Панчатантра: Древнеиндийские басни в стихах и прозе

Ancient Sanskrit text of animal fables from India

The Panchatantra (IAST: Pañcatantra, ISO: Pañcatantra, , "Five Treatises") is an ancient Indian collection of interrelated animal fables in Sanskrit verse and prose, arranged within a frame story. The surviving work is dated to about 200 BCE, but the fables are likely much more ancient. The text's author is unknown, but it has been attributed to Vishnu Sharma in some recensions and Vasubhaga in others, both of which may be fictitious pen names. and based on older oral traditions with "animal fables that are as old as we are able to imagine". It is "certainly the most frequently translated literary product of India", and these stories are among the most widely known in the world. It goes by many names in many cultures. There is a version of Panchatantra in nearly every major language of India, and in addition there are 200 versions of the text in more than 50 languages around the world. The earliest known translation, into a non Indian language, is in Middle Persian (Pahlavi, 550 CE) by Burzoe. and a translation into Arabic in 750 CE by Persian scholar Abdullah Ibn al Muqaffa as Kalīlah wa Dimnah. A New Persian version by Rudaki, from the 3rd century Hijri, became known as Kalīleh o Demneh. Rendered in prose by Abu'l Ma'ali Nasrallah Monshi in 1143 CE, this was the basis of Kashefi's 15th century Anvār i Suhaylī (The Lights of Canopus), which in turn was translated into Humayun namah in Turkish. In Laos, a version is called Nandaka prakarana, while in Thailand it has been referred to as Nang Tantrai.

The prelude section of the Panchatantra identifies an octogenarian Brahmin named Vishnusharma (IAST: Viṣṇuśarman) as its author. He is stated to be teaching the principles of good government to three princes of Amarasakti. It is unclear, states Patrick Olivelle, a professor of Sanskrit and Indian religions, if Vishnusharma was a real person or himself a literary invention. Some South Indian recensions of the text, as well as Southeast Asian versions of Panchatantra attribute the text to Vasubhaga, states Olivelle. Various locations where the text was composed have been proposed but this has been controversial. Some of the proposed locations include Kashmir, Southwestern or South India. The text was translated into Pahlavi in 550 CE, which forms the latest limit of the text's existence. The earliest limit is uncertain. It quotes identical verses from Arthasastra, which is broadly accepted to have been completed by the early centuries of the common era. According to Olivelle, "the current scholarly consensus places the Panchatantra around 300 CE, although we should remind ourselves that this is only an educated guess". According to Gillian Adams, Panchatantra may be a product of the Vedic period, but its age cannot be ascertained with confidence because "the original Sanskrit version has been lost".

The first treatise features a jackal named Damanaka, as the unemployed minister in a kingdom ruled by a lion. He, along with his moralizing sidekick named Karataka, conspire to break up alliances and friendships of the lion king. A series of fables describe the conspiracies and causes that lead to close and inseparable friends breaking up. The Book 1 contains over thirty fables, with the version Arthur Ryder translated containing 34: The Loss of Friends, The Wedge Pulling Monkey, The Jackal and the War Drum, Merchant Strong Tooth, Godly and June, The Jackal at the Ram Fight, The Weaver's Wife, How the Crow Hen Killed the Black Snake, The Heron that Liked Crab Meat, Numskull and the Rabbit, The Weaver Who Loved a Princess, The Ungrateful Man, Leap and Creep, The Blue Jackal, Passion and the Owl, Ugly's Trust Abused, The Lion and the Carpenter, The Plover Who Fought the Ocean, Shell Neck Slim and Grim, Forethought Readywit and Fatalist, The Duel Between Elephant and Sparrow, The Shrewd Old Gander, The Lion and the Ram, Smart the Jackal, The Monk Who Left His Body Behind, The Girl Who Married a Snake, Poor Blossom, The Unteachable Monkey, Right Mind and Wrong Mind, A Remedy Worse than the Disease, The Mice That Ate Iron, The Results of Education, The Sensible Enemy, The Foolish Friend. It is the longest of the five books, making up roughly 45% of the work's length. United through their cooperation and in their mutual support, the fables describe how they are able to outwit all external threats and prosper.

The third treatise discusses war and peace, presenting through animal characters a moral about the battle of wits being a strategic means to neutralize a vastly superior opponent's army. The thesis in this treatise is that a battle of wits is a more potent force than a battle of swords. The choice of animals embeds a metaphor of a war between good versus evil, and light versus darkness. Crows are good, weaker and smaller in number and are creatures of the day (light), while owls are presented as evil, numerous and stronger creatures of the night (darkness). The young woman detests his appearance so much that she refuses to even look at him let alone consummate their marriage. The third book contains eighteen fables in Ryder translation: Crows and Owls, How the Birds Picked a King, How the Rabbit Fooled the Elephant, The Cat's Judgment, The Brahmin's Goat, The Snake and the Ants, The Snake Who Paid Cash, The Unsocial Swans, The Self sacrificing Dove, The Old Man with the Young Wife, The Brahmin, The Thief and the Ghost, The Snake in the Prince's Belly, The Gullible Carpenter, Mouse Maid Made Mouse, The Bird with Golden Dung, The Cave That Talked, The Frog That Rode Snakeback, The Butter blinded Brahmin. The fourth book contains thirteen fables in Ryder translation: Loss of Gains, The Monkey and the Crocodile, Handsome and Theodore, Flop Ear and Dusty, The Potter Militant, The Jackal Who Killed No Elephants, The Ungrateful Wife, King Joy and Secretary Splendor, The Ass in the Tiger Skin, The Farmer's Wife, The Pert Hen Sparrow, How Supersmart Ate the Elephant, The Dog Who Went Abroad.

The Sanskrit version of the Panchatantra text gives names to the animal characters, but these names are creative with double meanings.

The work has gone through many different versions and translations from the sixth century to the present day. The original Indian version was first translated into a foreign language (Pahlavi) by Borzūya in 570CE, then into Arabic in 750. This Arabic version was translated into several languages, including Syriac, Greek, Persian, Hebrew and Spanish, and thus became the source of versions in European languages, until the English translation by Charles Wilkins of the Sanskrit Hitopadesha in 1787.

The Panchatantra approximated its current literary form within the 4th–6th centuries CE, though originally written around 200 BCE. No Sanskrit texts before 1000 CE have survived. Buddhist monks on pilgrimage to India took the influential Sanskrit text (probably both in oral and literary formats) north to Tibet and China and east to South East Asia. These led to versions in all Southeast Asian countries, including Tibetan, Chinese, Mongolian, Javanese and Lao derivatives. Around 550 CE his notable physician Borzuy (Burzuwaih) translated the work from Sanskrit into the Pahlavi (Middle Persian language). He transliterated the main characters as Karirak ud Damanak. According to the story told in the Shāh Nāma (The Book of the Kings, Persia's late 10th century national epic by Ferdowsi), Borzuy sought his king's permission to make a trip to Hindustan in search of a mountain herb he had read about that is "mingled into a compound and, when sprinkled over a corpse, it is immediately restored to life." He did not find the herb, but was told by a wise sage of "a different interpretation. The herb is the scientist; science is the mountain, everlastingly out of reach of the multitude. The corpse is the man without knowledge, for the uninstructed man is everywhere lifeless. Through knowledge man becomes revivified." The sage pointed to the book, and the visiting physician Borzuy translated the work with the help of some Pandits (Brahmins).