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1818 novel by Jane Austen
the 1818 novel

Northanger Abbey ('/n//ɔːr//θ//æ//ŋ//ər/) is a coming of age novel and a satire of Gothic novels written by the English author Jane Austen. Although the title page is dated 1818 and was published posthumously in 1817 with Persuasion, Northanger Abbey was completed in 1803, making it the first of Austen's novels to be completed in full. From a fondness of Gothic novels and an active imagination distorting her worldview, the story follows Catherine Morland, the naïve young protagonist, as she develops to better understand herself and the world around her. Based on the different styles and different references to Gothic novels, it is apparent that Austen wrote Northanger Abbey over the span of many years. It took her a long time to get her novel published too. It was not until after her death that her brother was able to get the book published. Once published, Austen received a mix of reviews. The novel covers a wide array of topics such as high society, Gothic fiction, bildungsroman, the value of reading, and the importance of time. This novel is considered to be more juvenile than her others. Throughout Northanger Abbey, Austen makes references to many different Gothic novels, most notably The Mysteries of Udolpho. There are also many references to Northanger Abbey in contemporary novels. Various different adaptations have been made throughout the years.

Seventeen year old Catherine Morland is one of ten children of a country clergyman. Although a tomboy in her childhood, she is "in training for a heroine" and is fond of reading Gothic novels "provided they [are] all story and no reflection. "The Allens (her wealthier neighbours in Fullerton) invite Catherine to accompany them in their visit to the city of Bath and partake in the winter season of balls, theatre and other social activities. Shortly after their arrival, she is introduced to a young gentleman, Henry Tilney, with whom she dances. Mrs. Allen meets an old school friend, Mrs. Thorpe, whose daughter, Isabella, quickly becomes friends with Catherine. Isabelle introduces Catherine to Ann Radcliffe's 1794 Gothic novel Mysteries of Udolpho. Mrs. Thorpe's son, John, is a friend of Catherine's older brother, James, at Oxford University where they are both students. The two young men come to Bath, where John is then introduced to Catherine. The Thorpes are not happy about Catherine's friendship with the Tilneys. They correctly perceive Henry as a rival for Catherine's affections even though Catherine is not at all interested in John Thorpe. Despite Thorpe continually attempting to sabotage her relationship with the Tilneys, Catherine tries to maintain her friendships with both the Thorpes and the Tilneys. This leads to several misunderstandings, which put Catherine in the awkward position of having to explain herself to the Tilneys. Isabella and James become engaged. James' father approves of the match and offers his son a country parson's living of a modest sum, £400 annually, but they must wait until he can obtain the benefice in two and a half years. Isabella is dissatisfied, but to Catherine, she misrepresents her distress as being caused solely by the delay, and not by the value of the sum. Isabella immediately begins to flirt with Captain Frederick Tilney, Henry's older brother. Innocent Catherine cannot understand her friend's behaviour, but Henry understands all too well as he knows his brother's character and habits. The Tilneys invite Catherine to stay with them for a few weeks at their home, Northanger Abbey. Once at Northanger Abbey, Catherine and Eleanor Tilney, Henry's and Frederick's younger sister, get to know each other better on a personal level. Catherine, in accordance with her novel reading, expects the house to be exotic and frightening. Henry teases her about this as it turns out that Northanger Abbey is pleasant and decidedly not Gothic. However, the house includes a mysterious suite of rooms that no one ever enters; Catherine learns that they were the apartments of Mrs. Tilney, who died nine years earlier due to a serious illness, As General Tilney no longer appears to be affected by her death, Catherine decides that he may have imprisoned her in her chamber, or even murdered her. Catherine discovers that her over active imagination has led her astray as nothing is strange or distressing in the apartments. Henry finds and questions her; he surmises and informs her that his father loved his wife in his own way and was truly upset by her death. She leaves the apartments, crying, fearing that she has lost Henry's regard entirely. Realising how foolish she has been, Catherine comes to believe that, though novels may be delightful, their content does not relate to everyday life. Henry does not mention this incident to her again. James writes to inform her that he has broken off his engagement to Isabella and implies that she has become engaged instead to Captain Tilney. Henry and Eleanor Tilney are sceptical that their brother has actually become engaged to Isabella Thorpe. Catherine is terribly disappointed, realising what a dishonest person Isabella is. A subsequent letter from Isabella herself confirms the Tilney siblings' doubts and shows that Frederick Tilney was merely flirting with Isabella. The General goes off to London, and the atmosphere at Northanger Abbey immediately becomes lighter and more pleasant from his absence. Catherine passes several enjoyable days with Henry and Eleanor until the General returns abruptly in a temper in Henry's absence. He forces Catherine to go home early the next morning in a shocking and unsafe mode that forces Catherine to undertake the 70 mile (113 km) journey alone. At home, Catherine is listless and unhappy. Henry pays a sudden unexpected visit and explains what happened. General Tilney (on the misinformation of John Thorpe) had believed her to be exceedingly rich as the Allens' prospective heiress, and therefore a proper match for Henry. In London, General Tilney ran into Thorpe again, who, angry at Catherine's refusal of his earlier half made proposal of marriage, said instead that she was nearly destitute. Enraged, General Tilney, (again on the misinformation of John Thorpe), returned home to evict Catherine. When Henry returned to Northanger, his father informed him of what had occurred and forbade him to think of Catherine again. When Henry learns how she had been treated, he breaks with his father and tells Catherine he still wants to marry her despite his father's disapproval. Catherine is delighted, though when Henry seeks her parents' approval, they tell the young couple that final approval will only happen when General Tilney consents. Eventually, General Tilney acquiesces because Eleanor has become engaged to a wealthy and titled man; he discovers that the Morlands, while not extremely rich, are far from destitute.

