Человек кусает собаку

1992 Belgian black comedy crime mockumentary

Man Bites Dog (, literally "It Happened Near Your Home") is a 1992 French language Belgian black comedy crime mockumentary film written, produced and directed by Rémy Belvaux, André Bonzel and Benoît Poelvoorde, who are also the film's co editor, cinematographer and lead actor respectively. The film follows a crew of filmmakers following a serial killer, recording his horrific crimes for a documentary they are producing. At first dispassionate observers, they find themselves increasingly caught up in the chaotic and nihilistic violence, eventually becoming accomplices. The film received the André Cavens Award for Best Film by the Belgian Film Critics Association (UCC). Since its release, the picture has become a cult film, and received a rare NC 17 rating for its theatrical release in the U. S.

Ben is a witty and charismatic but narcissistic and easily enraged serial killer who holds forth at length about whatever comes to mind, be it the "craft" of murder, the failings of architecture, his own poetry, or classical music, which he plays with his girlfriend Valerie. A film crew joins him on his sadistic adventures, recording them for a fly on the wall documentary. Ben takes them to meet his family and friends while boasting of murdering many people at random and dumping their bodies in canals and quarries. The viewer witnesses these grisly killings in graphic detail. Ben ventures into apartment buildings, explaining how it is more cost effective to attack old people than young couples because the elderly have more cash at home and are easier to kill. In a following scene, he screams wildly at an elderly lady, causing her to have a heart attack. As she lies dying, he casually remarks that this method saved him a bullet. Ben continues his candid explanations and rampage, shooting, strangling, and beating to death anyone who comes his way: women, illegal immigrants and postmen (his favorite targets). He enjoys killing a postman at the start of the month because they tend to have parcels with money and other goods he can steal; enjoys killing women because they don't fight back; and enjoys killing immigrants because he's a total racist (he jokes about having murdered two Muslims and making sure to entomb their bodies in a wall that faces Mecca, and amuses himself by checking out the genitals of a black security guard after he's shot the man in the head). During filming, some of Ben's crew are killed; their deaths are later called "occupational hazards" by a crew member and off handedly mourned. The camera crew becomes more and more involved in the murders, starting out as silent accomplices but gradually assisting Ben in his killings. When Ben invades a home and kills an entire family, they help him hold down a young boy and smother him with a pillow, all the while keeping up a casual conversation. At the abandoned building that Ben uses for a hideout, the crew encounters two Italian criminals or gangsters also hiding out in the building. Ben kills the Italians before discovering that they were actually also being filmed by a competing documentary camera crew. Ben and his camera crew have fun taking turns as they shoot the rival crew members to death and record the whole thing. While fooling around with crew, when Ben takes a couple having sex hostage in their own home, he holds the man at gunpoint while he and the crew gang rape the woman. The following morning, the camera dispassionately records the aftermath: the woman has been butchered with a knife, her entrails spilling out, while the husband had his throat cut. Later, Ben's girlfriend and family receive death threats from the brother of one of the Italian criminals who Ben had killed earlier. Ben's violence becomes more and more random until he kills an acquaintance in front of his girlfriend and friends during a birthday dinner. Spattered with blood, they act as though nothing horrible has happened, continuing to offer Ben gifts. The film crew disposes of the body for Ben. After a victim flees before he can be killed, Ben is arrested, but he escapes. At this point, someone, presumably the brother of the dead Italian along with other members of the two dead Italians' criminal organization, starts taking revenge on Ben and his family. Ben discovers that his girlfriend Valerie has been killed: a flautist, she has been murdered in a particularly humiliating manner, with her flute inserted into her anus. He later finds that his parents met the same fate, his mother, who owns a shop and is "not a musician", being sodomized with the end of a broomstick. This prompts Ben to decide that he must leave. He meets the camera crew to say farewell, but in the middle of reciting a poem, he is abruptly shot dead by an off camera gunman. The camera crew is then picked off one by one. After the camera falls, it keeps running, and the film ends with the death of the fleeing sound recordist.

