Эбенизер Эллиот: Поэт и борец против законов о зерне.

English poet and Corn Laws opponent, 1781–1849

Ebenezer Elliott (17 March 1781 – 1 December 1849) was an English poet, known as the Corn Law rhymer for his leading the fight to repeal the Corn Laws, which were causing hardship and starvation among the poor. Though a factory owner himself, his single minded devotion to the welfare of the labouring classes won him a sympathetic reputation long after his poetry ceased to be read.

Elliott was born at the New Foundry, Masbrough, in the parish of Rotherham, Yorkshire. His father, known as "Devil Elliott" for his fiery sermons, was an extreme Calvinist and a strong Radical. He was engaged in the iron trade. His mother suffered from poor health, and young Ebenezer, although one of eleven children, of whom eight reached maturity, had a solitary and rather morbid childhood. At the age of six he contracted smallpox, which left him "fearfully disfigured and six weeks blind". His health was permanently affected, and he suffered from illness and depression in later life. He was first educated at a dame school, then at the Hollis School in Rotherham, where he was "taught to write and little more", but was generally regarded as a dunce. Whilst living in Thurlstone in 1790, he attended Penistone Grammar School. He hated school and preferred to play truant, spending his time exploring the countryside around Rotherham, observing the plants and local wildlife. At the age of 14 he began to read extensively on his own account, and in his leisure hours he studied botany, collected plants and flowers, and was delighted by the appearance of "a beautiful green snake about a yard long, which on the fine Sabbath mornings about ten o'clock seemed to expect me at the top of Primrose Lane." When he was 16 he was sent to work at his father's foundry, where he received only a little pocket money in lieu of wages for the next seven years.

In a fragment of autobiography printed in The Athenaeum (12 January 1850) he says that he was entirely self taught, and attributes his poetic development to long country walks undertaken in search of wild flowers, and to a collection of books, including the works of Edward Young, Isaac Barrow, William Shenstone and John Milton, bequeathed to his father. His son in law, John Watkins, gave a more detailed account in "The Life, Poetry and Letters of Ebenezer Elliott", published in 1850. One Sunday morning, after a heavy night's drinking, Elliott missed chapel and visited his Aunt Robinson, where he was enthralled by some colour plates of flowers from James Sowerby's English Botany. When his aunt encouraged him to make his own flower drawings, he was pleased to find he had a flair for it. His younger brother, Giles, whom he had always admired, read him a poem from James Thomson's "The Seasons", which described polyanthus and auricular flowers, and this was a turning point in Elliott's life. He realised he could successfully combine his love of nature, and his talent for drawing, by writing poems and decorating them with flower illustrations. In 1798, aged 17, he wrote his first poem, "Vernal Walk", in imitation of James Thompson. He was also influenced by George Crabbe, Lord Byron and the Romantic poets and Robert Southey, who later became Poet Laureate. In 1808 Elliott wrote to Southey asking for advice on getting published. Southey's welcome reply began a correspondence over the years that reinforced his determination to make a name for himself as a poet. They only met once, but exchanged letters until 1824, and Elliott declared it was Southey who had taught him the art of poetry. Other early poems were Second Nuptials and Night, or the Legend of Wharncliffe, which was described by the Monthly Review as the "Ne plus ultra of German horror and bombast". His Tales of the Night, including The Exile and Bothwell, were considered to be of more merit and brought him commendations. His earlier volumes of poems, dealing with romantic themes, received much unfriendly comment, and the faults of Night, the earliest of these, were pointed out in a long and friendly letter (30 January 1819) from Southey to the author. Elliott had married Frances (Fanny) Gartside in 1806, and they eventually had 13 children. He invested his wife's fortune in his father's share of the iron foundry, but the affairs of the family firm were then in a desperate condition, and money difficulties hastened his father's death. Elliott lost everything and went bankrupt in 1816. In 1819 he obtained funds from his wife's sisters, and began another business as an iron dealer in Sheffield. This prospered, and by 1829 he had become a successful iron merchant and steel manufacturer.

