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Hawaiian architecture is a distinctive architectural style developed and employed primarily in the Hawaiian Islands. Though based on imported Western styles, unique Hawaiian traits make Hawaiian architecture stand alone against other styles. Hawaiian architecture reflects the history of the islands from antiquity through the kingdom era, from its territorial years to statehood and beyond. The various styles through the history of Hawaii are telling of the attitudes and the spirit of its people. Hawaiian architecture is said to tell the story of how indigenous native Hawaiians and their complex society in ancient times slowly evolved with the infusion of new styles from beyond its borders, from the early European traders, the visiting whalers and fur trappers from Canada, the missions of the New Englanders and French Catholics, the communes of the Latter day Saints from Utah, the plantation labourer cultures from Asia to the modern international metropolis that Honolulu is today.

Within the body of Hawaiian architecture are various subsets of styles; each are considered typical of particular historical periods. The earliest form of Hawaiian architecture originates from what is called ancient Hawaii—designs employed in the construction of village shelters from the simple shacks of outcasts and slaves, huts for the fishermen and canoe builders along the beachfronts, the shelters of the working class makaainana, the elaborate and sacred heiau of kahuna and the palatial thatched homes on raised basalt foundation of the alii. The way a simple grass shack was constructed in ancient Hawaii was telling of who lived in a particular home. The patterns in which dried plants and lumber were fashioned together could identify caste, skill and trade, profession and wealth. Hawaiian architecture previous to the arrival of British explorer Captain James Cook used symbolism to identify religious value of the inhabitants of certain structures. Feather standards called kahili and koa adorned with kapa cloth and crossed at the entrance of certain homes called puloulou indicated places of alii (nobility caste). Kii enclosed within basalt walls indicated the homes of kahuna (priestly caste).

A hale (pronounced HAH lay) is a structure built using natural Hawaiian materials and designs that were prevalent during the 19th century in Hawaii. Hales are constructed using rock or wood for the lower frame and grass/leaves for roof thatching. In addition to his contributions to the development of Hawaiian renaissance architecture, Kalākaua experimented with various other styles. One of his other famous building projects is the completion of Iolani Barracks. Constructed adjacent to Iolani Palace and across the street from Aliiōlani Hale, Iolani Barracks housed the royal guards. It resembles a medieval castle with crenelated parapets and towers.

In the last years of the Hawaiian monarchy and early years of the territorial period, Hawaiian Romanesque architecture came into popular use. The style hearkened back to the European designs of the 11th and 12th centuries. Hawaiian Romanesque employed principles and forms used by Romans in later periods of the ancient empire. The difference was that Hawaiian builders used dark basalt boulders giving the appearance of a uniquely Hawaiian style. Such buildings typically used rounded arches, barrel vaults and groin vaults and cruciform piers for support. The various buildings of the Bernice P. Bishop Museum are in the Hawaiian Romanesque style.

In the 1920s and 1930s, Beaux Arts and Art Deco came to be known in Hawaii. Developed in France in the late 19th century, Beaux Arts is a form of neoclassicism that combines ancient Greek and Roman architectural styles and principles into a modern form. Likewise, Art Deco is considered to be a blanket modernization of all architectural styles. Hawaiian builders created Hawaiian Beaux Arts and Art Deco architecture by incorporating Hawaiian motifs and tropical treatments to the various parts of their projects. An example of Hawaiian Beaux Arts is the Waikiki Natatorium War Memorial in Waikīkī. The most famous examples of Hawaiian Art Deco are the Hawaii Theatre and the Schofield Barracks Historic District.

