Жапония тарихындағы Асука кезеңі (538-710 жж.)

Period of Japanese history from 538 CE to 710 CE

The Asuka period (飛鳥時代) was a period in the history of Japan lasting from 538 to 710, although its beginning could be said to overlap with the preceding Kofun period. The Yamato polity evolved greatly during the Asuka period, which is named after the Asuka region, about south of the modern city of Nara. The Asuka period is characterized by its significant artistic, social, and political transformations, having their origins in the late Kofun period. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from Wa (Japan) (Wa) to Nihon (Nippon).

The term "Asuka period" was first used to describe a period in the history of Japanese fine arts and architecture. It was proposed by fine arts scholars Sekino Tadasu (関野貞) and Okakura Kakuzō around 1900. Sekino dated the Asuka period as ending with the Taika Reform of 646. Okakura, however, saw it as ending with the transfer of the capital to the Heijō Palace of Nara. Although historians generally use Okakura's dating, many historians of art and architecture prefer Sekino's dating and use the term "Hakuhō period (白鳳時代)" to refer to the successive period.

From the Asuka period in the 6th century, as a sub division of the Yamato period (大和時代), is the first time in Japanese history when the Emperor of Japan ruled relatively uncontested from modern day Nara Prefecture, then known as Yamato Province. The second half of the Kofun period, exercised power over clans in Kyūshū and Honshū, bestowing titles, some hereditary, on clan chieftains. The Yamato name became synonymous with all of Japan as the Yamato rulers suppressed other clans and acquired agricultural lands. Based on Chinese models (including the adoption of the Chinese written language), they developed a central administration and an imperial court attended by subordinate clan chieftains but with no permanent capital. By the mid seventh century, the agricultural lands had grown to a substantial public domain, subject to central policy. The basic administrative unit of the Gokishichidō (五畿七道) system was the county, and society was organized into occupation groups. Most people were farmers; others were fishers, weavers, potters, artisans, armorers, and ritual specialists.

The Soga clan intermarried with the imperial family, and by 587 Soga no Umako, the Soga chieftain, was powerful enough to install his nephew as emperor and later to assassinate him and replace him with the Empress Suiko (r. 593–628). Suiko, the first of eight sovereign empresses, is sometimes considered a mere figurehead for Umako and Prince Regent Shōtoku Taishi (574–622). However she wielded power in her own right, and the role of Shōtoku Taishi is often exaggerated to the point of legend. Shōtoku, recognized as a great intellectual of this period of reform, was a devout Buddhist and was well read in Chinese literature. He was influenced by Confucian principles, including the Mandate of Heaven, which suggested that the sovereign ruled at the will of a supreme force. Under Shōtoku's direction, Confucian models of rank and etiquette were adopted, and his Seventeen article constitution prescribed ways to bring harmony to a chaotic society in Confucian terms. In addition, Shōtoku adopted the Chinese calendar, developed a system of trade roads (the aforementioned Gokishichidō), built numerous Buddhist temples, had court chronicles compiled, sent students to China to study Buddhism and Confucianism, and sent Ono no Imoko to China as an Imperial Japanese embassies to China (emissary). As a result, Japan in this period received no title from Chinese dynasties, while they did send tribute (有貢無封). From the Chinese point of view, the class or position of Japan was demoted from previous centuries in which the kings received titles. On the other hand, Japan loosened its political relationships with China and consequently established extraordinary cultural and intellectual relationships.

About twenty years after the deaths of Shōtoku Taishi (in 622), Soga no Umako (in 626), and Empress Suiko (in 628), court intrigues over succession led to a palace coup in 645 against the Soga clan's monopolized control of the government. The revolt was led by Prince Naka no Ōe and Nakatomi no Kamatari, who seized control of the court from the Soga family and introduced the Taika Reform. The ritsuryō system was codified in several stages. The Ōmi Code, named after the provincial site of Emperor Tenji's court, was completed in about 668. Further codification took place with the promulgation by Empress Jitō in 689 of the Asuka Kiyomihara Code, named for the location of the late Emperor Temmu's court. The ritsuryō system was further consolidated and codified in 701 under the Taihō Code, which, except for a few modifications and being relegated to primarily ceremonial functions, remained in force until 1868. The Taihō Code provided for Confucian model penal provisions (light rather than harsh punishments) and Chinese style central administration through the Jingi kan (神祇官), which was devoted to Shinto and court rituals, and the Daijō kan (太政官), with its eight ministries (for central administration, ceremonies, civil affairs, the imperial household, justice, military affairs, people's affairs, and the treasury). Although the Chinese style civil service examination system was not adopted, the college office (大学寮) was founded for training future bureaucrats based on the Confucian classics. Tradition circumvented the system, however, as aristocratic birth continued to be the main qualification for higher position, and titles were soon hereditary again. The Taihō Code did not address the selection of the sovereign. Several empresses reigned from the fifth to the eighth centuries, but after 770 succession was restricted to males, usually from father to son, although sometimes from ruler to brother or uncle. Chinese priests also took an active part as linguistic specialists, and received rewards two times from Empress Jitō.

