Гарольд Актон: Жизнь и творчество британского писателя и историка

British writer

Sir Harold Mario Mitchell Acton (5 July 1904 – 27 February 1994) was a British writer, scholar, and aesthete who was a prominent member of the Bright Young Things. He wrote fiction, biography, history and autobiography. During his stay in China, he studied the Chinese language, traditional drama, and poetry, some of which he translated. He was born near Florence, Italy, to a prominent Anglo Italian family. At Eton College, he was a founding member of the Eton Arts Society before going up to Oxford to read Modern Greats at Christ Church. He co founded the avant garde magazine The Oxford Broom and mixed with many intellectual and literary figures of the age, including Evelyn Waugh, who based the character of Anthony Blanche in Brideshead Revisited partly on him. Between the wars, Acton lived in Paris, London, and Florence, proving most successful as a historian, his magnum opus being a 3 volume study of the Medicis and the Bourbons. After serving as an RAF liaison officer in the Mediterranean, he returned to Florence, restoring his childhood home, Villa La Pietra, to its earlier glory. Acton was knighted in 1974 and died in Florence, leaving La Pietra to New York University.

His early schooling was at Miss Penrose's private school in Florence. In 1913, his parents sent him to Wixenford Preparatory School near Reading in southern England, where Kenneth Clark was a fellow pupil. By 1916 submarine attacks on shipping had made the journey to England unsafe and so Harold and his brother were sent in September to Chateau de Lancy, an international school near Geneva. In the autumn of 1917, he went to a 'crammers' at Ashlawn in Kent to be prepared for Eton, which he entered on 1 May 1918. Among his contemporaries at Eton were Eric Blair (the writer George Orwell), Cyril Connolly, Robert Byron, Alec Douglas Home, Ian Fleming, Brian Howard, Oliver Messel, Anthony Powell, Steven Runciman, and Henry Yorke (the novelist Henry Green). In his final years at school, Acton became a founding member of the Eton Arts Society, and eleven of his poems appeared in The Eton Candle, edited by his friend Brian Howard.

In October 1923, Acton went up to Oxford to read Modern Greats at Christ Church. It was from the balcony of his rooms in Meadow Buildings that he declaimed passages from The Waste Land through a megaphone (an episode recounted in Brideshead Revisited, through the character Anthony Blanche). While at Oxford, he co founded the avant garde magazine The Oxford Broom, and published his first book of poems, Aquarium (1923). Acton was regarded as a leading figure of his day and would often receive more attention in memoirs of the period than men who were much more successful in later life; for example, the Welsh playwright Emlyn Williams described this encounter with Acton in his autobiography George (1961): Williams also described Acton's review of The Picture of Dorian Gray in the Oxford student newspaper Cherwell: "a charming boy's book, we would suggest a cheap edition to fit comfortably into the pocket of a school blazer"; and summarised Acton's modernist approach to literature: "But if one finds the words, my dears, there is beauty in a black pudding."

Evelyn Waugh populated his novels with composite characters based upon individuals he knew. Acton is reputed to have inspired, at least in part, the character of "Anthony Blanche" in Waugh's novel Brideshead Revisited (1945). In a letter to Lord Baldwin, Waugh wrote, "There is an aesthetic bugger who sometimes turns up in my novels under various names – that was 2/3 Brian [Howard] and 1/3 Harold Acton. People think it was all Harold, who is a much sweeter and saner man [than Howard]." Waugh also wrote, "The characters in my novels often wrongly identified with Harold Acton were to a great extent drawn from Brian Howard".

In 1926 Acton acted as a special constable during the general strike, apolitical as he was, and took his degree. In October he took an apartment in Paris, at 29 Quai de Bourbon, and had his portrait painted by Pavel Tchelitcheff. Moving between Paris and London in the next few years, Acton sought to find his voice as a writer. In 1927 he began work on a novel, and a third book of poems, Five Saints and an Appendix, came out early the following year. This was followed by a prose fable, Cornelian, in March. In July Acton acted as Best Man at the wedding of Evelyn Waugh to the Honourable Evelyn Gardner. Waugh's Decline and Fall bore a dedication to Acton 'in Homage and Affection', but when Acton's own novel – disastrously entitled Humdrum – appeared in October 1928, it was slated in comparison with Decline and Fall by critics such as Cyril Connolly. In the later 1920s Harold frequented the London salon of Lady Cunard, where at various times he encountered Ezra Pound, Joseph Duveen and the Irish novelist George Moore. On visits to Florence he cemented his friendship with Norman Douglas, who wrote an introduction to Acton's translation of a lubricious 18th century memoir of Giangastone de' Medici, The Last of the Medici, privately printed in Florence in 1930 as part of the Lungarno Series. A fourth collection of poems, This Chaos, was published in Paris by Acton's friend Nancy Cunard, though the Giangastone translation pointed in a more promising direction. History was indeed to prove far more congenial to Acton than poetry. His The Last Medici (not to be confused with the earlier book of similar title) was published by Faber in 1932, the first of a series of distinguished contributions to Italian historical studies. One close observer, Alan Pryce Jones, felt that life in Florence weighed upon Acton with its triviality, for, like his father, he was a hard worker and a careful scholar. The East was an escape. He took up residence in Peking, as Beijing was then known, which he found congenial. He studied Chinese language, traditional drama, and poetry. Between his arrival in 1932 and 1939 he published respected translations of Peach Blossom Fan and Modern Chinese Poetry (1936), both in collaboration with 陳世驤 (文學家), and Famous Chinese Plays (1937) in collaboration with L. C. Arlington. His novel Peonies and Ponies (1941) is a sharp portrait of expatriate life. He translated Glue and Lacquer (1941), selected from the 17th century writer Feng Menglong's Tales to Rouse the World, with a preface by Arthur Waley, the leading scholar translator and member of the Bloomsbury Group. The Second Sino Japanese War broke out in 1937, but Acton did not leave until 1939, when he returned to England and joined the Royal Air Force as a liaison officer. He served in India and what was then Ceylon, and then after the Liberation in Paris. When the war was over, he returned to Florence. La Pietra had been occupied by German soldiers, but he expeditiously restored it to its proper glory.

