The Beatles – "Across the Universe" туралы мақала

1969 song by the Beatles
the song by the Beatles

"Across the Universe" is a song by the English rock band the Beatles. It was written by John Lennon and credited to Lennon–McCartney. The song first appeared on the 1969 various artists' charity compilation album No One's Gonna Change Our World and later, in a different form, on their 1970 album Let It Be, the group's final released studio album. The original version featured on two different albums both titled Rarities: a 1978 British release and a 1980 US release. It was also included on their 1988 album Past Masters, Volume Two. The song has been covered by many artists, including David Bowie on his 1975 album Young Americans, which featured contributions from Lennon.

On a standard tuned guitar (EADGBE) the song is played in the key of D; however, the recording was slowed electronically, resulting in a lower C# tuning to the ear. The verse beginning "Words are flowing out" (I (D) chord) is notable for a prolonged vi (Bm)–iii (F♯m) to ii7 (Em7) minor drop to the dominant chord V7 (A7) on "across the universe" in the 4th bar. On the repeat of this chord sequence a turn following the ii7 (Em7) through a iv minor (Gm) brings the verse to a close before moving on directly to the tonic on the "Jai Guru Deva Om" refrain. The vi–ii minor drop leading to V was also used in "I Will" (on "how long I've loved you") and George Harrison had utilised a shorter vi–iii minor alternation to delay getting back to the dominant (V) in "I Need You". The verse beginning "Words are flowing out like endless rain " is also notable for the suitably breathless phrasing and almost constant 8th note rhythm (initially four D melody notes, then C#, B, A, B).

+Complete recording and mixing history Date Activity 4 February 1968 Takes one–two and four–seven recorded. Overdub onto take seven. Reduction into take eight. Overdub onto take eight. Sound effects on takes one–three. 8 February 1968 Overdub onto take eight. Mono mixing from take eight. January 1969 Overdubs onto take eight. Mono mixing from take eight. Version planned for the album No One's Gonna Change Our World. 2 October 1969 Bird sounds overdubbed onto take eight. Stereo mixing from take eight. Version released on the album No One's Gonna Change Our World and later on Past Masters. 5 January 1970 Stereo mixing from take eight. Version to have been released on 5 January Get Back album. 23 March 1970 Stereo mixing from take eight. 1 April 1970 Reduction into take nine. Orchestral and choral overdubs onto take nine. 2 April 1970 Stereo mixing from take nine. Version released on the Let It Be album.

In February 1968, the Beatles convened at the EMI Abbey Road studios to record a single for release during their absence on their forthcoming trip to India. Paul McCartney had written "Lady Madonna", and Lennon had "Across the Universe". Both tracks were recorded along with Lennon's "Hey Bulldog" and the vocal track for Harrison's "The Inner Light" between 3 and 11 February. The basic track was taped on 4 February. Along with acoustic guitar, percussion and tambura, it featured an overdubbed sitar introduction by Harrison. Deciding the song needed a high pitched voice to sing the refrain "Nothing's gonna change my world", McCartney approached fans waiting outside the studio and asked if anyone could hold a high note. Lizzie Bravo and Gayleen Pease answered yes. Shortly after, the band's road manager, Mal Evans, came out and ushered the two girls into the recording studio to record the backing vocals. Although the girls' voices are not heard on the version of "Across the Universe" on the album Let It Be, their background vocals are heard on the albums No One's Gonna Change Our World, Rarities and Past Masters. Lennon was still not satisfied with the feel of the track, and several sound effects were taped, including 15 seconds of humming and a guitar and a harp like sound, both to be played backwards; however, none of these were used on the released version. The track was mixed to mono and put aside as the group had decided to release "Lady Madonna" and "The Inner Light" as the single. On their return from India, the group set about recording the many songs they had written there, and "Across the Universe" remained on the shelf. In the autumn of 1968, the Beatles seriously considered releasing an EP including most of the songs for the Yellow Submarine album and "Across the Universe", and went as far as having the EP mastered.

During the February 1968 recording sessions, Spike Milligan dropped into the studio and, on hearing the song, suggested the track would be ideal for release on a charity album he was organising for the World Wildlife Fund. At some point in 1968, the Beatles agreed to this proposal. In January 1969, the best mono mix was remixed for the charity album. In keeping with the "wildlife" theme of the album, sound effects of birds were added to the beginning and end. The original (mono) mix from February 1968 is 3:37 in length. After the effects were added, the track was sped up so that even with 20 seconds of effects, it is only 3:49. Speeding up the recording also raised the key to E flat.

