Маттео Банделло: Жизнь и новеллы итальянского писателя

Italian writer

Matteo Bandello ( 1480–1562) was an Italian writer, soldier, Dominican friar and bishop, known mostly for his novellas. His collection of 214 novellas made him the most popular short story writer of his day.

Matteo Bandello was born at Castelnuovo Scrivia, near Tortona (current Piedmont), 1480. He received a good education, and entered the church, but does not seem to have been very interested in theology. For many years he lived at Mantua and Castel Goffredo, and superintended the education of the celebrated Lucrezia Gonzaga, in whose honour he composed a long poem. The decisive Battle of Pavia, as a result of which Lombardy was taken by the emperor, compelled Bandello to flee; his house at Milan was burnt and his property confiscated. He took refuge with Cesare Fregoso, an Italian general in the French service, whom he accompanied into France. There is critical apparatus on the similarities between Bandello’s and Shakespeare’s versions; and Bandello’s text is divided into paragraphs for ease of comparison with the translation on facing pages.

The vast majority of the stories derive from those Bandello heard from contemporaries, reported as real life events. Far more rarely, some stories are based on literary or historical sources, such as book 5 of Dante's Purgatory (part 1, story 11), the Lucretia and Tarquin episode in Livy's History of Rome (part 2, story 15), story #23 of the Heptameron (part 2, story 17), and Francesco Petrarch's Triumph of Love from Triumphs (part 2, story 41). Some derive from English history, such as the chronicle of Mary Douglas, niece to King Henry VIII of England (part 3, story 44) and Henry VIII's six wives (part 3, story 45), some from Spanish history, such as Alfonso X (part 4, story 10). All of them were told to him by men, but a minority of dedicatory prefaces are offered to women. Bandello writes that the dedicatory prefaces to the nobility or to worthy persons are useful to him as a shield in case someone becomes offended by one of the stories and is tempted to attack him (part 2, story 32). He shows psychological insight into jealousy, in particular the description of two types of jealous men, the first from feelings of inadequacy and the second from feelings of the fickleness of women (part 3, story 47). The most striking stories include two whores seeking to win their husbands back (part 1, story 17), two brother thieves in cahoots to rob the treasures of the king of Egypt (part 1, story 23), a disdained lover voluntarily choosing to live inside a cave (part 1, story 25), a woman killing herself only out of fear that her good fortune will turn bad (part 1, story 48), Filippo Lippi, released from slavery in Africa because of his talent as a celebrated painter (part 1, story 50), a woman disdaining a man and then killing herself when he no longer pursues her (part 2, story 16), an abbot making music from a chorus of pigs (part 2, story 23), an adulterous lover buried alive and then saved (part 3, story 1), a merchant's murder of another (part 4, story 1), a case of double adultery whereby each husband cuckolds the other (part 4, story 11), and two women yelling at each other after being falsely told they are hard of hearing (part 4, story 21).

Four Bandello stories were adapted by Shakespeare, including Cymbeline (part 1, story 19), the Claudio subplot of Much Ado about Nothing (part 1, story 22), Romeo and Juliet (part 2, story 6), and Twelfth Night (part 2, story 28), plus one from the Shakespeare Apocrypha, Edward III (part 2, story 29).

Bandello stories have also been adapted by other dramatists, including John Webster, The Duchess of Malfi (part 1, story 24), Philip Massinger, The Picture (part 1, story 19), the same source as that of Cymbeline, John Marston and Jean Mairet, Sophonisba (part 1, story 35), John Fletcher, The Maid in the Inn (part 2, story 11), the anonymous 17th century French author of The Cruel Moor (1618) (part 3, story 17), Giuseppe Giacosa, La Signora di Challant, The Lady of Challand (part 1, story 4) and more than 15 plays by Spanish Lope de Vega, among which Castelvines y Monteses (published in 1647 and written between 1604 and 1618) follows the same famous story of Romeo and Juliet (part 2, story 9).