Об La Di, Об La Da: История песни The Beatles

1968 song by the Beatles

"Ob La Di, Ob La Da" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). It was written by Paul McCartney and credited to the Lennon–McCartney partnership. Following the album's release, the song was issued as a single in many countries, although not in the United Kingdom or the United States, and topped singles charts in Australia, Japan, New Zealand, Switzerland and West Germany. When belatedly issued as a single in the United States in 1976, it peaked at number 49 on the Billboard Hot 100. McCartney wrote "Ob La Di, Ob La Da" in a cod Jamaican ska style and appropriated a phrase popularised by Jimmy Scott, a London based Nigerian musician, for the song's title and chorus. Following its release, Scott attempted, unsuccessfully, to receive a composing credit. The recording sessions for the track were marked by disharmony as McCartney's perfectionism tested his bandmates and their recording staff. The song was especially disliked by John Lennon, and a heated argument during one of the sessions led to Geoff Emerick quitting his job as the Beatles' recording engineer. A discarded early version of the track, featuring Scott on congas, was included on the band's 1996 compilation Anthology 3. The Beatles' decision not to release the single in the UK or the US led to several cover recordings by other artists, who sought to achieve a chart hit with the song. Of these, Marmalade became the first Scottish group to have a number 1 hit in the UK when their version topped the UK Singles Chart in late 1968. Despite the song's popularity, "Ob La Di, Ob La Da" has been ridiculed by some commentators for its plain lightheartedness, and appeared in some lists of worst songs ever. Since 2009, McCartney has regularly performed the song in concert.

Paul McCartney began writing "Ob La Di, Ob La Da" during the Beatles' stay in Rishikesh, India, in early 1968. Prudence Farrow, one of their fellow Transcendental Meditation students there, recalled McCartney, John Lennon and George Harrison playing it to her in an attempt to lure her out of her room, where she had become immersed in intense meditation. McCartney wrote the song when reggae was becoming popular in Britain; author Ian MacDonald describes it as "McCartney's rather approximate tribute to the Jamaican ska idiom". The character of Desmond in the lyrics, from the opening line "Desmond has a barrow in the market place", was a reference to reggae singer Desmond Dekker, who had recently toured the UK. The tag line "Ob la di, ob la da, life goes on, brah" was an expression used by Nigerian conga player Jimmy Scott Emuakpor, an acquaintance of McCartney. According to Scott's widow, as part of his stage act with his band Ob La Di Ob La Da, Scott would call out "Ob la di", to which the audience would respond "Ob la da", and he would then conclude: "Life goes on." After the release of "Ob La Di, Ob La Da" in November 1968, Scott tried to claim a writer's credit for the use of his catchphrase. McCartney said that the phrase was "just an expression", whereas Scott argued that it was not a common expression and was used exclusively by the Scott Emuakpor family. McCartney was angry that the British press sided with Scott over the issue. According to researchers Doug Sulpy and Ray Schweighardt, in their study of the tapes from the Beatles' filmed rehearsals at Twickenham Film Studios in January 1969, McCartney complained bitterly to his bandmates about Scott's claim that he "stole" the phrase. Later in 1969, while in Brixton Prison awaiting trial for failing to pay maintenance to his ex wife, Scott sent a request to the Beatles asking them to pay his legal bills. McCartney agreed to pay the amount on the condition that Scott abandon his attempt to receive a co writer's credit.

