Ванс: Өмір жолы мен шығармашылығының шолуы

American writer (1916–2013)

Vance's great grandfather is believed to have arrived in California from Michigan a decade before the Gold Rush and married a San Francisco woman. Vance's maternal grandfather, L. M. (Ludwig Mathias) Hoefler, was a successful lawyer in San Francisco. Vance described this era as a time of personal change: “Over a span of four or five years, I developed from an impractical little intellectual into a rather reckless young man, competent at many skills and crafts, and determined to try every phase of life.”

He worked as an electrician in the naval shipyards at Pearl Harbor, Hawaii, being paid "56¢ an hour," and worked for a time as part of a degaussing crew. The attack on Pearl Harbor took place about a month after he resigned his employment there. Weak eyesight prevented military service. He found a job as a rigger at the Kaiser Shipyard in Richmond, California, and enrolled in an Army Intelligence program to learn Japanese, but washed out. In 1943, he memorized an eye chart and became an able seaman in the Merchant Marine. including one around the world voyage, and often spent several months at a time living in places like Ireland, Tahiti, South Africa, Positano (in Italy) and on a houseboat on Lake Nagin in Kashmir. Vance began trying to become a professional writer in the late 1940s, as part of the San Francisco Renaissance, a movement of experimentation in literature and the arts. His first lucrative sale was one of the early Magnus Ridolph stories to Twentieth Century Fox, who also hired him as a screenwriter for the Captain Video television series. The proceeds supported the Vances for a year's travel in Europe. he subsequently completed an autobiography, which was published in July 2009.

Vance died on the morning of May 26, 2013, at the age of 96 in his home in the Oakland Hills. Vance's son John Holbrook Vance II described the cause as the complications of old age, saying "everything just finally caught up with him". Steven Gould, president of the Science Fiction Writers of America, described Vance as "one of the greatest science fiction and fantasy writers of the 20th century".

Vance made his debut in print with "The World Thinker", a 16 page story published by Sam Merwin in Thrilling Wonder Stories, Summer 1945. Vance wrote many science fiction short stories in the late 1940s and through the 1950s, which were published in magazines. Of his novels written during this period, a few were science fiction, but most were mysteries. Few were published at the time, but Vance continued to write mysteries into the early 1970s. In total, he wrote 15 novels outside of science fiction and fantasy, including the extended outline, The Telephone was Ringing in the Dark, published only by the VIE (Vance Integral Edition), and three books published under the Ellery Queen pseudonym. Some of these are not mysteries, such as Bird Isle, and many fit uneasily in the category. These stories are set in and around his native San Francisco, except for one set in Italy and another in Africa. Two begin in San Francisco but take to the sea. Many themes important to his more famous science fiction novels appeared first in the mysteries. The most obvious is the "book of dreams", which appears in Bad Ronald and The View from Chickweed's Window, prior to being featured in The Book of Dreams. The revenge theme is also more prominent in certain mysteries than in the science fiction (The View from Chickweed's Window in particular). Bad Ronald was adapted to a TV film of the same name aired on ABC in 1974, as well as a French production (Méchant garçon) in 1992; this and Man in the Cage are the only works by Vance to be made into film to date. Certain of the science fiction stories are also mysteries, penned using his full name John Holbrook Vance, three under the house pseudonym Ellery Queen, and one each using the pseudonyms Alan Wade, Peter Held, John van See, and Jay Kavanse. Some editions of his published works give his year of birth as 1920. In addition to the comic Magnus Ridolph stories, two major stories feature the effectuator Miro Hetzel, a futuristic detective, and Araminta Station is largely concerned with solving various murders. Vance returned to the "dying Earth" setting (a far distant future in which the sun is slowly going out, and magic and technology coexist) to write the picaresque adventures of the ne'er do well scoundrel Cugel the Clever, and those of the magician Rhialto the Marvellous. These books were written in 1963, 1978 and 1981. His other major fantasy work, Lyonesse (a trilogy comprising Suldrun's Garden, The Green Pearl, and Madouc), was completed in 1989 and set on a mythological archipelago off the coast of France in the early Middle Ages. Vance's stories written for pulps in the 1940s and 1950s covered many science fiction themes, with a tendency to emphasize mysterious and biological themes (ESP, genetics, brain parasites, body switching, other dimensions, cultures) rather than technical ones. Robots, for example, are almost entirely absent, though the short story "The Uninhibited Robot" features a computer gone awry. Many of the early stories are comic. By the 1960s, Vance had developed a futuristic setting that he came to call the Gaean Reach, a fictional region of space settled by humans. Thereafter, all his science fiction was, more or less explicitly, set therein.