Man Bites Dog was shot in black and white on 16 mm film and was produced on a shoestring budget by four student filmmakers, led by director Rémy Belvaux. The film's writers, Belvaux, Poelvoorde and Bonzel, all appear in the film using their own first names: Poelvoorde as Ben, the killer; Belvaux as Rémy, the director; and Bonzel as André, the camera operator. The film's French title, which translates to "It Happened in Your Neighborhood", is inspired from a column in the Belgian daily newspaper Le Soir dedicated to what is known in French as "les chiens ecrases" (literally meaning "the squashed dogs", or very local news). Ben's cocktail "Petit Grégory" is a reference to an actual murder case in France that involved the killing of the 4 year old Grégory who was found floating in a river with his hands and legs tied (much like the olive in the cocktail that is tied to a sugar cube).

Man Bites Dog premiered in the International Critics' Week section at the 1992 Cannes Film Festival. Though there was some outrage towards the film for its violence, it won the International Critics' Prize, the SACD award for Best Feature and the Special Award of the Youth for directors Rémy Belvaux, André Bonzel and Benoît Poelvoorde. It went on to play the Toronto International Film Festival on September 12, 1992, as well as the New York Film Festival on October 9. In the United States and Canada it grossed $205,569.

The film faced bans in some countries due to its violent content, particularly for a graphic scene involving a gang rape. For this scene, the film was banned in Sweden. During the UK release, British tabloids called for the picture to be banned from UK cinemas, along with the films Reservoir Dogs and Bad Lieutenant. Although it is never shown or suggested in the film itself that Benoit kills a baby, the original poster features an image of a baby's pacifier with spattering blood coming from an unseen target at the end of Benoit's gun. For foreign release posters (not including the Region 4/Australian release), the baby's pacifier was changed to a set of dentures. After removal of the rape scene, the film was given an R classification. This edited version was released to home video in Australia in late 1993 by 21st Century Films. It played in one theater To ensure availability in video rental store chains which do not stock NC 17 films, cuts were made to the film to secure an unrated rating. Kenneth Turan of the Los Angeles Times highly praised the film upon its release, writing, "Man Bites Dog defines audacity. An assured, seductive chamber of horrors, it marries nightmare with humor and then abruptly takes the laughter away. Intentionally disturbing, it is close to the last word about the nature of violence on film, a troubling, often funny vision of what the movies have done to our souls The deserving winner of the International Critics Award at Cannes " Film critic Rob Gonsalves called the film "[an] original, a stark and (sorry) biting work far more complex, both stylistically and thematically, than first meets the eye." Stephen Holden of The New York Times called the film "a grisly sick joke of a film that some will find funny, others simply appalling."

Among the film's admirers are Steve Buscemi, who named Man Bites Dog as part of his top 10 films in The Criterion Collection, and Quentin Tarantino, who attended the very first screening with Buscemi at the 1992 Cannes Film Festival and "absolutely loved the movie". When Tarantino tried to attend the second screening, he couldn't get past the security guard. Tarantino took a swing at the guard, whereupon five guards wrestled Tarantino to the floor. Writing for MTV, Sacha Howells said, "If anything, the film's comment on how documentaries and reality TV manipulate misery and violence for entertainment value is even more relevant now. Man Bites Dog premiered the same year that the first Real World episodes aired, before the dozens of increasingly extreme shows that have come since The disturbing film they left behind has more meaning today than it did when it was made, an indictment of a celebrity obsessed culture that considers anyone in front of a camera to be a star." Writing about the film for The A. V. Club in 2010, Scott Tobias said, "Five years before Michael Haneke’s even nastier Funny Games, Man Bites Dog also implicates the audience for watching it—a stand that has naturally made both films extremely polarizing. When Rémy talks about never having enough [salacious content], it isn’t just the filmmakers who are guilty of insatiable bloodlust, but the unseen audience that regularly seeks out violence and mayhem as entertainment." He added the film's "gritty photography helps to hammer home [its] brutal realism, with the hard shadows and lack of color making the Belgian setting look hopeless and dreary as Ben goes about his nihilistic shenanigans." In 2002, Man Bites Dog was released on DVD uncut as a part of The Criterion Collection with spine #165. The Criterion DVD restores scenes that were removed in edited versions and includes English language interviews with Belvaux, Bonzel, and Poelvoorde.