Николай Некрасов: Өмірі мен шығармашылығының бастауы

Russian poet, critic, publisher (1821–1878)

Nikolay Alexeyevich Nekrasov was born in Nemyriv (now in Vinnytsia Oblast, Ukraine), in the Bratslavsky Uyezd of Podolia Governorate. His father Alexey Sergeyevich Nekrasov (1788–1862) was a descendant from Russian landed gentry, and an officer in the Imperial Russian Army. There is some uncertainty as to his mother's origins. According to Brokhaus & Efron (and this corresponds with Nekrasov's 1887 autobiographical notes), Alexandra Zakrzewska was a Polish noblewoman, daughter of a wealthy landlord who belonged to szlachta. The church records tell a different story, and modern Russian scholars have her name as Yelena Andreyevna. "Up until recently the poet's biographers had it that his mother belonged to the Polish family. In fact she was the daughter of Ukrainian state official Alexander Semyonovich Zakrevsky, the owner of Yuzvino, a small village in the Podolia Governorate," Korney Chukovsky asserted in 1967. D. S. Mirsky came up with another way of explaining this discrepancy by suggesting that Nekrasov "created the cult of his mother, imparted her with improbable qualities and started worshipping her after her death." In January 1823 Alexey Nekrasov, ranked army major, retired and moved the family to his estate in Greshnevo, Yaroslavl province, near the Volga River, where young Nikolai spent his childhood years with his five siblings, brothers Andrey (b. 1820), Konstantin (b. 1824) and Fyodor (b. 1827), sisters Elizaveta (b. 1821) and Anna (b. 1823). "His was a wounded heart, and this wound that never healed served as a source for his passionate, suffering verse for the rest of his life," the latter wrote. as well as Alexey Sergeyevich's insistence that his son should join the military academy. The biographer Vladimir Zhdanov also mentions the father's unwillingness to pay for his children's education; he certainly was engaged at some point in a long drawn correspondence with the gymnasium authorities on this matter. Finally, in July 1837 he took two of his elder sons back home, citing health problems as a reason, and Nikolai had to spend a year in Greshnevo, doing nothing besides accompanying his father in his expeditions. The quality of education in the gymnasium was poor, but it was there that Nekrasov's interest in poetry grew: he admired Byron and Pushkin, notably the latter's "Ode to Freedom". "By the age of fifteen the whole notebook [of verses] has taken shape, which was the reason why I was itching to flee to the capital," he remembered. The book, reviewed favourably by Pyotr Pletnyov and Ksenofont Polevoy, was dismissed by Alexey Galakhov and Vissarion Belinsky. Several months later Nekrasov retrieved and destroyed the unsold bulk of his first collection; some copies that survived have become a rarity since. The poet claimed later that those early conversations with Belinsky changed his life and commemorated the critic in several poems ("In the Memory of Belinsky", 1853; "V. G. Belinsky", 1855; "Scenes from The Bear Hunt", 1867). Before his death in 1848, Belinsky granted Nekrasov rights to publish various articles and other material originally planned for an almanac, to be called the "Leviathan". and Saint Petersburg Collection (1846), the latter featuring Fyodor Dostoyevsky's first novel, Poor Folk. Gathering the works of several up and coming authors (Ivan Turgenev, Dmitry Grigorovich, Vladimir Dal, Ivan Panayev, Alexander Hertzen, Fyodor Dostoyevsky among them), both books were instrumental in promoting the new wave of realism in Russian literature. Several Nekrasov's poems found their way into the First of April compilation of humour he published in April 1846. Among the curiosities featured there was the novel The Danger of Enjoying Vain Dreams, co authored by Nekrasov, Grigorovich and Dostoyevsky.