According to notes written by Austen's sister Cassandra after Jane's death in 1817, the novel was finished by 1798 or 1799. The close resemblance in style to Austen's "juvenilia" of the early 1790s together with several in jokes that only the Austen family could have appreciated strongly suggests that the book was begun during that period, probably about 1794. The scholar Cecil Emden argued that differences between the Catherine portrayed in the Bath section of the novel vs. the Catherine at Northanger Abbey were due to Austen finishing the book at a different stage of her life than when she started.

Austen initially sold the novel, then titled Susan, for £10 to a London bookseller, Crosby & Co. in 1803. This publisher did not print the work but held on to the manuscript. Austen reportedly threatened to take her work back from them, but Crosby & Co responded that she would face legal consequences for reclaiming her text. Austen scholars have pointed out that these early reviewers did not know what to make of her novels—for example, they misunderstood her use of irony. Reviewers, for example, reduced Sense and Sensibility and Pride and Prejudice to didactic tales of virtue prevailing over vice.

As in all of Austen's novels, the subjects of society, status, behavior, and morality are addressed. Northanger Abbey, however, being chronologically the first novel completed by Austen (though revised later in her life), is notably considered a "point of departure" from her other work as a result of the "boldness with which it flaunts its . deceptive air of simplicity with broad, bold humour".