When asked about literary influences, Vance most often cited Jeffery Farnol, a writer of adventure books, whose style of "high" language he mentions (the Farnol title Guyfford of Weare being a typical instance); P. G. Wodehouse, an influence apparent in Vance's taste for overbearing aunts; and L. Frank Baum, whose fantasy elements were directly borrowed by Vance (see The Emerald City of Oz). In the introduction to Dowling and Strahan's The Jack Vance Treasury, Vance mentions that his childhood reading including Edgar Rice Burroughs, Jules Verne, Robert W. Chambers, science fiction published by Edward Stratemeyer, the magazines Weird Tales and Amazing Stories, and Lord Dunsany. Fantasy historian Lin Carter notes several probable lasting influences of Cabell on Vance's work, and suggests that the early "pseudo Cabell" experiments bore fruit in The Dying Earth (1950). SF critic Don Herron cites Clark Ashton Smith as an influence on Vance's style and characters' names.

Vance's science fiction runs the gamut from stories written for pulps in the 1940s to multi volume tales set in the space age. Scott Bradfield states that Vance "wrote about incomprehensibly far off futures that weren’t driven by the splashy intergalactic military conflicts of his Golden Age predecessors, such as E. E. Doc Smith or Robert A. Heinlein. Instead, Vance’s futures are marked by rich, panoramic socioeconomic systems." While Vance's stories have a wide variety of temporal settings, a majority of them belong to a period long after humanity has colonized other stars, culminating in the development of a fictional region of interstellar space called the Gaean Reach. In its early phase, exhibited by the Oikumene of the Demon Princes series, this expanding, loose and pacific agglomerate has an aura of colonial adventure, commerce and exoticism. Later it becomes peace loving and stolidly middle class. Vance's stories are seldom concerned directly with war and the conflicts are rarely direct. If there are battles, such as in the slave revolt against the nobility at the end of The Last Castle, they are depicted in an abbreviated length, as Vance is more interested in the social and political context than the clashing of swords. Sometimes at the edges of the Reach or in the lawless areas of Beyond, a planet is menaced or craftily exploited. Some more extensive battles are described in The Dragon Masters, The Miracle Workers, and the Lyonesse Trilogy, in which medieval style combat abounds. His characters usually become inadvertently enmeshed in low intensity conflicts between alien cultures; this is the case in Emphyrio, the Tschai series, the Durdane series, and the comic stories in Galactic Effectuator, featuring Miro Hetzel. Personal, cultural, social, or political conflicts are the central concerns. This is most particularly the case in the Cadwal series, though it is equally characteristic of the three Alastor books, Maske: Thaery, and, one way or another, in most of his science fiction novels. Another way in which Vance expands the usually narrow focus of most speculative fiction writers is the extensive details ranging from the culture of language to food, music, and rituals. In The Languages of Pao, after a planet with a passive, lazy and backwards culture is invaded and occupied, the planet's leader orders three new languages developed, to make his people more aggressive, industrious and inventive. In the short story "The Moon Moth", natives must master a number of musical instruments in order to communicate with each other. Spoken words are modulated to acquire different meanings, or may be said to be given full meaning (respect, derision or sarcasm), by means of the musical sounds. These fascinating details paint a far more detailed and complex picture of life and cultures in his books. The "Joe Bain" stories (The Fox Valley Murders, The Pleasant Grove Murders, and an unfinished outline published by the VIE) are set in an imaginary northern California county; these are the nearest to the classical mystery form, with a rural policeman as protagonist. Bird Isle, by contrast, is not a mystery at all, but a Wodehousian idyll (also set near San Francisco), while The Flesh Mask or Strange People  emphasize psychological drama. The theme of both The House on Lily Street and Bad Ronald is solipsistic megalomania, taken up again in the Demon Princes cycle of science fiction novels. Three books published under the house name Ellery Queen