Оуэн Бранниган: Жизнь и творчество английского баса.

British opera singer (1908 1973)

Owen Brannigan OBE (10 March 19089 May 1973) was an English bass, known in opera for buffo roles and in concert for a wide range of solo parts in music ranging from Henry Purcell to Michael Tippett. He is best remembered for his roles in Mozart and Britten operas and for his recordings of roles in Britten, Offenbach and Gilbert and Sullivan operas, as well as recordings of English folk songs. Brannigan began as an amateur singer and attended music college part time, while working as a joiner, until his quality was recognised and he was awarded a scholarship during World War II. Although he had an international opera career, he performed most frequently with English opera companies, particularly Sadler's Wells opera, and later at Glyndebourne and Covent Garden. Highlights of his broad repertory included creating three roles in Benjamin Britten's early operas, and two more in later Britten operas that were written specifically for him. On record and in concert at the Proms he was a popular interpreter of the bass baritone roles in Gilbert and Sullivan operas. Brannigan's oratorio and concert repertory was extensive, covering works from many periods.

Brannigan was born in Annitsford, North Tyneside, near Newcastle, the son of the local church organist (of Irish descent), in whose choir he sang as a boy. In 1929, he moved south to look for work. He worked as a joiner in Slough, and in his spare time he appeared with the Windsor Operatic Society. In 1934 he enrolled as a night student at the Guildhall School of Music while working days as a government clerk, and in 1938 was appointed as a bass singer at Westminster Cathedral. After a Guildhall performance of Ruddigore, by Gilbert and Sullivan, in which he played a member of the chorus of ghosts depicted in a picture gallery, he was singled out by Sir Landon Ronald: "I want to hear the third portrait from the left", and was offered a scholarship to continue his studies full time. He won the Guildhall's Gold Medal in 1942. In 1939 he participated in a BBC studio production of Ralph Vaughan Williams's Hugh the Drover. He was with Sadler's Wells from 1944 to 1949 and from 1952 to 1958. At Glyndebourne, in other Britten premières, he created the roles of Collatinus in The Rape of Lucretia (1946), Later, Britten wrote the parts of Noye in Noye's Fludde (1958), and Bottom in A Midsummer Night's Dream (1960), with Brannigan in mind. and The Fairy Queen by Henry Purcell, to modern operas, not only by Britten but other composers including Malcolm Williamson (English Eccentrics, 1964 and The Violins of Saint Jacques, 1966). He was also admired for his Osmin in Mozart's Die Entführung aus dem Serail, in which he displayed both his buffo and his dramatic skills.

The Times considered Brannigan to be "perhaps even better known as an oratorio than as an opera singer." It included works outside the general repertory such as Kodály's Te Deum and Elgar's The Apostles. At the Three Choirs Festival, he sang in Verdi's Requiem and Elgar's The Dream of Gerontius, in which he was praised for his "forthright nobility". This aspect of his singing was not without its critics: Edward Sackville West called it "monotonously hearty", while his colleague Andrew Porter thought it "fine and forthright." Among the other choral works in which Brannigan sang the bass solo parts were Haydn's Creation and Handel's Messiah and Acis and Galatea.

Brannigan recorded all his major Britten roles under the baton of the composer. He recorded Purcell's The Fairy Queen in 1970 for Decca, also under Britten's baton. For Sir Adrian Boult he recorded the bass solo part in Messiah and the role of Polyphemus in Acis and Galatea. For Sir Malcolm Sargent, he recorded the following Gilbert and Sullivan roles: the title role in The Mikado (1957), Don Alhambra in The Gondoliers (1957), Wilfred Shadbolt in The Yeomen of the Guard (1958), Dick Deadeye in H. M. S. Pinafore (1958), Private Willis in Iolanthe (1959), the Sergeant of Police in The Pirates of Penzance (1961), the Usher in Trial by Jury (1961) and Sir Despard in Ruddigore (1963). He also sang Willis in the BBC recording of Iolanthe in 1966. His interpretation of the Sergeant of Police in The Pirates of Penzance was so admired that he was invited to make a second recording of it, for the D'Oyly Carte Opera Company, in 1968. The Penguin Guide to Opera said, "perhaps the greatest joy of this recording is Owen Brannigan's Sergeant of Police, a part this artist was surely born to play it is almost like hearing it for the first time." Many of Brannigan's favourite North Country songs were recorded on disc; he also made light music comedy recordings such as A Little Nonsense (nursery rhymes sung in humorously operatic style) with the Pro Arte Orchestra conducted by Sir Charles Mackerras, which was recorded in 1962.

In 1964, Queen Elizabeth II named Brannigan an Officer of the Order of the British Empire. Brannigan was in a serious car crash in 1972, from which he never fully recovered. He died of pneumonia in 1973, aged 65, and is buried in the churchyard of St John the Baptist Roman Catholic Church at Annitsford. Brannigan married Mary née Ashley. Their daughter Maureen died in childhood from diphtheria, and their son, also called Owen, died in 1981 (aged 40) after being electrocuted in an accident. The opera singer Graeme Danby presented a series of tributes to Brannigan on television and in concert in 2008 to celebrate the 100th anniversary of Brannigan's birth. His tribute, including recordings of Brannigan, as well as singing by Danby and interviews of people who knew Brannigan, was published as a DVD documentary.