The Hawaii State Capitol is the centerpiece of Honolulu's collection of buildings in the Hawaiian international style of architecture. Developed in the 1920s and popularized in the 1960s, Bauhaus architecture became a widespread trend throughout the world. An American form of Bauhaus architecture called the international style was accepted in Hawaii and became a trend especially for downtown Honolulu office buildings. Bauhaus employed classical principles in their most simplified forms without the use of heavy ornamentation. Characteristic of Bauhaus were dull colors like white, gray, beige and black and embraced open floor plans. Bauhaus became an inspiration for Hawaii Governor John A. Burns in his plans to construct a new capitol building for his state. The Hawaii State Capitol was true to the traditions of Bauhaus in its use of clean lines, simple geometric shapes, pervasive use of black and the gray of concrete and the openness of the entire structure. But like all other architectural imports to Hawaii, Bauhaus was transformed into a uniquely Hawaiian style with the addition of several treatments. Hawaiian international architecture used precious indigenous koa wood for doors and furnishings and designs employed symbolism of natural Hawaiian phenomena. The capitol dome, for example, is designed to reflect the volcanic origins of the Hawaiian Islands. Beneath the dome is a mosaic by Tadashi Sato representing the frequently changing colors of the Hawaiian coastal waters. Tied into the ocean theme, the capitol is surrounded by water just as the Hawaiian Islands are surrounded. The main space of the capitol building is open to the environment with entrances facing the sea and the mountain, respectively. Architects: Belt, Lemmon & Low (Architects Hawaii Ltd.) and John Carl Warnecke

At the same time that the monarchy and various corporations developed Downtown Honolulu with their renditions of Hawaiian Renaissance styles, residential homes were being built in the outskirts of the city and elsewhere in the state. The style became known as Hawaiian plantation architecture featuring low profile wood frames, vertical plank siding and large porticos. Roofs were the most distinguishable parts of Hawaiian plantation structures as they were wide hipped or bellcast and had eaves that were deep bracketed. When viewed against the natural Hawaiian environment, Hawaiian plantation structures look as though they blend easily with their surroundings. The style gets its name from the sugarcane and pineapple plantations, which employed the design for labourer homesteads. By the 1970s and 1980s, the Hawaiian plantation style was headed toward extinction with the importation of popular trends from California and other western states. But a movement began in the late 1990s that revived the Hawaiian plantation style in a contemporary manner. The wide hipped or bell cast roofs were adapted for use in large scale construction projects like the renovation of Ala Moana Center, Victoria Ward Centers and the building of new towers at the Hawaiian Village Hotel. The style gained new popularity and were employed in new commercial and residential developments in West Oahu especially in the new city of Kapolei. Hawaiian plantation architecture became a signature style for Hawaii and is the most recognizable Hawaiian style being exported to other parts of the globe.

Only recently did Hawaii develop a skyscraper skyline with such projects as the First Hawaiian Tower at 1132 Bishop Street and the First Hawaiian Center at 999 Bishop Street, both in downtown Honolulu. Even skyscrapers in Hawaii could not be constructed without the addition of metaphors and symbolism tied to Hawaii's natural phenomena. For example, the First Hawaiian Center completed in 1996 employed horizontally louvered windows that framed views of the sea while vertically proportioned windows faced the mountains. A great deal of effort was made to incorporate as much natural light into the building interiors. Perhaps Norman Lacayo was the most influential architect of the late 20th century in downtown Honolulu. He was the architect for the iconic building, Harbor Court, the anchor of the redevelopment of the downtown waterfront. Harbor Court is a multi use building with restaurants in the lower floors and a split residential/office tower. No other building in Honolulu captures the romantic spirit of Hawaii. The stepping of the residential tower and the articulation of the office wing create a dynamic similar to the steep volcanic mountain range that borders the city. Although many of his residential towers are distributed throughout Honolulu, most are located along the Nuuanu corridor.

Charles William Dickey from as early as 1899 expressed the concern that an architecture suitable for Hawaii's environment be developed and it is this sensitivity for which his architecture is best remembered. He strove in his turn of the 20th century residential work to design houses in which "the culture of the people has asserted itself." He stressed the need for broad lānais, interior courtyards and fountains, and felt that the "California Mission" style of architecture "is certainly most appropriate for Hawaii." Continuing in the evolution of modern Hawaiian Architecture, a great number of contemporary architects have interpreted a "modern" version of Hawaiian Architecture Styles and Sensibilities.