were written to editorial requirements and heavily revised by the publisher. (Volume 45 of The Vance Integral Edition contains the original text for the three Ellery Queen novels. Vance previously refused to acknowledge them for their degree of rewriting.) Four others reflect Vance's world travels: Strange People, Queer Notions based on his stay in Positano, Italy; The Man in the Cage, based on a trip to Morocco; The Dark Ocean, set on a merchant marine vessel; and The Deadly Isles, based on a stay in Tahiti. The mystery novels reveal much about Vance's evolution as a science fiction and fantasy writer. He stopped working in the mystery genre in the early 1970s, except for science fiction mysteries; see below. Bad Ronald is especially noteworthy for its portrayal of a trial run for Howard Alan Treesong of The Book of Dreams. The Edgar Award winning The Man in the Cage is a thriller set in North Africa at around the period of the French Algerian war. A Room to Die In is a classic 'locked room' murder mystery featuring a strong willed young woman as the amateur detective. Bird Isle, a mystery set at a hotel on an island off the California coast, reflects Vance's taste for farce. Vance's two rural Northern California mysteries featuring Sheriff Joe Bain were well received by the critics. The New York Times said of The Fox Valley Murders: "Mr. Vance has created the county with the same detailed and loving care with which, in the science fiction he writes as Jack Vance, he can create a believable alien planet." And Dorothy B. Hughes, in The Los Angeles Times, wrote that it was "fat with character and scene". As for the second Bain novel, The New York Times said: "I like regionalism in American detective stories, and I enjoy reading about the problems of a rural county sheriff and I bless John Holbrook Vance for the best job of satisfying these tastes with his wonderful tales of Sheriff Joe Bain  ". Vance has also written mysteries set in his science fiction universes. An early 1950s short story series features Magnus Ridolph, an interstellar adventurer and amateur detective who is elderly and not prone to knocking anyone down, and whose exploits appear to have been inspired, in part, by those of Jack London's South Seas adventurer, Captain David Grief. The "Galactic Effectuator" novelettes feature Miro Hetzel, a figure who resembles Ridolph in his blending of detecting and troubleshooting (the "effectuating" indicated by the title). A number of the other science fiction novels include mystery, spy thriller, or crime novel elements: The Houses of Iszm, Son of the Tree, the Alastor books Trullion and Marune, the Cadwal series, and large parts of the Demon Princes series. According to writer Michael Chabon, "Jack Vance is the most painful case of all the writers I love who I feel don’t get the credit they deserve. If ‘The Last Castle’ or ‘The Dragon Masters’ had the name Italo Calvino on it, or just a foreign name, it would be received as a profound meditation, but because he's Jack Vance and published in Amazing Whatever, there's this insurmountable barrier." Vance fans developed a website called Totality (pharesm. org), which enables users to do electronic searches of the Vance Integral Edition texts. The texts and titles used are those preferred by the author. In 2010, Afton House Books presented The Complete Jack Vance in six large volumes using texts prepared by the Vance Integral Edition. Volume six has a table of contents for the volumes; otherwise there is no exegesis. Issues of the project's magazine Cosmopolis describe the production process (of interest to anyone wishing accurate transcription of scanned text) and the detection of some surprising errors such as the scanning of "and" being recognised as "arid" (Cosmopolis 17, page 8) yet resulting in a sentence that is both grammatically acceptable and plausible in context: "It was hot, arid dusty." Similarly, there is no bibliography of where the stories have previously been published. Cover art may be found via :Category:Jack Vance book cover images or and many others. In 2012, Spatterlight Press started offering DRM free e books editions of many of the works of Jack Vance, based on the source texts collected by the Integral Edition project. It is the intent of Spatterlight Press to publish the complete Integral Edition in e book form, and also as print on demand paperbacks. Gollancz use the VIE texts in their "SF Gateway" e ditions starting in 2012.