The Beatles gathered at Harrison's Esher home in Surrey in May 1968, after their return from Rishikesh, to record demos for their upcoming project. "Ob La Di, Ob La Da" was one of the 27 demos recorded there. McCartney performed this demo solo, with only an acoustic guitar. He also double tracked his vocal, which was not perfectly synchronised, creating an echoing effect. The formal recording of "Ob La Di, Ob La Da" took place in July and involved several days of work. The first completed version of the track, recorded between 3 and 5 July, featured Scott playing congas and a trio of saxophonists. At McCartney's insistence, the band remade the song in an effort to capture the performance for which he was aiming. In doing so, according to Beatles historian Mark Lewisohn, "the Beatles were creating another first: the first time they had especially recruited session musicians and then rejected the recording." Work began on the new version on 8 July. In the recollection of Geoff Emerick, the band's recording engineer, Lennon "openly and vocally detested" the song, calling it "more of Paul's 'granny music shit'", although at times he appeared enthusiastic, "acting the fool and doing his fake Jamaican patois". Having left the studio at one point, Lennon then returned under the influence of marijuana. Out of frustration at being made to continually work on the song, he went straight to the piano and played the opening chords louder and faster than before, in what MacDonald describes as a "mock music hall" style. Lennon claimed that this was how the song should be played, and it became the version that the Beatles ended up using. McCartney nevertheless decided to remake the track once more. During the afternoon session on 9 July, the Beatles recorded a new basic track, which Lewisohn says possibly featured McCartney playing the drums instead of Ringo Starr. Despite this further work, McCartney conceded that the basic track from the previous day was adequate, and the band returned to the 8 July recording for overdubs during the evening session. McCartney's perfectionism annoyed his bandmates, and when their producer, George Martin, offered him suggestions for his vocal part, McCartney rebuked him, saying, "Well you come down and sing it." According to Emerick, the usually placid Martin shouted in reply: "Then bloody sing it again! I give up. I just don't know any better how to help you." The following day, Emerick quit working for the group; he later cited this exchange between McCartney and Martin as one of the reasons, as well as the unpleasant atmosphere that had typified the White Album sessions up to that point. In the final verse, McCartney made an error by singing, "Desmond stays at home and does his pretty face" (rather than Molly), and had Molly letting "the children lend a hand". This mistake was retained because the other Beatles liked it. Harrison and Lennon yell "arm" and "leg" between the lines "Desmond lets the children lend a hand" and "Molly stays at home". The lyrics of Harrison's White Album track "Savoy Truffle" include the lines "We all know Ob la di bla da / But can you show me where you are?" Like Lennon, Harrison had been vocal in his dislike of "Ob La Di, Ob La Da".

"Ob La Di, Ob La Da" was released on The Beatles on 22 November 1968. As one of the most popular tracks on the album, it was also issued as a single, backed by "While My Guitar Gently Weeps", in many countries, although not in the main commercial markets of the UK and the United States. McCartney had wanted the single released in these two countries also, but his bandmates vetoed the idea. In November 1976, Capitol Records issued the song as a single in the US, with "Julia" as the B side. The sleeves were white and individually numbered, as copies of the White Album had been. The discarded version of the song, known as "Take 5" and featuring Scott on congas, was released on the Anthology 3 compilation in 1996. The first time the song was performed live by any of the Beatles was on 2 December 2009, when McCartney played it in Hamburg, Germany, on the first night of a European tour. Author Howard Sounes comments that, despite Lennon's derision of the song, it "went down a storm" in Hamburg – the city where the Beatles had honed their act in the early 1960s. McCartney included "Ob La Di, Ob La Da" in his set list for the 2009 tour and in the set list for tours he made through to 2012. He also performed it in front of Buckingham Palace for the Queen's Diamond Jubilee celebrations, then at San Francisco's Outside Lands concert on 9 August 2013. McCartney again featured the song in his set list for his 2013–15 Out There! tour and his 2016–17 One on One tour, as well as his 7 September 2018 Grand Central Terminal concert and his head line appearance at the Glastonbury Festival in 2022.

The Beatles' decision not to issue "Ob La Di, Ob La Da" as a single in the UK or the US led to many acts rushing to record the song, in the hope of achieving a hit in those countries. Marmalade's recording sold around half a million in the UK, and a million copies globally by April 1969. During the group's TV appearance on BBC One's Top of the Pops to promote the track, four of the five band members wore kilts; their English born drummer instead dressed as a redcoat. Reflecting the song's popularity in the UK, according to author Alan Clayson, comedian Benny Hill included the band's name with Cream and Grapefruit in a sketch where a hungover radio disc jockey is continually confronted by phone in requests that exacerbate his nausea.