Chinese culture had been introduced to Japan by the Three Kingdoms of Korea before the imperial Japanese embassies to China were established. Although the missions continued, the transformation of Japan through Chinese influences declined, despite the close connections that had existed during the early Kofun period. ultimately, this proved to be of the greatest benefit to Baekje, as Japanese military support for that kingdom increased. People, many of them artisans and skilled workers, also emigrated to Japan from the Korean peninsula, including two high priests who arrived in Japan in 595: Eji from Goguryeo and Esō from Baekje. Kanroku also came from Baekje, and was a tutor to Prince Shōtoku, counseling him politically. When Japan allied with Baekje, the Goguryeo priests left Japan. The Yamato court, concentrated in the Asuka region, exercised power over clans in Kyushu and Honshu, bestowing titles, some hereditary, on clan chieftains. The Yamato name became synonymous with all of Japan as the Yamato rulers suppressed the clans and acquired agricultural lands. Based on Chinese models (including the adoption of the Chinese written language), they developed a central administration and an imperial court attended by subordinate clan chieftains but with no permanent capital. By the mid seventh century, the agricultural lands had grown to a substantial public domain, subject to central policy. The basic administrative unit was the county, and society was organized into occupation groups. Most people were farmers; other were fishers, weavers, potters, artisans, armorers, and ritual specialists. From 600 to 659, Japan sent seven emissaries to Tang China. But for the next 32 years, during a period when Japan was formulating its laws based on Chinese texts, none were sent. Though Japan cut off diplomatic relations with China, Japan sent 11 emissaries to Silla, and Silla is also recorded in Nihon Shoki as sending embassies to Japan 17 times during the reigns of Emperor Tenmu and Empress Jitō. The ruling classes of Yamato and Baekje were on amicable terms, and Yamato deployed its navy to aid Baekje, in 660–663, against an invasion by Silla and Tang China (see battle of Baekgang). Numerous official missions of envoys, priests, and students were sent to China in the seventh century. Some remained twenty years or more; many of those who returned became prominent reformers. In a move greatly resented by the Chinese, Shotoku sought equality with the Chinese emperor by sending official correspondence addressed "From the Son of Heaven in the Land of the Rising Sun to the Son of Heaven of the Land of the Setting Sun." Shotoku's bold step set a precedent: Japan never again accepted a subordinate status in its relations with China.

The introduction of Buddhism to Japan is attributed to the Baekje king Seong in 538, exposing Japan to a new body of religious doctrine. The Soga clan, a Japanese court family that rose to prominence with the ascension of the Emperor Kinmei about 531, favored the adoption of Buddhism and of governmental and cultural models based on Chinese Confucianism. But some at the Yamato court—such as the Nakatomi family, which was responsible for performing Shinto rituals at court, and the Mononobe, a military clan—were set on maintaining their prerogatives and resisted the alien religious influence of Buddhism. The Soga introduced Chinese modeled fiscal policies, established the first national treasury, and considered the kingdoms of Korea as trade partners rather than as objects of territorial expansion. Acrimony continued between the Soga and the Nakatomi and Mononobe clans for more than a century, during which the Soga temporarily emerged ascendant. In the Taika Reform, the Funeral Simplification Edict was proclaimed, and the building of large kofun (tumuli) was banned. The edict also regulated size and shape of kofun by classes. This ban was renewed throughout the Asuka period, but ended with the Heian period. The pest animals, deer and wild boar, were not affected by this ban.

Taoism was also introduced during the Asuka period. The octagonal shape of monarchs' tombs of this age and the celestial maps drawn in the Kitora and Takamatsuzuka kofun reflect the Taoist cosmology. Taoist belief was eventually amalgamated with Shintō and Buddhism to establish new styles of rituals. Onmyōdō (陰陽道), a sort of Japanese geomancy and cosmology, is one of the fruits of these religious mixtures. While the Asuka period started with conflicts between clans over religious beliefs, later in the period, the imported religions became syncretized with Japan's native folk beliefs.

Some architectural structures built in the period still remain today. Wooden buildings at Hōryū ji, built in the seventh century, show some influence from Chinese and west Asian countries. For instance, the pillars at Hōryū ji are similar to the pillars of the Parthenon of ancient Greece, as seen in their entasis. The five storied pagoda (五重の塔) is a transformation from the Indian mound like reliquary structure called a stupa. In addition, mural paintings in the Takamatsuzuka and Kitora kofun dating from the fifth century show strong influence from Tang dynasty and Goguryeo wall painting. The Japanese Buddhist sculpture art of this period is believed to have followed the style of the Six Dynasties of China. The characteristics of the sculptures of this age are also referred to as Tori Style, taken from the name of prominent sculptor Kuratsukuri Tori, grandson of Chinese immigrant Shiba Tatto. Some of the characteristics of the style include marked, almond shaped eyes, and symmetrically arranged folds in the clothing. The most striking and distinguishing feature of these sculptures is an expression of the smile that is called the "archaic smile". Kudara Kannon at Hōryū ji is the most prominent Buddhist sculpture from this period.

The second stage of Buddhist art, coming after the Asuka (cultural) period, is known as the Hakuho Culture (Hakuhō culture), and is generally dated from the Taika Reform (646) until the moving of the capital to Nara in 710. During the latter half of the 8th century, a large number of songs and poems were composed and performed by various ranked people from warriors to the Emperor. The earliest collection of these poems is known as the Man'yōshū (万葉集). This includes works by several remarkable poets such as Princess Nukata and Kakinomoto no Hitomaro. Waka (poetry) (Waka) also emerged as a new form of poetry at this time. This term was coined to distinguish native styles from those imported from China; within the umbrella of waka poetry, one of the more popular forms is known as tanka (短歌). It consists of a total of 31 Japanese syllables (morae) divided over five lines, in the syllabic pattern 5/7/5/7/7.