Жапондық дәстүрлі жылжымалы сақтау шкафтары (Tansu)

Traditional Japanese mobile storage cabinets

([[Wiktionary:箪笥) are traditional Japanese mobile storage cabinets. Tansu are commonly used for the storage of clothing, particularly kimono. Tansu were first recorded in the Genroku era (1688–1704) of the Edo period (1603–1867). The two characters, (箪) and (笥), appear to have initially represented objects with separate functions: the storage of food and the carrying of firewood. Since the radical for bamboo (竹) appears in each of these characters, it may be surmised that bamboo, and not wood, was the original material used in tansu. As tansu gradually became a feature of Japanese culture and daily life, both hard and softwoods were used by tansuya (tansu craftsmen), often in combination for a single chest. Woods commonly used in tansu included Zelkova serrata (elm); ; keyaki, Japanese chestnut; ; kuri, pine; ; ezo matsu, Cryptomeria (cedar); ; sugi, Paulownia tomentosa; ; kiri and Chamaecyparis obtusa (cypress); ; hinoki. Tansu are collectable, and many collectors focus on finding genuine antique tansu. There are just a few workshops who produce tansu in imitation of the classic antiques, due to the high cost of materials and the very low prices of second hand tansu. Larger chests are sometimes reduced in size, particularly futon chests, step chests and other chests with deep drawers. Some reproduction tansu have been made in Korea using elm veneer.

Tansu were rarely used as stationary furniture. Consistent with traditional Japanese interior design, which featured a number of movable partitions, allowing for the creation of larger and smaller rooms within the home, tansu would need to be easily portable, and were not visible in the home except at certain times for specific situations. Tansu were typically kept in [[kura (storehouse) (storehouses) adjacent to homes or businesses, in nando (storage rooms), in oshiire (house closet alcoves), and on choba (a raised platform area of a shop). Tansu would also be kept on some sengokubune (coastal ships). Mobility was obtained through the use of attached wheels, iron carry handles or protruding structural upper rails for lifting. Because the Edo period was feudal in its socio economic structure, rules concerning the ownership of goods dominated all classes, from peasant to samurai. Travelling was regulated and conspicuous consumption discouraged through sumptuary laws. Tansu from this time primarily reflect the class and occupation of the owner rather than any regionally inspired originality. With the coming of the Meiji Restoration of imperial authority in 1868, and the gradual disintegration of the rigid class structure, distinctive regional characteristics in tansu construction and design began to flourish.

During the Edo period (1603–1867), the type of tansu a person owned and used was largely determined by social class.

During the Meiji period (1868–1911), the design of tansu developed further, seeing more regional diversification following the abolition of the feudal class system in Japan.

Tansu finishes fall into two categories: dry and lacquered. For a dry finish, clay or chalk powder was rubbed into the soft wood surface (Paulownia, Cryptomeria or cypress) then burnished with an Eulalia root whisk. For lacquer (Rhus verniciflua), application could be only for sealing the plain wood to enhance a natural visible grain or for the creation of a perfect opaque surface.