Throughout Northanger Abbey, Austen demonstrates the ways in which women are socially and economically disadvantaged. Beth Lau demonstrates how Austen depicts Isabella wanting to be of higher status by choosing Captain Tilney over James Morland. Isabella tries to shop around in marriage market even though she does not have any choices to make. In doing so, she is turning herself into a commodity with nothing to offer. The washing bill that Catherine finds in the abbey works to highlight the disadvantaged position women hold to men economically. It is because of women that men's economic position advances. Catherine is able to consume/buy novels rather than be a participant/commodity. Both General Tilney and Captain Tilney work as examples of superficiality within the high society. With General Tilney, it is evident throughout the novel, but a specific clue is his obsession with fine China. Captain Tilney refuses to dance with any of the women as a result of his disregard for them. This is an attempt to try to dismiss one genre that was popular with women with another genre that was popular with men. Henry's speech is that expected of a polite society in Britain at the time. The ingenue Catherine is unfamiliar with the ways of a polite society. Henry establishes himself as worthy of being Catherine's husband in his role as a "lover mentor" who teaches Catherine the ways of polite society to allow her to eventually fit in. Austen is upending the traditional role of Gothic heroines. The way for Catherine to find happiness in her life is by having an ordinary one, not one full of Gothic fantasy. When Catherine fears that General Tilney murdered his wife, these ideas stem from her knowledge of Gothic novels. Her fears of fantastical evil prove to be false, but the book ends with her discovery of a realistic evil surrounding economic propositions. This is evident with the use of the cabinet at the abbey. Northanger Abbey is a parody of Gothic fiction. One way that Austen achieves this is through the washing bill that Catherine finds in the abbey. Catherine thinks that there is an elaborate story behind the washing bills, but it leads to no big discovery. It also showcases Catherine as a victim of the economy for believing that the washing bill contained a larger story than it actually did. Susan Zlotnick highlights that it is common for Gothic novels to portray women as victims to the economy. Northanger Abbey makes fun of the silliness of Gothic fiction but also praises it and depends on it to tell the story.

The story begins with the narrator remarking that the heroine is not really a heroine. The narrator describes Catherine as not especially clever, nor a great beauty, and good without being virtuous. Because she actually has ambitions, Isabella appears more like a heroine, but it is those ambitions that turn her into a comedic villain. She does not understand Isabella's contradictory actions because she can not understand that there is a double meaning to what Isabella says. Her inability to understand Isabella's contradictory actions has to do with Catherine's inability to grasp both the fictional and the real world. However, Catherine develops to realize that she should be an independent thinker. By focusing only on Gothic novels, Catherine is not able to interact with others properly. On the other hand, it is her novel reading that transforms her into a heroine and causes her to be an active character. Henry also plays a role in Catherine's development from his teachings. By the end of the novel, Catherine understands that people are not completely good nor completely bad. For example, she does not see Henry as without any faults. Laura Jeanne Baudot highlights this point through the discussion of the washing bill Catherine finds in a cabinet at the abbey. Austen is forcing the audience to conjure up a cliché image of what the man looks like. Specifically, Henry Tilney, the hero of Northanger Abbey, is an ideal reader. Jodi L. Wyett classifies Henry as an idyllic reader because of his large knowledge about different texts from different genres. An early sign that Henry Tilney is the hero instead of John Thorpe is that the former likes to read books while the latter does not. It is hard for Catherine to connect with him because Catherine uses novels as a conversation starter. From these devices creating a new increased emphasis on time management, Thompson called this era the beginning of "time discipline." General Tilney is always checking his watch and is most insistent that the servants as well as his own family observe the clocks to make sure they are on time. Because of the importance of staying on schedule, even when General Tilney is not around, clocks serve as a symbol of his power as Catherine finds herself always checking the time. After arriving at Northanger Abbey, Catherine discovers that everything at the abbey happens on a strict schedule because of General Tilney. This is a marked difference from Catherine's lax attitude that she displays in Bath. When Catherine visits the kitchen at Northanger Abbey, she notes that it is equipped with all manner of "modern" cooking equipment and that the cooks work in an efficient manner like soldiers performing a drill. This is a direct reflection of the General's wish to have everything ordered. Joan Aiken writes: "We can guess that Susan [the original title of Northanger Abbey], in its first outline, was written very much for family entertainment, addressed to a family audience, like all Jane Austen's juvenile works, with their asides to the reader, and absurd dedications; some of the juvenilia, we know, were specifically addressed to her brothers Charles and Frank; all were designed to be circulated and read by a large network of relations."

