Sontag, Harold Bloom, and Elizabeth Hardwick, Machado's books—the most famous of which are available in English in multiple translations—have never achieved large sales in the English speaking world and he continues to be relatively unknown, even by comparison with other Latin American writers. In his works, Machado appeals directly to the reader, breaking the so called fourth wall.

Founding member of the Brazilian Academy of Letters (1896–1908). President of the Brazilian Academy of Letters (1897–1908).

: Knight of the Order of the Rose (1867). : Officer of the Order of the Rose (1888).

On 21 June 2017, Google celebrated his 178th birthday with a Google Doodle.