Токионың Зōдзё-дзи буддалық ғибадатханасы

Buddhist temple in Tokyo, Japan

Zōjō ji (増上寺) is a Jōdo shū Buddhist temple in Tokyo, Japan. It is the main temple of the Jōdo shū ("Pure Land") Chinzei sect of Buddhism in the Kantō region,. Its mountain name is San'en zan (三縁山). Zōjō ji is notable for its relationship with the Tokugawa clan, the rulers of Japan during the Edo period, with six of the Tokugawa shōguns being buried in the Taitoku in Mausoleum in the temple grounds. Also, the temple's Sangedatsumon (main gate) is the oldest wooden building in Tokyo, dating from 1622. The original buildings, temples, mausoleums and the cathedral were destroyed by fire, natural disasters or air raids during World War II. It is located in the Shiba neighborhood of Minato. The Shiba Park is built around the temple, with the Tokyo Tower standing beside it. In 2015 a Treasure Gallery was opened on the underground level of the Daiden (great hall), and it currently houses paintings of Kanō Kazunobu and a model of the Taitoku in Mausoleum. The temple remains active "as the main temple of Jodo shu and the central nembutsu seminary for priests and novices."

Shūei (宗叡, 809 884), a disciple of Kūkai, founded a temple named Kōmyō ji (光明寺) at Kaizuka (貝塚, present day Kōjimachi in Chiyoda, Tokyo); it is said to have been the forerunner of Zōjō ji. In 1393, during the Muromachi period, the temple, under its abbot Yūyo Shōsō, converted from Shingon to the Jōdo school. Shōsō is thus regarded as the founder of Zōjō ji. Together with Kan'ei ji, during the Edo period Zōjō ji was the Tokugawa's family temple. Tokugawa Ieyasu had the temple moved, first to Hibiya, then in 1590, at the time of expansion of Edo Castle, to its present location. With the fall of the Tokugawa shogunate, the grounds took on the character of a public park. The temple was badly damaged in World War II, but still retains the air of a major temple.

At its peak the temple grounds had more than 120 buildings, but following the decline of Buddhism during the Meiji period (1868 1912), most of them burned during the Bombing of Tokyo in World War II. Reconstruction began after the war, with the Daiden (great hall) being rebuilt in 1974. The temple's only original structure to survive the Second World War, it has been designated an Important Cultural Property. "San" (三) means "three", and "Gedatsu" (解脱) means "Moksha". If someone passes through the gate, he can free himself from three passions (貪 Ton; "greed", 瞋 Shin; "hatred", 癡 Chi; "foolishness"). The Taitoku in Mausoleum of Hidetada (and the monument to his wife Sūgen'in), Ienobu, and Ietsugu had been designated National Treasures of Japan, but were burned in World War II. At present, parts of two of their graves have the distinction of being Important Cultural Properties of Japan. Additional graves are located in the cemetery behind the Great Hall. Parts of the former grounds of the temple are now occupied by a park and two hotels. Tokugawa Iemochi also Iemochi's wife, Kazu no Miya Chikako also buried in Zozo ji.

In one particular garden at the cemetery, rows of stone statues of children represent unborn children, including miscarried, aborted, and stillborn children. Parents can choose a statue in the garden and decorate it with small clothing and toys. Usually the statues are accompanied by a small gift for Jizō, the guardian of unborn children, to ensure that they are brought to the afterlife. Occasionally stones are piled by the statue; this is meant to ease the journey to the afterlife.

There is no admission fee for visitors to enter the temple complex. For the Treasure Gallery museum the access fee is (as of 2017, 700 yen). The entrance is at a 10 minute walk from Hamamatsucho Station on the JR Yamanote and Keihin Tōhoku Lines, a 6 minute walk from Daimon Station on the Toei Asakusa and Toei Oedo Lines, a 3 minute walk from Onarimon and Shibakoen Stations on the Toei Mita Line, and about 500 meters from the Shibakoen exit of the Shuto Expressway.

Zōjō ji was depicted multiple times in the art work of the Shin hanga artist Kawase Hasui during the 1920s and 30s. It was also shown in several ukiyo e prints by Hiroshige, in particular twice in his famous One Hundred Famous Views of Edo series from 1856–1858.