A Quest for Simbilis by Michael Shea (DAW, NY, 1974) (authorised sequel of the Cugel novel Eyes of the Overworld although Vance later wrote his own sequel Cugel the Clever; Shea also wrote Nifft the Lean (DAW, NY, 1982), and The Mines of Behemoth (1997) about a Cugel like character; and In Yana, the Touch of Undying (DAW, NY, 1985) which is also Vancian. A Quest for Simbilis was reprinted in 2020 by Spatterlight Press under the "Paladins of Vance" label.). The Archonate series by Matthew Hughes (beginning with Fools Errant (Aspect Books, 2001)) is set in a Vancean universe which at long intervals changes between running on science and rational cause and effect to magic and sympathetic association, with cataclysmic effects for its inhabitants. Stories set before this change, including the Henghis Hapthorn and Luff Imbry series, take place in a futuristic space opera setting reminiscent of Vance's Gaean Reach while those set after, including the Raffalon and Baldemar series, are in the Dying Earth subgenre. Hughes also published an authorised sequel to the Demon Princes series with Spatterlight Press under the "Paladins of Vance" label; titled Barbarians of the Beyond, the book was released in summer 2021. Phaedra: Alastor 824 by Tais Teng (Spatterlight Press, 2019) (authorised Alastor Cluster novel under the "Paladins of Vance" label.) Dinosaur Park by Hayford Peirce (Tor, NY, 1994). Fane by David M. Alexander (longtime Vance friend). (Pocket Books, NY, 1981). The Pharaoh Contract (Bantam, 1991), Emperor of Everything (Bantam, 1991), Orpheus Machine (Bantam, 1992) by Ray Aldridge. Gene Wolfe has acknowledged that The Dying Earth influenced his The Book of the New Sun. Dan Simmons's Hyperion Cantos has many echoes of Vance, explicitly acknowledged in one of the later books. The Golden Age by John C. Wright has some similarities to Jack Vance's works, including an ornamented language, and a baroque and sterile culture toppled by a lone individualist. The Arbiter Tales (1995–1996), three novels by L. Warren Douglas, were strongly influenced by Vance's Alastor Cluster stories. (Douglas's first novel, A Plague of Change (1992), is dedicated to Jack Vance. edited by George R. R. Martin and Gardner Dozois, both avid Vance fans. The Dungeons & Dragons role playing game and associated literature used a magic system inspired in part by Jack Vance's Dying Earth series: notably, magic users in the game forget spells they have learned immediately upon casting them, and must re study them in order to cast them again; indeed, this whole system of magic is commonly known as 'Vancian Magic'. The Dying Earth and The Eyes of the Overworld are featured in the "Appendix N: Inspirational and Educational Reading" section of the 1st edition of the Dungeon Masters Guide and in "Appendix E: Inspirational Reading" the 5th edition of the Player's Handbook. One of the prominent villains in the game, Vecna, is named after Vance, his name being an anagram of the author's surname. Other role playing games include: Lyonesse, Dying Earth, Fallen London, and Talislanta (originally designed by Stephen Michael Sechi). A Song of Ice and Fire by George R. R. Martin has a minor character, "Lord Vance of Wayfarer's Rest", with daughters named Liane, Rhialta, and Emphyria for Liane the Wayfarer, Rhialto the Marvellous, and Emphyrio, respectively. Intergalactic Words: Articles for Consideration (2011), a series of articles by Joseph Wykel, is strongly influenced by Vance, particularly the article Solo Ball Future about the dying sun.