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Chinese poet

Liu Yong (approximately 984–1053), was a Chinese poet in Northern Song Dynasty. His original name was Liu Sanbian (Chinese: 柳三变), courtesy name was Jingzhuang (Chinese: 景庄), and he later changed his name to Liu Yong, courtesy name Qiqing (Chinese: 耆卿). He was born in Chong'an (崇安), Fujian, but his ancestral home was in present day Yongji, Shanxi. Liu Yong was ambitious to make achievements and contribute to serving the country from an early age. He had received an education for imperial examination, which lay a foundation for his poetry writing. However, he failed four times and his career as an officer was not well off. He spent a lot of leisure days with Gējì to have fun, which truly influenced his writing style and images in his poems. Liu Yong was the first poet who reformed Song Ci (宋词) poetry in a comprehensive way. The trend of long form Song Ci poetry originated from him. Moreover, he has made great efforts creating a poem genre called "Slow poetry" or "Slow song form" (Chinese: 慢词), and made full use of vulgar words and common sayings. The genre combined mundane images with graceful descriptions. The use of incisive narrations, plain image depictions and other artistic expressions by Liu Yong has made a profound impact on Song Ci poetry in later ages. Liu Yong was also one of the representatives of Graceful and Euphemism school, which is called "Wan Yue Pai(婉约派)"in classical Chinese literature.

Since there's no credible source explicitly recording Liu Yong's date of birth, scholars speculated that Liu Yong was born approximately in 980s (between 984 987). At that time, Liu Yong's father Liu Yi was an imperial court officer managing a town named "Feixian". Since he was born into an official family, Liu Yong had received a high quality education when he was young. In 990, Liu Yong moved to Quanzhou while his father was transferred there to be an officer. Liu Yong showed his talent in Chinese literature from an early age. When Liu Yong was ten years old, he wrote his first article "exhorting (the importance of) learning" (劝学文). And later in 998, Liu Yong wrote his first relatively well known poem, "writing Zhongfeng Temple" (题中峰寺). Then, he gave the first trial on Song Ci poetry in 1001. The poetry was named "Clouds on Wu Mountain, Hiking in Caves" (巫山一段云·六六真游洞). It extolled the beauty of the landscape in Wuyi Mountain, which was located near his hometown.

In the fifth year of the Reign of Emperor Xianping (1002), Liu Yong left his hometown planning to take the examination hosted by the Ministry of Rites(礼部) in the capital city Dongjing (where is called Kaifeng nowadays). However, while on the way to Dongjing, he greatly enjoyed the life of living in flourishing cities like Hangzhou and Suzhou, so he decided to provisionally stay. He immersed himself in viewing the beauty of nature there, and indulged in romantic relationships with Gējì. In order to make a living in Hangzhou, Liu Yong wrote lyrics for Jiaofang(教坊) songs. With his great talent in music perception and literary creation, his lyrics used to be extremely popular among the public. However, his lyrics with vulgar words and romantic themes are not accepted by other poets and scholars, and the upper class. They judged and criticized Liu Yong and his inverse actions to (Chinese) conventional etiquette(Confucian culture), which has also brought a negative impact on his later career. In 1003, Liu Yong wrote a Song Ci poetry named "Viewing Sea Tides" (望海潮·东南形胜) as a greeting letter to Sun He, a competent and well known officer in Song Dynasty. The poetry's popularity swept the region rapidly after its release. Since then, Liu Yong's talent in literacy had become more widely known by people. Between the years 1004 and 1007, Liu Yong wrote three poems in terms of recalling the memories he had while living in Suzhou and Hangzhou.

In 1008, Liu Yong went to the capital city, Bianjing (Dongjing), for the imperial examination in Spring, 1009. Though Liu Yong was confident in his talent and ability for positioning in a high rank and successfully becoming an imperial court officer. However, the result turned out that he failed his first trial. To express his depression and discontent, he wrote down one of his most famous Song Ci poetry "Crane Into the Sky" (鹤冲天·黄金榜上). But still holding hope for the next trial, Liu Yong wrote the poem "Like fish in water" (如鱼水·帝里疏散) after a period of time. In 1015, Liu Yong took the imperial examination for the second time but failed again to achieve scholarly honor as Jinshi Degree (进士). In ancient Chinese Jinshi (进士) was the honor for the one who passed the final imperial examination. He became more frustrated and dejected for being crossed in both love and career. "Soldiers' Music”(征部乐·雅欢幽会) was written down at this time. In 1024, after his fourth failure, Liu Yong left the capital in annoyance. Facing the departure with his lover, a famous Song Ci poetry which had been passed down through ages emerged. "Yu Lin Ling" (雨霖铃·寒蝉凄切) was created by Liu Yong.

After Liu Yong left Bianjing (Dongjing), he went to southern China by ship. Along his way to the south, he restarted his business in writing lyrics for songs, and the popularity of his lyrics and poetries rose as time went on. In February, Liu Yong went from Bianjing(Dongjing) to Muzhou to do his first job assigned by the Song imperial court. However, the suggestion from Liu Yong's higher officer to promote him was turned down. The reason given was "no positive achievement yet", In 1039, Liu Yong was appointed as the officier at the "Hsiao feng Salt Monopoly （Chinese：晓峰盐场）" in Zhejiang province. Touched by the tough lives of the salt workers there, he wrote the poem "Song of Boiling Sea water", which made a huge impact on society and earned him a good fame as a "renowned officer(名宦)" by people. In 1050, Liu Yong served as "Assistant Director of Military Colonies"(屯田员外郎), which was the highest official position in his career.

At least 127 kinds of tune patterns were used in Liu Yong's Ci, which were far more than other Ci poets at his stage. And even his works in the same tune patterns were not the same in format. They might not strictly follow the prescribed tune pattern and are slightly different in word counts and line divisions. What's more, Liu Yong invented some tune patterns and adventurously tried a lot of obscure tune patterns, which demonstrated his flexibility in creation.

The first most popular theme among early scholar poets was "boudoir feelings." These themes, however, are frequently conveyed in a more ornate and dramatic way, thus separating sensuality from reality. Liu Yong's lyrics are unique in its genuineness and directness. Liu Yong's works are unique in their genuineness and directness. In the works designed for Gējì performances, he tended to use highly vernacular expressions that truly and straightforwardly expressed a man's frailties. His living experiences in the Qinglous(青楼) and his romantic relationships with Gejis not only helped him understand the lives and feelings of the women from the lower class, but also kept him up to date on the latest romantic Song Ci poetry. The Siku Quanshu (Chinese: 四库全书 Synopsis of the Four Imperial Libraries) thus comments, "The Ci was originally a kind of seductive music, and Liu Yong's work was charming and intimately emotional, allowing people easy access to it, so though it is quite flawed by its vulgarity, there has been no end of people who have delighted in it." The following work "Feng ch'i wu 凤栖梧" is one of his representative romantic Song Ci poetry.

Liuyong had a seminal influence on the development of Ci (Song Ci poetry). Due to his rich life experiences with disillusionment in his career and living among ordinary people, his ci has diverse contents and themes. So, he successfully expands the connotation context and aesthetic interest of Ci. Liu Yong was not only one of the most popular Ci poet in Song dynasty, but also a significant milestone in Ci genre. He carried forward Slow Ci (Slow Poetry), making them not only more varied in format but also richer in content. His innovative use of vivid colloquialisms in Ci has made Ci more accessible to the public.