In November 1846 Panayev and Nekrasov acquired a popular magazine Sovremennik which had been founded by Alexander Pushkin but lost momentum under Pyotr Pletnyov. Much of the staff of the old Otechestvennye Zapiski, including Belinsky, abandoned Andrey Krayevsky's magazine, and joined Sovremennik to work with Nekrasov, Panayev and Alexander Nikitenko, a nominal editor in chief. In the course of just several months Nekrasov managed to draw to the invigorated magazine the best literary forces of Russia. Among the works published in it in the course of the next several years were Ivan Turgenev's A Sportsman's Sketches, Dmitry Grigorovich's Anton Goremyka, Ivan Goncharov's A Common Story, Alexander Hertzen’s Magpie the Thief and Doctor Krupov. One of the young authors discovered by Nekrasov was Leo Tolstoy who debuted in Sovremennik with his trilogy Childhood, Boyhood and Youth. His way of befriending censors by inviting them to his weekly literary dinners proved to be another useful ploy. Gambling (a habit shared by male ancestors on his father's side; his grandfather lost most of the family estate through it) was put to the service too, and as a member of the English Club Nekrasov made a lot of useful acquaintances. In June 1862, after the series of arsons in Petersburg for which radical students were blamed, Sovremennik was closed, and a month later Chernyshevsky was arrested. In December Nekrasov managed to get Sovremennik re opened, and in 1863 published What Is to Be Done? by the incarcerated author. "Nekrasov's poems brandish like fire," wrote Turgenev. "Nekrasov is an idol of our times, a worshipped poet, he is now bigger than Pushkin," wrote memoirist Elena Stakensneider. and Korobeiniki (1861). The latter was originally published in the Red Books series started by Nekrasov specifically for the peasant readership. These books were distributed by 'ophens', vagrant traders, not unlike the korobeinikis Tikhonych and Ivan, the two heroes of the poem. In February 1877 groups of radical students started to arrive to Yalta from all over the country to provide moral support for the dying man. Painter Ivan Kramskoy came to stay and work upon the poet's portrait. One of the last people Nekrasov met was Ivan Turgenev who came to make peace after years of bitter feud. Nikolai Alekseyevich Nekrasov died on 8 January 1878. Four thousand people came to the funeral and the procession leading to the Novodevichy Cemetery turned into a political rally. Members of Zemlya i Volya, alongside other radical groups (with wreaths "From the Socialists"), were also present. "His funeral was one of the most striking demonstrations of popularity ever accorded to a Russian writer," according to Mirsky.

Nikolai Nekrasov met the already married Avdotya Panayeva in 1842 when she was already a promising writer and a popular hostess of a literary salon. The 20 year old Nekrasov fell in love but had to wait several years for her emotional response and at least on one occasion was on the verge of suicide, if one of his Panayeva Cycle poems, "Some time ago, rejected by you " is to be believed. For several years she was "struggling with her feelings" (according to Chernyshevsky), then in 1847 succumbed. "This was the lucky day I count as my whole life's beginning," wrote Nekrasov later. It is only these poems that the nature of their tempestuous relationship could be judged by. There was a correspondence between them, but in a fit of rage Panayeva destroyed all letters ("Now, cry! Cry bitterly, you won’t be able to re write them," – Nekrasov reproached her in a poem called "The Letters"). Several verses of this cycle became musical romances, one of them, "Forgive! Forget the days of the fall " (Прости! Не помни дней паденья ) has been set to music by no less than forty Russian composers, starting with Cesar Cui in 1859, and including Rimsky Korsakov and Tchaikovsky. In 1849 Panayeva gave birth to a son, but the boy soon died. Another death, of Ivan Panayev in 1862, drove the couple still further apart. The main reason for Panayeva's final departure, though, was Nekrasov's 'difficult' character. He was prone to fits of depression, anger, hypochondria and could spend days "sprawling on a couch in his cabinet, greatly irritated, telling people how he hated everybody but mostly himself," according to Zhdanov. In 1863, while still with Panayeva, Nekrasov met the French actress Celine Lefresne, who was at the time performing at the Mikhaylovsky Theatre with her troupe. She became his lover; Nekrasov, when in France, stayed in her Paris flat several times; she made a visit to Karabikha in 1867. Celine was a kindred spirit and made his journeys abroad a joy, although her attitude towards him has been described as 'dry'. Nekrasov helped Celine financially and bequeathed her a considerable sum of money (10,5 thousand rubles). In 1870 Nekrasov met and fell in love with 19 year old Fyokla Anisimovna Viktorova, a country girl for whom he invented another name, Zinaida Nikolayevna (the original one was deemed too 'simple').