Several Gothic novels and authors are mentioned in the book, including Fanny Burney and The Monk. Isabella Thorpe gives Catherine a list of seven books that are commonly referred to as the "Northanger 'horrid' novels". These works were later thought to be of Austen's own invention until the British writers Montague Summers and Michael Sadleir re discovered in the 1920s that the novels actually did exist. The list is as follows:
Castle of Wolfenbach (1793) by Eliza Parsons. London: Minerva Press. Clermont (1798) by Regina Maria Roche. London: Minerva Press. The Mysterious Warning, a German Tale (1796) by Eliza Parsons. London: Minerva Press. The Necromancer; or, The Tale of the Black Forest (1794) by "Lawrence Flammenberg" (pseudonym for Karl Friedrich Kahlert; translated by "Peter Teuthold," pseudonym for Peter Will). London: Minerva Press. The Midnight Bell (1798) by Francis Lathom. London: H. D. Symonds. The Orphan of the Rhine (1798) by Eleanor Sleath. London: Minerva Press. Tenille Nowak has noted that critics and editors of Northanger Abbey often suggest that the names Laurentina and St Aubin appearing in the text are misrememberings of character names from Udolpho; Nowak observes that due to there being very few copies of The Orphan of the Rhine available these critics did not realise that the names actually appear in their exact form in Sleath's novel. Nowak observes other instances where Sleath's novel is echoed by Austen, particularly in her descriptions of place.

The most significant allusion, however, is to Ann Radcliffe's The Mysteries of Udolpho, as it is the Gothic novel most frequently mentioned within this text. Notably, Jane Austen sold the manuscript of Northanger Abbey to the same firm that published Radcliffe's novel in 1794. This outside text is first mentioned in Chapter Six, when Isabella and Catherine discuss the mystery "behind the black veil", and further establish their friendship based on their similar interests in novel genre and their plans to continue reading other Gothic novels together. Austen further satirizes the novel through Catherine's stay at Northanger Abbey, believing that General Tilney has taken the role of Gothic novel villain. Jasper Fforde, in his alternate history comic fantasy novel First Among Sequels, refers to Northanger Abbey as being under maintenance and "should be ready on time as long as Catherine stops attempting to have the book 'Gothicized'." It appears again as the prize in a reality program, based on the lives of the Bennets from Pride and Prejudice.

Spanish television TVE loosely adapted the story as La abadía de Northanger in 1968. It starred Lola Herrera as Catalina (Catherine) Morland, Alicia Hermida as Isabela Thorpe, and Pepe Martín as Henry Tilney. The A&E Network and the BBC released the television adaptation Northanger Abbey in 1987. An adaptation of Northanger Abbey with screenplay by Andrew Davies, was shown on ITV on 25 March 2007 as part of their "Jane Austen Season". This adaptation aired on PBS in the United States as part of the "Complete Jane Austen" on Masterpiece Classic in January 2008. It stars Felicity Jones as Catherine Morland and JJ Feild as Henry Tilney. A stage adaptation of Northanger Abbey by Tim Luscombe (published by Nick Hern Books ), was produced by Salisbury Playhouse in 2009. It was revived in Chicago in 2013 at the Remy Bumppo Theatre. A theatrical adaptation by Michael Napier Brown was performed at the Royal Theatre in Northampton in 1998. The 1993 independent film Ruby in Paradise starring Ashley Judd was loosely inspired by Northanger Abbey. "Pup Fiction" – an episode of Wishbone featuring the plot and characters of Austen's Northanger Abbey.

In 2016, BBC Radio 4 broadcast an adaptation by Hattie Naylor with Georgia Groome as Catherine. An adaptation of The Mysteries of Udolpho was broadcast at the same time, also adapted by Naylor, with the same cast.

In July 2017, Audible released an original dramatisation of Northanger Abbey featuring Emma Thompson, Douglas Booth, Eleanor Tomlinson, Ella Purnell, Jeremy Irvine and Lily Cole.

In 2015, the modern web series adaptation Northbound, by Anya Steiner, was released on YouTube. In 2016, the modern web series adaptation The Cate Morland Chronicles was released on YouTube.