Украденный орёл: Начало Рима

"The Stolen Eagle" is the series premiere of the British American historical drama television series Rome. Written by series creator Bruno Heller and directed by Michael Apted, the episode first aired in the United States on Home Box Office (HBO) on August 28, 2005, and on the BBC in the United Kingdom and Ireland on November 2. Rome was given a budget of $100 million, making it the largest amount both networks had ever spent on a series. Heller centered the series' narrative on the perspectives of two common soldiers, similar to Rosencrantz and Guildenstern from Shakespeare's Hamlet. Apted shot the episode at Cinecittà, the Roman studio where the epic films Ben Hur and Cleopatra were filmed. On the set, realism and authenticity were emphasized more than grandiosity, with depictions of a cosmopolitan city of all social classes. As the wars in Gaul come to an end, Julius Caesar (Ciarán Hinds) is faced with both triumph and tribulation. On the heels of his victory comes news of his daughter's death. Awarded with the adulation of the people, he also garners the enmity of politicians in Rome, including Pompey the Great (Kenneth Cranham). In Rome, Pompey must balance honor and politics as he is urged to betray his former friend. Meanwhile, Caesar's niece Atia of the Julii (Polly Walker) tries to steer her family on the dangerous path between the growing divisions of power. In the Gallic countryside, two unlikely allies (Kevin McKidd and Ray Stevenson) journey to reclaim the stolen standard of the Roman legion. HBO described its marketing strategy as "its largest, most aggressive for a new series," and media outlets estimated its cost at $10 million. On its first broadcast, an estimated 3.8 million US viewers watched the episode. On its first airing in the UK and Ireland, it secured an estimated audience of 6.6 million people. Critical reception was largely mixed, with several reviewers writing that the episode suffered from slow storytelling. "The Stolen Eagle" garnered four major awards, including the Primetime Emmy Award for Outstanding Special Visual Effects and the Directors Guild of America Award for Outstanding Directing – Drama Series.

During the Siege of Alesia in 52 BC, Centurion Lucius Vorenus of the 13th Legion commands his men as Gallic warriors fall on his line. In contrast to the Gauls' chaotic charge, the Roman files fight with precision, until one drunk legionary, Titus Pullo, breaks ranks and charges into the crowd of Gauls. Vorenus angrily orders him back into formation, but Pullo hits him. Later, the assembled soldiers watch as Pullo is flogged and condemned to death for his disorderly conduct. The day after, Vercingetorix, "King of the Gauls", is brought before Julius Caesar and made to surrender, ending the eight year long Gallic Wars. Caesar's niece, Atia of the Julii, orders her son Octavian to deliver a horse she has purchased straight to Caesar in Gaul to ensure that he remembers them above all other well wishers. Caesar himself receives news that his daughter, married to his friend Gnaeus Pompeius Magnus with whom he shares power in Rome, has died in childbirth along with her stillborn daughter. A blood tie broken between them, Caesar orders a new wife be found for Pompey. In the Roman Senate, Cato the Younger moves that Caesar is stripped of his command and recalled to Rome to answer charges of misusing his office and illegal warmongering. Pompey, as sole Consul present, vetoes the motion, insisting on trusting Caesar. At the theater that night, Scipio introduces his daughter Cornelia Metella to Pompey as a prospective wife, while Cato warns him that he must ally against Caesar before it is too late. Pompey again asserts that Caesar means no harm, although privately, he is troubled by Caesar's rising prestige and power and gives orders to one of his slaves who is leaving on a trip to Gaul. At night in the encampment of the 13th Legion, the Aquila (Eagle Standard) is stolen by brigands. To avoid a potentially disastrous drop in morale, Mark Antony orders Vorenus to retrieve it. As Vorenus feels the mission is doomed to failure, he has the condemned Pullo released from the stockade to assist him. In camp, Caesar welcomes Marcus Junius Brutus, his unofficial stepson whose mother is Caesar's lover, Servilia of the Junii. Later, at a party hosted by Servilia, Brutus confides to Pompey that the loss of the eagle has made Caesar unusually vulnerable as his men are on the brink of mutiny. On the road to Caesar's camp in Gaul, Octavian is taken captive by brigands. For Caesar's request, Atia instructs her daughter Octavia to marry Pompey by first divorcing her husband Glabius, despite Octavia's protests that they are deeply in love. Atia then presents Octavia to Pompey at a party and offers her for premarital relations, which Pompey takes advantage of. Vorenus and Pullo set off in search of the eagle, encountering and rescuing Octavian from his captors. Octavian thanks them and promises that they will be rewarded. Vorenus and Pullo discover Pompey's slave with the eagle hiding in the bandit cart and kill him, realizing the bandits were hired by Pompey. A politically astute Octavian explains that their mission is only a gesture, since the theft of the eagle is actually a blessing in disguise to Caesar. Civil war between Caesar and Pompey is inevitable, but Caesar needs Pompey to make the first move so as not to appear the aggressor; Pompey is likely to do that if he believes Caesar's soldiers are on the verge of desertion. The trio returns in triumph to camp, where a surprised yet grateful Caesar takes the eagle back and more than adequate proof of Pompey's hostility. He sends Pompey the head of his slave and informs him of his next move, to winter the 13th Legion at Ravenna on the Italian border, in preparation for pressing his rights to the Consulship. Pompey breaks all ties with Caesar and takes Cornelia as his wife. Octavia, humiliated at being used by Pompey and heartbroken over her pointless divorce, says she wants him dead.