A previously unreleased February 1968 alternative take of the song (recorded before the master), without heavy production, appeared on Anthology 2 in 1996. This is often referred to as the "psychedelic" recording because of the strong Indian sitar and tambura sound, and illustrates the band's original uncertainty over the best treatment for the song. The February 1968 master was remixed again for inclusion on Let It Be Naked in 2003, at the correct speed but stripped of most of the instrumentation and digitally processed to correct tuning issues. In 2018, take 6 of the song was released on The Beatles: 50th Anniversary Edition (also known as the "White Album"). This version is a bit more sparse than the Let It Be Naked version and lasts 15 seconds longer.

Lennon was unhappy with the song as it was recorded. In his 1980 Playboy interview, Lennon says that the Beatles "didn't make a good record of it" and says of the Let It Be version that "the guitars are out of tune and I'm singing out of tune and nobody's supporting me or helping me with it and the song was never done properly". He further accused McCartney of ruining the song:

Music critic Richie Unterberger of AllMusic said the song was "one of the group's most delicate and cosmic ballads" and "one of the highlights of the Let It Be album". Music critic Ian MacDonald was critical of the song, calling it a "plaintively babyish incantation" and saying "its vague pretensions and listless melody are rather too obviously the products of acid grandiosity rendered gentle by sheer exhaustion".

On 4 February 2008, at 00:00 UTC, NASA transmitted the Interstellar Message "Across the Universe" in the direction of the star Polaris, 431 light years from Earth. The transmission was made using a 70 metre antenna in the Deep Space Network's Madrid Deep Space Communication Complex, located outside of Madrid, Spain. It was done with an "X band" transmitter, radiating into the antenna at 18 kW. This was done to celebrate the 40th anniversary of the song's recording, the 45th anniversary of the Deep Space Network (DSN), and the 50th anniversary of NASA. The idea was hatched by Beatles historian Martin Lewis, who encouraged all Beatles fans to play the track as it was beamed to the distant star. The event marked the first time a song had ever been intentionally transmitted into deep space, and was approved by McCartney, Yoko Ono, and Apple Corps.

"Across the Universe" was covered by English singer songwriter David Bowie in 1975 on his ninth studio album Young Americans. He recorded his cover at Electric Lady Studios in New York City in January 1975, on the same day as "Fame". A blue eyed soul reworking, his cover is notable for featuring Lennon on guitar and backing vocals. The cover also features Carlos Alomar and Earl Slick on guitar and backing vocals, Emir Ksasan on bass guitar, and Dennis Davis on drums. Reflecting on his contribution, Lennon later said: "I thought, great, because I'd never done a good version of that song myself. It's one of my favourite songs, but I didn't like my version of it." Bowie concurred, calling the Beatles' original version "very watery" and wanting to "hammer the hell out of it." Bowie's cover of "Across the Universe" has received predominantly negative reviews from music critics and biographers. Douglas Wolk of Pitchfork calls it "the album's one genuine embarrassment, Vegas y and bathetic." Biographer Chris O'Leary agrees, calling it "one of his most utterly tasteless recordings." Author Peter Doggett similarly describes it as "bombastic", "mannered", and a "bizarre way of impressing Lennon." Despite being generally regarded as one of Bowie's low points in his "golden years", biographer Nicholas Pegg gave the recording a positive review, calling it "exquisitely beautiful".

In 1998, Fiona Apple recorded and released the song as part of the Pleasantville motion picture soundtrack. Pitchfork named it Apple's best cover, highlighting how it suits the film. In 2002, Rufus Wainwright recorded a cover version for the film I Am Sam. In 2005, Alicia Keys, Alison Krauss, Billie Joe Armstrong, Bono, Brian Wilson, Norah Jones, Steven Tyler, Stevie Wonder, Tim McGraw and Velvet Revolver performed a cover at the 47th Grammy Awards. The performance was recorded as a tribute to the 2004 tsunami victims. It was released on 13 February 2005 and debuted at number 22 on the Billboard Hot 100 chart as a digital download. In 2011, Beady Eye released a cover of "Across the Universe" as a charity single available to download through their website from 4 April 2011 until 17 April 2011. All proceeds from the sale of the track went directly toward the British Red Cross Japan Tsunami Appeal. The single charted at #88 in the UK. In 2019, Norwegian singer Aurora recorded a Like a Version for Australian radio station Triple J. In 2023, this version was voted by the public as one of the 100 best Like a Versions of all time.