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Experimental rock music mixed with noise
the specific genre

Noise rock (sometimes called noise punk) is a noise oriented style of experimental rock that spun off from punk rock in the 1980s. Sonic Youth's Thurston Moore has stated: "Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co opted, and this subterranean noise music and the avant garde folk scene have replaced it."

While the music had been around for some time, the term "noise rock" was coined in the 1980s to describe an offshoot of punk groups with an increasingly abrasive approach. An archetypal album is the Velvet Underground's White Light/White Heat (1968). Les Rallizes Denudés quickly adopted the noise elements developed by the Velvet Underground in White Light/White Heat and The Velvet Underground & Nico by creating long improvisational songs based on feedback and the use of heavy distortion. The band moved toward an increasingly noise based sound in the 1970s, influencing a great number of artists in the Japanese noise and psychedelic rock scene. The 1960s groups Red Krayola, Cromagnon, and Nihilist Spasm Band are other bands that were later assessed by some music critics and journalists to be early pioneers of what would become noise rock.

Guitarist Steve Albini of noise rock band Big Black stated in 1984 in an article that "good noise is like orgasm". He commented: "Anybody can play notes. There's no trick. What is a trick and a good one is to make a guitar do things that don't sound like a guitar at all. The point here is stretching the boundaries." He said that Ron Asheton of the Stooges "made squealy death noise feedback" on "Iggy's monstruous songs". The Jesus Lizard emerged in the early 1990s as a "leading noise rock band" in the American scene with their "willfully abrasive and atonal" style. Later notable bands of the noise scene were Liars, Season to Risk and Unsane. While noise rock has never had any mainstream popularity, the raw, distorted and feedback intensive sound of some noise rock bands had an influence on shoegaze, which enjoyed some popularity in the 90s, especially in the UK, and grunge, the most commercially successful. Among them are Wisconsin's Killdozer, Chicago's Big Black, and most notably San Francisco's Flipper, a band known for its slowed down and murky "noise punk". The Butthole Surfers' mix of punk, heavy metal and noise rock was a major influence, particularly on the early work of Soundgarden. Starting in the 1990s, noise punk developed mostly as a form of party music, with the band Lightning Bolt serving as key players in the 2000s noise punk scene in Providence, Rhode Island, although Brian Gibson, the band's bassist, is dismissive of the noise punk label, stating "I hate, hate, hate the category "noise punk" I really don't like being labeled with two words that have so much baggage. It's gross."