Acton's non historical works include four volumes of poetry, three novels, two novellas, two volumes of short stories, two volumes of autobiography and a memoir of his friend Nancy Mitford, who was his exact contemporary. His historical works include The Last Medici, a study of the later Medici Grand Dukes, and two large volumes on the House of Bourbon, rulers of the Kingdom of Naples in the 18th and earlier 19th century, which together may be said to constitute his magnum opus.

Acton was made a Commander of the Order of the British Empire (CBE) in 1965 and knighted in 1974. The British Institute in Florence, an important centre for Anglo Florentine cultural life since 1917, renamed its collections the Harold Acton Library.

Acton was Catholic; his cultural and historical commitment to the Church remained unchanged throughout his life. Acton's name was first on a petition submitted to Rome in 1971 by British cultural élite, requesting that the traditional Latin rite of the Mass not be abrogated in England. After Acton's death, in reply to a magazine article that speculated both about the probable suicide of Acton's brother and about Acton's homosexuality, author A. N. Wilson remarked, "To call him homosexual would be to misunderstand the whole essence of his being" and that "He was more asexual than anything else". When Acton died he left Villa La Pietra to New York University. In leaving his family's property and collection to New York University, Acton expressed his desire that the estate be used as a meeting place for students, faculty, and guests who might study, teach, write and do research, and as a centre for international programs. Acton was buried beside his parents and brother in the Roman Catholic section of the Cimitero Evangelico degli Allori in the southern suburb of Florence, Galluzzo (Italy).

Martin Green, 2008 [1977], Children of the Sun: A Narrative of "Decadence" in England After 1918, Mount Jackson, VA, US: Axios Press, , see or , accessed 11 July 2015. [A book in which Acton features very prominently. For his relationship to villa La Pietra, see pp. 1–8, 94–117, 220, 393–395, and 425f. For his early education, see pp. 11, 79, 103, and 115f. For his time at Eton, see pp. 98f, 127–182, and 256. For his time at Oxford, see pp. 2ff, 11, 20, 82, 117, 155, 163–195, 201, 227, 305, and 464. For his experiences in World War II, see pp. 333–355, and 367. For his parents Arthur and Hortense, see pp. 6, 102–114, 338, and 385f.] Charlotte Eagar, 2011, "The house of secrets and lies," The Sunday Times (magazine, online), 3 July 2011, see , accessed 11 July 2015. Subtitle: "The art dealer Arthur Acton's love affair with an Italian beauty led to an illegitimate child, two exhumed bodies and a long running, vicious feud." Alan Pryce Jones, 1994, "Obituary: Sir Harold Acton," The Independent (online), 28 February 1994, see , accessed 11 July 2015. D. J. Taylor, 2007, Bright Young People: The Lost Generation of London's Jazz Age, New York, NY, US: Macmillan FSG, , , accessed 11 July 2015. [See pp. 21–31, 68, 74–77, 83–88, 127, 140ff, 150, 163–166, 171–179, 189–205, 216–218, 231, 257, 279–288, 311–315.] Luca Baratta, (2020), «Evoking the Atmosphere of a Vanished Society»: la Firenze fantasmatica di Sir Harold Acton in The Soul's Gymnasium (1982)', Mediazioni. Rivista online di Studi Interdisciplinari su Lingue e Culture, 27, pp. A139 A165.

Harold Acton Papers, 1904–1994 (3.83 linear feet) are housed at Yale University's Beinecke Rare Book and Manuscript Library. Harold Acton Correspondence with Ruth Page and Thomas H. Fisher, 1948–1952 are housed at the New York Public Library. Harold Mario Mitchell Acton Autograph Letter Signed: Florence, to Herbert Cahoon, 1961 June 18 (1 item (4 pages)) is housed at the Pierpont Morgan Library. Robin McDouall Papers, circa 1933–1980 (0.21 linear ft.) are housed at Yale University's Beinecke Rare Book and Manuscript Library.

Edward Chaney, "Sir Harold Acton", Oxford Dictionary of National Biography, 2004. Edward Chaney and Neil Ritchie, Oxford, China and Italy: Writings in Honour of Sir Harold Acton, Florence London, 1984.
:fr:Jean Marie Thiébaud, "Une famille bisontine d'origine anglaise : les Acton", Procès verbaux et Mémoires de l'Académie de Besançon et de Franche Comté, Besançon, 1987. Christopher Hollis, Oxford in the Twenties (1976).