Хамиш Хендерсон: поэт, собиратель фольклора и солдат.

Scottish writer

(James) Hamish Scott Henderson (11 November 1919 – 9 March 2002) was a Scottish poet, songwriter, communist, intellectual and soldier. He was a catalyst for the folk revival in Scotland. He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Born in Blairgowrie, Perthshire
His name was recorded at registration as James but he preferred the Scots form Hamish.

Henderson spent his early years in nearby Glen Shee and eventually moved to England with his mother. He won a scholarship to Dulwich School in London; however, his mother died shortly before he was due to take up his place and he had to live in an orphanage while studying there. He studied Modern Languages at Downing College, Cambridge, in the years leading up to World War II, and as a visiting student in Germany ran messages for an organization run by the Society of Friends aiding the German resistance and helping to rescue Jews.

Although he argued strongly for peace, even well into the early years of the war, he became convinced that a satisfactory peace could not be reached and so he threw himself into the war effort. Joining as an enlisted soldier in the Pioneer Corps, he later applied for and received a commission in the Intelligence Corps. He was quite effective as an interrogator due to his command of six European languages and deep understanding of German culture. He took part in the Desert War in Africa, during which he wrote his poem Elegies For the Dead in Cyrenaica, encompassing every aspect of a soldier's experience of the sands of North Africa. On 2 May 1945, Henderson personally oversaw the drafting of the surrender order of Italy issued by Marshal Rodolfo Graziani. Henderson collected the lyrics to "D Day Dodgers," a satirical song to the tune of "Lili Marlene", attributed to Lance Sergeant Harry Pynn, who served in Italy. Henderson also wrote the lyrics to "The 51st (Highland) Division's Farewell to Sicily", set to a pipe tune called "Farewell to the Creeks". The book in which these were collected, Ballads of World War II, was published "privately" to evade censorship, but earned Henderson a ten year ban from BBC radio, preventing a series on ballad making from being made. His 1948 war poetry book, Elegies for the Dead in Cyrenaica, received the Somerset Maugham Award.

Henderson threw himself into the work of the folk revival after the war, discovering and bringing to public attention Jeannie Robertson, Flora MacNeil, Calum Johnston (see Annie and Calum Johnston of Barra ) and others. In the 1950s, he acted as a guide to the American folklorist, Alan Lomax, who collected many field recordings in Scotland. (See Alan Lomax, Collector of Songs).

Henderson was instrumental in bringing about the Edinburgh People's Festival Ceilidh in 1951, which placed traditionally performed Scottish folk music on the public stage for the first time as "A Night of Scottish Song". However, the People's Festival, of which it was part, was planned as a left wing competitor to the Edinburgh Festival and was deeply controversial. At the event, Henderson performed The John Maclean March, to the tune of Scotland the Brave, which honoured the life and work John Maclean, a communist and Scottish nationalist hero. However, the event marked the first time that Scotland's traditional folk music was performed on a public stage. The performers included Flora MacNeil, Calum Johnston, John Burgess, Jessie Murray, John Strachan, and Jimmy MacBeath. The event was extremely popular and was regarded as the beginning of the second British folk revival. Henderson continued to host the events every year until 1954, when the Communist ties of several members of the People's Festival Committee led to the Labour Party declaring it a "Proscribed Organisation". Losing the financial support of the local trades unions, the People's Festival was permanently cancelled. Henderson's own songs, particularly "Freedom Come All Ye", have become part of the folk tradition themselves. Henderson was a socialist, whom he had first heard of among Communist Italian partisans during the war. The translation was published in the New Edinburgh Review in 1974 and as a book in 1988. In 1983, Henderson was voted Scot of the Year by Radio Scotland listeners when he, in protest of the Thatcher government's nuclear weapons policy, turned down an OBE.