Ирландские и шотландские фили: поэты-провидцы и их роль в обществе.

Class of poets in Ireland and Scotland

The fili (or filè) , plural filid, filidh (or filès), was a member of an elite class of poets in Ireland, and later Scotland, up until the Renaissance. The filid were believed to have the power of divination, and therefore able to foresee, foretell, predict – important events. In an early society where most people were illiterate – including its hierarchy of chieftains, sub kings and kings – the oral tradition was an important means of communicating current news and historical events. As both a poet and storyteller, the fili would hope to gain a professional reputation for the
authenticity and reliability of their information. See also wiktionary:

Old Irish < fili > "poet, seer". Old Irish < filidecht > "poetry, divination". Modern Irish < file > "poet". Modern Irish < filí > plural of file.

The term fili likely derives from primitive Irish ᚃᚓᚂᚔᚈᚐᚄ]VELITAS]; from Proto Celtic *weleti ("to see"); and Proto Indo European *wel ("to see, perceive"). An etymology from PIE welo is offered by Matasović. He notes: "The semantic development of Olr. fil was from 'Lo, behold' (lmpv. of *wel o 'see') to 'there is'. Olr. file [d m] 'poet' is a derivative from this root (cf. Ogam Gen. sg. VELITAS). The original meaning was 'seer', PCelt. *wel et ." The word "fili" is thought to derive from the Proto Celtic *widluios, meaning "seer, one who sees" (attested on the Gaulish inscription from Larzac as "uidluias", which is the feminine genitive singular form), derived ultimately from the verb *widlu , "to see". This may suggest that the filid were originally prophetic poets, who foretold the future in the form of verse or riddle, rather than simply poets.

There were seven orders of fili, the highest order being the ollam, which required at least 12 years of training. The ollam were required to commit to memory 250 major tales and 350 minor ones.

The Ollamh Érenn was the master poet of Gaelic Ireland (the whole of Ireland "beyond The Pale"). There was a hierarchy of master poets:
Each túath (tribal territory) had its own ollam. Each province had a head ollam above the túath ollams. The Ollamh Érenn was the head ollam above all others.

The ancient traditions of the inauguration ceremony at Scone beside the River Tay in Scotland, including the recital of the future kings ancestry, probably originated from the Hill of Tara in County Meath, Ireland. Those traditions were introduced into Scottish Dal Riata – from Irish Dal Riata – where the ceremony was known as do gairm rig "Proclamation of the king". The Dal Riata community later moved east to the Perthshire region of Scotland, following Viking attacks on the west coast in the 9th century.

The term poet is misleading, because the filid had extraordinary power and influence over the kings and political leaders who sponsored them. It was important for leaders to treat the filid with respect, and to reward them handsomely, in order to get good quality information on current affairs. The filid had the ability to portray their sponsors in a positive or negative way, and to influence neighbouring leaders. At the darker and more extreme end of the scale – if leaders failed to treat the filid with due respect – they ran the risk of satire – a kind of blackmail – whereby the filid might ridicule them in front of neighbouring leaders. The filid were believed to have the power of divination, and therefore able to foresee, foretell, predict – important events. It was also feared that they might have the power to influence future events.

The fili maintained an oral tradition that predated the Christianisation of Ireland. In this tradition, poetic and musical forms are important not only for aesthetics, but also for their mnemonic value. The tradition allowed plenty of room for improvisation and personal expression, especially in regard to creative hyperbole and clever kenning. However, the culture placed great importance on the fili's ability to pass stories and information down through the generations without making changes in those elements that were considered factual rather than embellishment. In this manner, a significant corpus of pre Christian myth and epic literature remained largely intact many centuries into the Christian era. Much of it was first recorded in writing by scholarly Christian monks. The synergy between the rich and ancient indigenous oral literary tradition and the classical tradition resulted in an explosion of monastic literature that included epics of war, love stories, nature poetry, saint tales and so forth which collectively resulted in the largest corpus of non Latin literature seen in Europe since Ancient Greece.

The ultimate accommodation of Christianity within Irish Gaelic society resulted in a strain on the resources of the Chiefs and in that they were required to provide land and titles for both fili and bishop alike. Consequently, a decision was made in the 6th century to limit the number of fili to certain families who were respected and believed to be poets as a birthright. The greatest of these families included the Ó Dálaigh (O'Daly), several of whom were accorded the rank of 'chief ollamh of poetry of all Ireland,' and Ó hUiginn (O'Higgins) who were hereditary filí in more than one Gaelic house such as O'Conor Slighit, The MacDermotts, The McDonagh and O'Doherty. The Ó Cobhthaigh (Coffey's) were known as the fili of Uisneach. The Ó Maol Chonaire were chiefly Ollamhs of the Síol Muireadhaigh, the Ó Conchubhair Donn and the MacDermot of Moylurg, although this family was also associated with Ulster and spread from Connacht into the courts of Munster and Leinster. Finally the Ó Cléirighs who served the O'Donnel chieftains of Tír Connell. The hereditary poets that were a fixture of court life in medieval Ireland serving as entertainers, advisors and genealogists maintained practices of and enjoyed a similar status as the pre Christian fili. But from the 12th century onwards, Anglo Norman elements had increasing influence on Irish society. As Gaelic culture waned, these folk became increasingly involved with written literature and such non native traditions as heraldry. Nonetheless in Gaelic society the chief filí of the province, or Ollamh, was seen as equal status to the Ard rí, or High King. This high social status existed right into Elizabethan times, when English nobility were horrified to see the Gaelic chieftains not just eating at the same table as their poets, but often from the same dish. Eventually classical literature and the Romantic literature that grew from the troubadour tradition of the langue d'oc superseded the material that would have been familiar to the ancient fili.