Elliott's relations with like minded writers remained close, particularly with James Montgomery and John Holland, both of whom espoused other humanitarian causes. He was also sympathetic to labouring class poets and is recorded as being over generous in his praise of the fledgling writing that they brought to show him. For reasons of propriety, Mary Hutton addressed herself to Mrs Elliott, although she also addresses the poet himself in one stanza of the poem of condolence she wrote on the death of two of their children. The Elliott family were subscribers to her next collection, which is dedicated to Mrs Elliott, in thanks for her sympathy and help. Another writer with whom he became friendly when he moved to Sheffield in 1833 was the former shoemaker Paul Rodgers, who for a time became secretary of the Sheffield Mechanics' Institution. He was later to head the campaign to raise subscriptions for a statue in Elliott's memory and wrote a memoir of him after his death. He also relates there how Elliott befriended the lecturer and writer Charles Reece Pemberton and helped to raise a subscription to support him when his health broke down. The two went on a walk together in 1838, after which Elliott recorded his impressions of "Roch Abbey", praising and characterising his companion. Elliott paid Peterson a further tribute in his poem "Poor Charles" after Pemberton's death two years later. Elliot's "Song" beginning "Here's a health to our friends of reform", mentions several poets among the political agitators for the Reform Act 1832, the passing of which it celebrates. Among the surnames enumerated is that of Thomas Asline Ward (1781–1871), leader of the Sheffield Political Union and editor of the Sheffield Independent. Also present is Reverend Jacob Brettel, a Unitarian minister in Rotherham who had published the poem "A Country Minister" (1825), and Sketches in verse, from the historical books of the Old Testament (1828). A further reference is to "Holland the fearless and pure". This was not John Holland but George Calvert Holland (1801–1865), to whom Elliott's long early poem "Love" was dedicated. Of labouring class origin, he had educated himself to become a Sheffield surgeon. Elliott's first attempt at a sonnet was also inscribed "To G. C. Holland, M. D."; it was followed by a light hearted "Epistle to G. C. Holland, Esq., M. D." on women's emancipation. In the case of Thomas Lister (1810–1888) from nearby Barnsley, we are granted insight into an example of poetic dialogue. Elliott wrote two poems entitled "To Thomas Lister". One is a stirring exhortation to take a high theme in his poetry, the other a humorous exercise in hexameters marking the measure as "in English undignified, loose, and worse than the worst prose", in response to verses sent him by Lister. In 1837 Lister addressed a sonnet to Elliott "From the summit of Ben Ledi" while on a walking tour in Scotland.

Paul Rodgers gave the opinion that Elliott "has been sorely handled by the painters and engravers The published portraits convey scarcely any idea at all of the man." Of those that remain, two have been attributed to John Birch, who also painted other Sheffield worthies. One shows him seated with a scroll in his left hand and spectacles dangling from the right. The other has him seated on a boulder, clasping an open book in his lap, with the narrow valley of Black Brook in the background. This spot above the River Rivelin was a favourite of Elliott's, and he is said to have carved his name on a boulder there. A drawing of Elliott by the Scottish artist Margaret Gillies is now in the National Portrait Gallery, London. She had accompanied William Howitt in 1847 when he visited the poet for another interview, and her work was reproduced to illustrate it in Howitt's Journal. Another seated portrait, book in lap, "may be a better picture", thought Rodgers, "but is still less like him." Elliott is seated on a rock in Neville Burnard's statue of him, which was also thought a poor likeness. In its issue on 22 July 1854, The Sheffield Independent reported that "Many of the persons in Sheffield who have a vivid remembrance of the features of Ebenezer Elliott will feel disappointed that, in this case, the sculptor had not given a more exact similitude of the man as he lived", but goes on to surmise that this is meant to be a "somewhat idealised representation of the Corn Law Rhymer". In 1875, the work was removed from the city centre to Weston Park, where it remains. The statue figures no more clearly in John Betjeman's poem "An Edwardian Sunday, Broomhill, Sheffield". "Your own Ebenezer", he apostrophizes, "Looks down from his height/ On back street and alley/ And chemical valley", which he certainly does not. The poet's final city dwelling in 1834–1841 was in Upperthorpe, not Broomhill, and bears a blue plaque today. Furthermore, the inscription on the pedestal reads simply "Elliott", with no mention of his given name. This is noted, among others, by the Sheffield poet Stanley Cook (1922–1991) in his tribute to the relocated statue. "It was not this dog's convenience wrote the poems", he comments, "But a man could be put together from passers by" still angry at remaining injustices. Rotherham, Elliott's birthplace, was slower to honour him. In 2009 a work by Martin Heron was erected on what is now known as Rhymer's Roundabout, near Rotherham. Entitled "Harvest", it depicts stylised ears of corn blowing in the wind, as an allusion to the "Corn Law Rhymes". That same year the new Wetherspoons pub in Rotherham was named 'The Corn Law Rhymer', and in March 2013 a blue plaque commemorating the poet was placed on the town's medical walk in centre, marking the site of the iron foundry where he was born.