Die Krupps: История немецкого индастриал-метала

German industrial metal/EBM band
the band

Die Krupps ("The Krupps") is a German industrial metal/EBM band, formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf. The band has had a diverse range of musical influences over time, including the percussive industrial Stahlwerksynfonie (1981) then to a more synth pop styled Volle Kraft voraus! (1982) and Entering the Arena (1985), with the latter album featuring their first English language material. The band later established itself as an industrial metal band, releasing four albums predominantly in this genre, from 1992 to 1997 with each labelled 1 to 4. The band has released additional albums since 1997, including the predominantly electro industrial Als wären wir für immer (2010) and The Machinists of Joy (2013), before revisiting the metal sound they had pursued in the 90s with V – Metal Machine Music.

The band's name translates as "The Krupps" and comes from the Krupp dynasty, one of Germany's main industrial families before and during World War II. In some interviews, the band stated that Visconti's 1969 film The Damned, a depiction of the fictitious German industrial dynasty of the Essenbecks, was the main inspiration. The initial sound on the band's first album Stahlwerksynfonie, showed a mix of industry factory noises with metallic percussion and real instruments. Later on the Wahre Arbeit, wahrer Lohn EP and the Volle Kraft voraus! album in 1982 the band's sound moved toward a less experimental sound but rather a more synthesizer based sound while still keeping the metallic percussion. With the release of Entering the Arena the band almost virtually abandoned the metallic percussion and went for a more 1980s new wave sound. In the mid 1980s, Jurgen Engler went to work on his record label Atom H, signing bands who played mainly thrash metal and hardcore punk. This influence would play a key part in the musical change in the 1990s.

In 1989, Ralf Dörper initiated a collaboration with Nitzer Ebb on an old Die Krupps track (i. e. "Machineries of Joy", a newer version of their early 1980s track "Wahre Arbeit, wahrer Lohn") which he produced together with Jürgen Engler. The chart success of the record (Billboard charts) led to the reactivation of Die Krupps fronted by Engler and Dörper. Die Krupps were key in the Europe wide progression of electronic body music, culminating with the collaboration in 1989 with British band Nitzer Ebb. In 1992, they began to utilize guitars and more sounds derived from heavy metal music, with the release of their album I and the EP Tribute to Metallica, which consisted of covers of Metallica songs. Combining electronic and metal elements was a pioneering move that led to a number of other bands using the electronic/metal combo as a template in keeping with a deeper industrial sound. The band continued in this vein through the 1990s, releasing II – The Final Option (with the album cover influenced by Deep Purple's Machine Head) in 1993. A more experimental and pensive III – Odyssey of the Mind followed in 1995. After the release of the heavier groove metal influenced album Paradise Now in 1997 (unofficially known as IV), the band disbanded. Both albums were combined as the 2 disc Too Much History. A collection of completely recorded old classics including four then new songs on their greatest hit album Too Much History (2007). "The Great Divide", "5 Millionen" with two cover songs "Ich bin ein Ausländer" by Pop Will Eat Itself and "Der Amboss" by Visage (which was originally released two years before as a B side to the re release of Wahre Arbeit, wahrer Lohn). The influential back catalogue of Die Krupps has been remastered and expanded. So far four of their previous albums; Stahlwerksynfonie, Volle Kraft voraus, I and Final Option have been re released. Volle Kraft Null Acht was released in 2009, which is a remix album of Volle Kraft voraus! In 2010, Die Krupps released an EP entitled "Als wären wir für immer", which comprises two original electronic based tracks, two original metal based tracks, and a cover of Propaganda's 1980s hit "Dr Mabuse". At that time the first true new material since 1997. To celebrate thirty years of "True Work, True Pay" Die Krupps announced a joint European tour with Nitzer Ebb in spring 2011. In 2013, the band released their first full new album since 1997, an industrial/EBM record called The Machinists of Joy, and in 2015, they released the heavy metal influenced album V – Metal Machine Music. In 2016, the band recorded Stahlwerkrequiem, a sequel/recording of the band's first album, Stahlwerksynfonie. Later that year saw the release of Live im Schatten der Ringe, a live album originally recorded in 2014. In 2019, the band released the album Vision 2020 Vision. Additionally in 2019, Jürgen Engler formed Dieklute, an industrial metal supergroup featuring Dino Cazares (Fear Factory) and Claus Larsen (Leæther Strip). The band formed an industrial supergroup called Die Klute and released an album in 2019, titled Planet Fear on Bandcamp. The album features Dino Cazares and Claus Larsen. In 2023, Die Krupps' main guitarist of 18 years, Marcel Zürcher, left the band. Nils Finkeisen now plays both guitar parts himself.

Critics worldwide hail Die Krupps alongside Kraftwerk and Einstürzende Neubauten as pioneers of electronic and industrial music, bands like Front 242 and Nitzer Ebb called them their inspiration, and their musical ideas found their way into the sound of a wide spectrum of music, from Depeche Mode to the innovative pioneers of Detroit techno. They are also seen as one of the pioneers of fusing heavy metal music with electronic music. Ralf Dörper who was part of the initial line up which created the acclaimed early recordings Stahlwerksynfonie and Wahre Arbeit, wahrer Lohn in 1981, left the band in 1982 to found the band Propaganda. Propaganda became one of the few German bands which were internationally successful in the 1980s.