"The Stolen Eagle" was written by executive producer and co creator Bruno Heller and directed by Michael Apted, who also directed the following two episodes. The episode title is a reference to the standard of the Roman legion, a symbol that represents the legion's unity. While the storyline detailing its theft was based on fiction, Heller believed that it showed how Caesar could turn "misfortune into opportunity. He was always one step ahead of his enemies." Scottish actress Lindsay Duncan, who was cast as Servilia, believed that she and other UK actors "can do old, can do classic, and you believe it." She also said that because of long distances, American actors or those of other nationalities were avoided: "Transporting actors from [Los Angeles] to Rome on a regular basis does not look good for the budget. We're quite cheap." Heller had believed that Hinds would make "a great Caesar" for a long time, and considered the series "extremely lucky" for being able to cast him. Heller described his character as "very much a Roman of the Old School, a stoic man devoted to duty and religion and the legion."

The series was given a budget of $100 million (£58 million), the largest both HBO and the BBC had ever devoted to a series. The season was filmed between March 2004 and July 2005, at locations in or around Rome, Production designer Joseph Bennett built a set that emphasized authenticity and realism rather than grandiosity. He said, <blockquote>People think of Rome as white and cold and beautiful, powerful but distant. But based on the research, I don't think it was like that at all. If you go to Pompeii, you're struck by how garish it is, even now. The temples and sculptures were all brightly painted. Rome was like Pompeii, but much bigger. And Rome was so noisy it was impossible to sleep. It was like hell. Think of it as a combination of New York and Calcutta, with insane wealth and insane poverty. It was pretty extreme. VFX artist Kirk Balden said of the production, "On many projects, you start off with storyboards, and everyone has a good idea of what it's going to look like when it's completed. This project was very experimental right to the very end. The tone of it is pretty much unlike anything we've done and most of what any of us here have seen. There's a lot there that creatively sets the stage for the series." Artisans reportedly handmade four thousand costumes using authentic period materials such as cotton, linen, wool, and silk, all of which were hand dyed on set.

HBO said its marketing plan for the series was, "its largest, most aggressive push for a new series". The channel broadcast the first three episodes seven days a week at various times during the day. Non subscribers could preview the first two episodes during the first week of September 2005. Media outlets estimated that the entire marketing campaign cost HBO $10 million, the most the network had spent on marketing a series to that point. Writing for the same publication, Tom Shales said that HBO "has made such a fuss over Rome, and the network itself has put such painful pressure on the show (and its producers) to make a hefty impact, that it'll be scorned like a leper if it fails to make a truly gigantic splash."

"The Stolen Eagle" was the first broadcast on August 28, 2005, in the United States on HBO and in Canada on The Movie Network and Movie Central. An estimated 3.8 million viewers watched the episode, less than the series premieres of Carnivale and Deadwood but consistent with the series finale of Six Feet Under. In the UK and Ireland, the premiere was broadcast on BBC 2 on November 2, 2005. According to The Independent, more than 6.6 million viewers watched the episode.