Латиноамериканская поэзия: история и традиции

Poetry written by Latin America authors
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.

There are multiple examples of Aztec poetry written in Nahuatl. Most of these were collected during the early period of the colonization of Mexico by Spanish clergy who involved themselves in an effort to collect firsthand knowledge of all things related to the indigenous civilizations of the newly conquered territory. One of these Spanish Clergy, fray Bernardino de Sahagún, enlisted the help of young Aztecs to interview and record stories, histories, poems and other information from older Aztecs who still remembered the pre conquered times. Much of the information that was collected by these colonial anthropologists has been lost, but researchers found originals or copies of the original research in libraries around the world.

During the period of conquest and colonization many Hispanic Americans were educated in Spain. The poets of this historical period followed the European trends in literature, including the style of romantic ballads as well as satire. The first Spanish American poets to gain recognition for their work were Spanish settlers with great influence in the New World, including Alonso de Ercilla y Zúñiga (1533–94). He wrote widely renowned poetry praising Spanish conquests. The first known colonial poet born in the Americas was Dominican nun Leonor de Ovando, born in Santo Domingo in 1544, whose poetic works revolved around religious devotion and love for the divine. Another great figure in colonial era poetry is the Mexican nun Sor Juana Ines de la Cruz, who wrote many notable works of poetry, prose, and theater in Spanish and other native languages. In her work, she took many feminist standpoints and echoed the beliefs of the Enlightenment ideals emerging in Europe. Consecutively, the Counter Reformation challenged Sor Juana's work and any poetry or literature seem as promoting concepts of liberty and freedom. After the 1802 Haitian Revolution, circulation of liberal ideas was halted by colonizers. Many poets embrace scenery and love of their land in their new works, including Gutiérrez Nájera and Juana Borrero. The influence of African heritage is acknowledged and celebrated in 20th century Latin American literature. Braschi's Empire of Dreams (1988) is a postmodern poetry epic about immigrant life in New York City; the work is a pastiche, riffing on Spanish Golden Age pastoral eclogues and Latin American modernist poems. After World War I, following Modernismo and influences from Cubism, Futurism, Dadaism, Ultraism, and surrealism, the avant garde was adopted by Latin American poets. Vanguardista was seen as a self reflective art form that threw away constraints of beauty as a common theme. Many Nobel Prize winners, including Gabriela Mistral, Pablo Neruda, and Octavio Paz, used surrealism in their work and were recognized for it. Pablo Neruda, who was described by Gabriel García Márquez as "the greatest poet of the twentieth century in any language". Neruda's epic poem Canto General gained worldwide recognition as his "greatest work", and it the lyric voice gives a sweeping description of Latin America from pre history to the 20th century. Neruda's epic flows in a blank verse and piles metaphors upon metaphors with a lyrical style that favors excess.

There is a strong tradition of prose poetry in Latin America in the 20th century. Though there are examples of prose poems dating back to appearances in the Bible, the advent of prose poetry as a literary genre first surges in Europe with the modernist poets and symbolists of the 19th century, such as Charles Baudelaire ("Be Drunk"), Rainer Maria Rilke, Franz Kafka, Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé. It is in the 20th century that Latin American poets resurrect the prose poem as a platform for philosophical inquiry and sensual sentiments; masters of the prose poem include Jorge Luis Borges ("Everything and Nothing"), Pablo Neruda (Passions and Impressions), Octavio Paz (Aguila o Sol?/Eagle or Sun? ), Alejandra Pizarnik ("Sex/Night"), Giannina Braschi (Empire of Dreams), and Clarice Lispector (Água Viva). Sor Juana's poems spanned a range of forms and themes of the Spanish Golden Age, and her writings display inventiveness, wit, and a vast range of secular and theological knowledge. Mistral's lyrics used a regular meter and rhyme to describe impassioned female subjects, such as the abandoned, the jealous lover, the mother in fear for her vulnerable child, and the teacher who lifts her students with a love for knowledge and compassion. With themes of solitude, childhood, madness, and death, Pizarnik explored the borders between speech and silence. She was heavily influenced by French modernism and drawn to "the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysteries of Lautréamont,” and “unparalleled intensity” of Artaud's suffering." Delmira Agustini's poems focused on themes of female sexuality, love and fantasy, often featuring characters from Greek antiquity including Eros, the Greek God of love. Her work entitled Empty Chalices (1913) solidifies her a place in La Vanguardia, alongside Norah Lange (The Street in the Evening). Julia de Burgos's poetry weaved romance and political activism for women and African/Afro Caribbean writers, and is considered a precursor to contemporary U. S. Latina/o and Latinx literature. Giannina Braschi is one of the rare female poets in Latin America to write epic poetry; her cross genre epics tackle geopolitical subjects such as debt crisis, national building, decolonization, and revolution. In the genre of children's poetry, Afro Cuban poet Excilia Saldaña's works such as "Noche" (Night) relies of female figures of the grandmother to transmit wisdom to children; her experimental writing contained elements of Afro Latino mythology and folklore. Saldaña also wrote of domestic violence, motherhood, feeling anonymous, and the power of female friendships.