Құдайыларға жалбарынушылар (Qudayylarğa jalbarynuşılar)

Play by Aeschylus
the play of the same name by Euripides

The Suppliants (Ἱκέτιδες, Hiketides; Latin: Supplices), also called The Suppliant Maidens, The Suppliant Women, or Supplices is a play by Aeschylus. It was probably first performed "only a few years previous to the Oresteia, which was brought out 458 BC." It seems to be the first play in a tetralogy, sometimes referred to as the Danaid Tetralogy, which probably included the lost plays The Egyptians (also called Aigyptioi), and The Daughters of Danaus (also called The Danaïdes or The Danaids), and the satyr play Amymone. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid twentieth century shows it one of Aeschylus' last plays, definitely written after The Persians and possibly after Seven Against Thebes. One reason The Suppliants was thought to be an early play was "its preponderance of choral lyric, . a succession of choral odes that are among the densest, most opulent, most purely lovely things in all Greek poetry." Greek tragedies—The Suppliants and Sophocles' Philoctetes, for example—do not always end with the downfall of the protagonist. Rather, the agony of the Danaids in fleeing a forced marriage is essentially tragic. And Pelasgus is faced with the choice of protecting the suppliants, which would likely involve a war with Egypt; or rejecting their plea for protection, which would mean offending Zeus, who supports suppliants, and who might well punish him and his country in response. Furthermore, the suppliants threaten to commit suicide if their plea is rejected, which would bring ritual pollution on the city and its people and draw down the anger of Zeus upon them. The plays ends with the success of the suppliants and the deferral of any war with Egypt. But this is only a temporary reprieve, and the following plays of the tetralogy continue, probably, with a war between Argos and Egypt, followed by other tragic events and dilemmas.

The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaids reach Argos from Egypt, they take refuge in a sanctuary of several gods, outside the city, and they entreat King Pelasgus to protect them. The girls are descended several generations back from Zeus and Io, an Argive princess seduced by Zeus and then driven by Hera to Egypt, so they claim Argos as their ancestral homeland, and they recognize and supplicate the Greek gods. The Danaids tell King Pelasgus that if he refuses their plea, they will commit suicide by hanging themselves on the statues of the gods at the sanctuary. Pelasgus wants to help them, but he doesn't want to start a war with Egypt. He gives the decision to the Argive people, who unanimously decide in the favour of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek deities. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. The play ends with the Danaids retreating into the Argive walls, protected.

The remaining plays of the tetralogy have been mostly lost. However, one significant passage from The Danaids has been preserved. This is a speech by the goddess of love Aphrodite praising the marriage between the sky (the groom) and the earth (the bride) from which rain comes, nourishing cattle, corn, and fruits. As the plot of the remaining plays has been generally reconstructed, following a war with the Aegyptids in which Pelasgus has been killed, Danaus becomes tyrant of Argos. The marriage is forced upon his daughters, but Danaus instructs them to murder their husbands on their wedding night. All do except for Hypermnestra, whose husband, Lynceus, flees. Danaus imprisons or threatens to kill Hypermnestra for her disobedience, but Lynceus reappears and kills Danaus; Lynceus becomes the new king of Argos, with Hypermnestra as his queen. Opinions differ as to the ending, although certainly Aphrodite was involved in the denouement. One opinion is that Lynceus now must decide how to punish the forty nine homicidal Danaids, when Aphrodite appears in deus ex machina fashion and absolves them of the murders, as they were obeying their father; she then persuades them to abandon their celibate ways, and the trilogy closes with their marriages to forty nine local Argive men. An alternative opinion is that Hypermnestra is put on trial for disobeying her father and Aphrodite successfully defends her similarly to Apollo's defense of Orestes in Oresteia. The trilogy was followed by the satyr play Amymone, which comically portrayed a seduction of one of the Danaids by Poseidon.