Джеймс Инграм Меррилл: Американдық ақынның өмірі мен шығармалары

American poet

James Ingram Merrill (March 3, 1926 – February 6, 1995) was an American poet. He was awarded the Pulitzer Prize for poetry in 1977 for Divine Comedies. His poetry falls into two distinct bodies of work: the polished and formalist lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled The Changing Light at Sandover (published in three volumes from 1976 to 1980), which dominated his later career. Although most of his published work was poetry, he also wrote essays, fiction, and plays.

James Ingram Merrill was born in New York City, to Charles E. Merrill (1885–1956), the founding partner of the Merrill Lynch investment firm, and Hellen Ingram Merrill (1898–2000), a society reporter and publisher from Jacksonville, Florida. He was born at a residence which would become the site of the Greenwich Village townhouse explosion, which Merrill would lament in the poem "18 West 11th Street" (1972). Merrill's parents married in 1925, the year before he was born; he would grow up with two older half siblings from his father's first marriage, Doris Merrill Magowan and Charles E. Merrill, Jr. Merrill's childhood governess taught him French and German, an experience Merrill wrote about in his 1974 poem Lost in Translation. From 1936 to 1938, Merrill attended St. Bernard's, a prestigious New York grammar school. "The excitement, the emotional quickening I felt in those years came usually through animals or nature, or through the servants in the house whose lives seemed by contrast to make such perfect sense. The gardeners had their hands in the earth. The cook was dredging things with flour, making pies. My father was merely making money, while my mother wrote names on place cards, planned menus, and did her needlepoint." When Merrill was 16 years old, his father collected his short stories and poems and published them as a surprise under the name Jim's Book. Initially pleased, Merrill would later regard the precocious book as an embarrassment. Today, it is considered a literary treasure worth thousands of dollars.

Merrill was drafted in 1944 into the United States Army and served for eight months. His studies interrupted by war and military service, Merrill returned to Amherst College in 1945 and graduated summa cum laude and Phi Beta Kappa in 1947. The Black Swan, a collection of poems Merrill's Amherst professor (and lover) Kimon Friar published privately in Athens, Greece, in 1946, was printed in just one hundred copies when Merrill was 20 years old. Merrill's first mature work, The Black Swan is among Merrill's scarcest titles. Merrill's first commercially published volume was First Poems, issued in 990 numbered copies by Alfred A. Knopf in 1951.

Merrill's partner of three decades was David Jackson, a writer and artist. Merrill and Jackson met in New York City after a performance of Merrill's play The Bait at the Comedy Club in 1953. (Poet Dylan Thomas and playwright Arthur Miller walked out of the performance.) Together, Jackson and Merrill moved to Stonington, Connecticut in 1955, purchasing a property at 107 Water Street (now the site of writer in residency program, the James Merrill House, sponsored by the Stonington Village Improvement Association in Stonington Borough). For most of two decades, the couple spent winters in Athens at their home at 44 Athinaion Efivon. Greek themes, locales, and characters occupy a prominent position in Merrill's writing. In 1979, Merrill and Jackson largely abandoned Greece and began spending part of each year at Jackson's home in Key West, Florida. In his 1993 memoir A Different Person, Merrill revealed that he suffered writer's block early in his career and sought psychiatric help to overcome its effects (undergoing analysis with Thomas Detre in Rome). "Freedom to be oneself is all very well," he would write. "The greater freedom is not to be oneself." Merrill painted a candid portrait in his memoir of gay life in the early 1950s, describing friendships and relationships with several men including Dutch poet Hans Lodeizen, Italian journalist Umberto Morra, U. S. writer Claude Fredericks, art dealer Robert Isaacson, David Jackson, and his partner from 1983 onward, actor Peter Hooten.

A prodigious correspondent and the keeper of many confidences, Merrill's "chief pleasure was friendship". Answering to "Jim" in his youth and to "James" in published adulthood (and to "JM" in letters from readers), he was called "Jimmy", a childhood nickname, by friends and family until the end of his life. Despite great personal wealth derived from an unbreakable trust made early in his childhood, Merrill lived modestly. (Before his father's death, Merrill and his two siblings renounced any further inheritance from their father's estate in exchange for $100 "as full quittance"; as a result, most of Charles Merrill's estate was donated to charity, including "The Orchard.") A philanthropist in his own right, Merrill created the Ingram Merrill Foundation in the 1950s, the name of which united his divorced parents. The private foundation operated throughout the poet's lifetime and subsidized literature, the arts, and public television, with grants directed particularly to writers and artists showing early promise. Merrill served as a Chancellor of the Academy of American Poets from 1979 until his death. While wintering in Arizona, he died on February 6, 1995, from a heart attack related to HIV/AIDS. His ashes and the remains of David Jackson are buried side by side at Evergreen Cemetery, Stonington. Jackson's former wife and Merrill's friend, Doris Sewell Jackson is buried behind them. In tribute to Merrill, The New Yorker republished his 1962 poem, "The Mad Scene", in its March 19, 1995 edition.

Beginning with the prestigious Glascock Prize, awarded for The Black Swan when he was an undergraduate, Merrill would go on to receive every major poetry award in the United States, including the 1977 Pulitzer Prize for Poetry for Divine Comedies. Merrill was honored in mid career with the Bollingen Prize in 1973. Merrill received the National Book Critics Circle Award in 1983 for his epic poem The Changing Light at Sandover (composed partly of supposedly supernatural messages received via the use of a Ouija board). In 1990, he received the first Bobbitt National Prize for Poetry awarded by the Library of Congress for The Inner Room. He garnered the National Book Award for Poetry twice, in 1967 for Nights and Days and in 1979 for Mirabell: Books of Number. He was elected a Fellow of the American Academy of Arts and Sciences in 1978. In 1991, he received the Golden Plate Award of the American Academy of Achievement.